Posted in: Disc Reviews by David Annandale on February 8th, 2008
Here we are again with a semi-themed collection of SpongeBob cartoons (seven in all, for a brief 77 minute running time). Food is the recurring theme here, with the title episode seeing SpongeBob creating a Krabby Patty so perfect that he falls in love with it, and keeps it with him until Patty can be charitably described as “festering.” Collections like this don’t exactly have the same value as a complete season, but that doesn’t change the fact that the nautical nonsense at work here is, as ever, pretty damn funny.
Audio
Posted in: Disc Reviews by David Annandale on February 8th, 2008
Sarah Caine (Lisa Pepper) is a newspaper columnist whose career is in a rough patch – her work lacks inspiration, and she is barely syndicated anymore (only two newspapers still carry her). But perhaps her muse is soon to be revived. Her Amish sister dies, leaving her children in Sarah’s care. Cue the culture shock as Sarah travels from the Big Smoke (well... Portland, anyway) to the Amish community, and then again as the children come back with her.
The warning signs arrive with the opening credits. The film is a co-production of Believe Pictures and Redemption Films. Uh-oh. The very names of the studios indicated that actual filmmaking is going to take a back seat to proselytizing, and sure enough, that’s what follows. Performances and script are strictly at the level of community theatre. What poor Elliott Gould is doing here (as Sarah’s editor) is anybody’s guess. He does his best to make his lines sound less stale than they are. Here’s hoping he was paid well.
Posted in: Disc Reviews by Archive Authors on February 6th, 2008
In the Valley of Elah is the second film I’ve seen recently that addresses the condition of soldiers returning from the Iraq war. Unlike Home of the Brave, however, Elah is actually a strong film with impressive performances and a story that hooks you and holds on to the end. It’s a Paul Haggis production – the two-time Oscar winner wrote, directed and produced the film – so Elah has some serious cred right off the bat, thanks to the success of other Haggis projects. Maybe you’ve heard of Crash, best picture winner of 2004, Million Dollar Baby or Letters From Iwo Jima?
Those credits aside, In the Valley of Elah’s best feature is a masterful performance by Tommy Lee Jones (No Country for Old Men), who’s up for a best actor Oscar for his portrayal of an old-school army veteran searching for his son.
Posted in: Dare to Play the Game, News and Opinions by Michael Durr on February 6th, 2008
The Devil May Cry over installation, Stop smashing my Poker, and downloading from Xbox Live could make you a winner? - Welcome to the column that thinks that DLC is something you might want to change your pants afterwards known as Dare to Play the Game.
Welcome to another edition of Dare to Play the Game. Level 17, ding ding ding. Okay so I'm still playing World of Warcraft (I still have a strange inclination to call it Whorecraft, cause I feel like a dirty dirty one). My new toy has to be the lockpicking skill. I already got it up to 62 which I know for non-noobs is nothing but I'm digging it. I'm completely fascinated by the pick-pocketing skill too. I'm starting to get the mindset where I want to walk into something dangerous and get a cool item. Then get the heck out of dodge. But then again, maybe I just want to mine and help noobies out cause I'm that kinda good natured person. Before anybody asks, no I'm not interested in PvP. I'm talking about grabbing something valuable right from under somebody's nose. Alliance that is and for the Horde.
Posted in: Disc Reviews by Gino Sassani on February 4th, 2008
I have watched these DVD episodes of the Ira Glass series This American Life, some segments more than once, and I have to say I just don’t get it. Perhaps it is because I never heard the radio program on which they are based. It is a somewhat popular show with a cult following. I tend to avoid public radio at all costs as it is far too heavy handed in its liberal politics for my particular tastes. Still, I approached the series with an open mind that knew literally nothing going in. I’m sorry to report that I still seem to know nothing about the show. So I began to try and research the series and found there is remarkably little information out there on it at all. Even Showtime, where the series originally airs, offers precious little about the program. I can’t even get a good handle on what kind of a show it is trying to be. The commentaries suggest it is a documentary of sorts, but their banter also makes one believe that they are actually attempting to spoof the documentary. Bad news Ira, Michael Moore’s already been doing that for years.
Posted in: Brain Blasters by David Annandale on February 2nd, 2008
Every few years, word arrives that the much-lamented Hammer Studios will shortly rise from the ashes. Back in the 90s, for instance, Richard Donner was supposed to be behind a resurrection of the Quatermass films. Well, the word has arrived again, and the revived Hammer has gone at least as far as releasing a teaser trailer and a set visit for its first production in decades: a vampire tale called Beyond the Rave.
You’d think I’d be ecstatic. I love the old Hammer films. When I was a wee tyke, I read about them in my first horror film book. Denis Gifford was writing in 1973, did he but know it very close to the end of the Hammer era. Some of his comments are ironic in one sense or another today. In his introduction, he speculates that “Perhaps time will add its own patina to the Hammer horrors of today.” Very true. But: “In quantity Hammer films are fast approaching Universal, but in quality they have yet to reach Monogram.” Harsh, and history has certainly reached the contrary conclusion, elevating Hammer’s efforts far above those of that poverty row studio. Something else Gifford says has bearing on today’s subject: “The new age of horror was geared to a new taste. Where the old films had quickly cut away from the sight of blood, Hammer cut in for a closeup.” Well, The Curse of Frankenstein and its ilk look pretty tame today, but they were strong meat in their day, and yes, Hammer offered much that was new even as it revived classic gothic horror, which had effectively vanished from the face of the earth from 1946 until 1957, when Hammer stepped up to the plate.
