Posted in: Disc Reviews by Archive Authors on November 27th, 2006
I�m never up on the film festival scene, so it�s no surprise to me that I�ve only just discovered Tom Zuber�s Little Athens, even though it was an official selection of the Toronto Film Festival back in 2005.
My three favourite things about this movie are its strong cast, solid story and the unique cinematography. Actually, make it four things, because the soundtrack is also pretty excellent.
Posted in: Disc Reviews by Archive Authors on November 26th, 2006
Natalie Portman stars in V for Vendetta, cast in a role unlike what I typically expect from her, a dialogue driven action movie with a serious tone to it. This movie even got me thinking a little bit about mankind’s intolerance of other man and how far society has to go to protect itself. I enjoy movies of this nature, you know the kind taking place in a not to distance future and not so distant problems, but a drastically different way of life. Something these movies always have in common is the civil rights ...hat are stripped from society for “beneficiary” reasons and leadership is in the form of a dictatorship. Basically, mankind takes a step back and a docile society is brought forward. Curfew and the inability to freely express oneself via certain forms of art and music plague a futuristic England. The real question here being, would you rather live in a world with few forms of expression and the inability to be a non-conformist but with crime almost non-existent? Comparable to the movie Equilibrium before it, the people in this future must sacrifice these certain rights in order to live in a “safe” environment.
The movie also has obvious Nazi undertones; the most obvious would be the rise and rule of Chancellor Adam Sutler, which shares similar traits and action of Adolph Hitler. The way the speeches are conducted, and the way the personal army of the Chancellor have rule of the streets all seem to remind me of the Nazi regime. I believe this element of the film makes it much more real to the viewer, seeing as fear tactics have and still are being used by government officials today.
![V for Vendetta [HD DVD] dvd cover art](https://upcomingdiscs.com/ecs_covers/v-for-vendetta-hd-dvd-large.jpg)
Posted in: Disc