Posted in: Disc Reviews by Archive Authors on January 31st, 2008
I remember when Ocean’s Eleven was first announced, and how disappointed I was. Steven Soderbergh was already well-respected by critics and serious film buffs due to his films Sex, Lies & Videotape, Out of Sight, Erin Brockovich and Traffic. He was the last person in Hollywood that needed to sell out to the masses by directing a re-make packed with eye candy. Not only that, but he chose to re-make a fantastic film that starred the Rat Pack. Essentially, Soderbergh decided to go to Vegas and relieve himself on the legacy of Frank Sinatra in the name of the almighty dollar. Imagine my surprise when I saw the film, and it was nothing short of fantastic; an amazing re-creation of the spirit of the original film, while updating the plot to be both modern and classic at the same time. Soderbergh had won me over. Even with all that success, I never expected a sequel. The sequel, cleverly titled Ocean’s Twelve, was something of a letdown. It was missing the slick feel of the original, and it seemed like everybody simply phoned it in. I still enjoyed it, but it was nowhere near as fun as the first. Now we come to Ocean’s Thirteen, which sees the crew finally return to their Vegas roots. While I still consider Eleven to be the best film in this series, Thirteen is a worthy follow up. The camera work is clever, the story is tight, and the acting is sharper than the previous iteration. Newcomer Al Pacino does his usual fantastic work here, and the whole film moves along at a quick pace that keeps the action exciting from start to finish, with no lulls. The whole point of this film is cool, and it delivers completely. VideoI love movies shot in Vegas. The lights on the strip and in the casinos always pop in a way that is more spectacular than any other location on earth. This is a golden opportunity to really show off what the standard DVD format can do. Unfortunately, this disc just looks horrible. Images are way too dark, even during the daytime in the desert. The images severely lack definition, and they are very grainy. There is also a real problem with edge enhancement that makes many of the stars’ faces appear nowhere near as sharp as they should be. AudioThe audio here is a mixed bag. On the one hand, the music is fantastic; cool, peppy and slick. On the other hand, the audio quality it self is pretty average. There is not a lot of punch from the subwoofer, the surrounds are sparse, and the whole thing is lacking the flash that I was hoping to hear from such a slick film. Special FeaturesIt’s a real shame to say it, but the special features included on this disc are slim. In addition to the inclusion of some deleted scenes, there are also two special features here. The first is called Vegas: An Opulent Illusion- Las Vegas’ Influential Design Sense. See, now all this time I thought Las Vegas was the pinnacle of trashy design, but apparently I was mistaken. Independent of taste, this featurette appears to be a Travel Channel segment that discusses the architecture of Sin City, and is actually a very interesting and first-rate documentary segment. The other featurette is called Jerry Weintraub Walk and Talk- The producer takes us on a casino tour. This is actually a tour of the indoor set where this film was shot, and it reminded me of a similar extra that Martin Scorsese did on the Gangs of New York DVD. Unfortunately, it just lasts a little over two minutes. Final ThoughtsTo put it simply, good movie, bad disc. While not up to the same standard set by Ocean’s Eleven, this is a very entertaining film that deserves much better treatment on DVD. It’s possible that the HD DVD version fixes many of the audio and video problems present here, but I can not attest to that. Given the poor quality of the presentation here, however, I can only imagine that HD would be the way to go.
Posted in: Disc Reviews by Michael Durr on January 31st, 2008
Director's cut can be a misleading term. The very definition of cut means to take away. A lot of Director's Cuts add in footage to the original release to make it longer. Then there are Director's Cuts which don't even involve the director. They involve a team which could possibly care less about whether the finished product resembles a movie or a saturday morning cartoon. Then there are Director's Cuts which involve a family member like a son. That my friends is another animal indeed.
Erik (played by Tim Robbins) never got the Viking handbook on pillaging, plundering and raping. After a bout of self realization and a talk with his grandfather (played by Mickey Rooney), he decides to take his crew aboard his ship in search of Valhalla. There he will ask the gods to end the age of Ragnorok and bring sunlight to his home once again. However, along the way he takes a Odyessey-esque journey as he encounters everything from a dragon with hay fever to the people of Hy-Brasil to a rival monarch named Halfdan the Black (played by John Cleese) that stand in his way. This begins a hilarious escapade on the Viking Life and might even involve an invisibility cloak or two.
Posted in: Expired Contests by Archive Authors on January 30th, 2008
Well it has all come down to this... Day 12 of our 12 Days Of Contests promotion. Today, to wrap it all up, we are giving 2 copies of the 6-disc (2x6= 12) set Atlas of the Natural World - Africa/Europe released by BBC.
So - enter away below by commenting! We have extended the draw dates for all 12 of our "12 Days of Contests" contests to Tuesday, February 5th... so check back at that time so see who won!
Posted in: Dare to Play the Game, News and Opinions by Michael Durr on January 30th, 2008
Wii equals gimmick, PS3 overtakes 360, and could a Bear stop piracy? - Welcome to the column that lives in a tiny little farming community called bizzarro world but known to the gaming community as Dare to Play the Game.
Welcome to another edition of Dare to Play the Game. Level 13 is the magic number for my Troll Rogue (Lantanador) in WoW. I've spent most of the last week improving my mining & blacksmithing skills. I'm just happy that I can make a Copper Short Sword all by myself. Too bad my rogue uses daggers and other small weapons. I finally started shopping for gear at the auction house which is expensive but does yield some excellent items. But the idea of professions is an interesting one and does give you the feel of doing something more than defeating monsters, solving quests and getting money. I still think they need to lower the price point though. That's the only barrier I can't wrap my head around. Good game, sure. Worth $15 a month, I still don't see it *shrug*.






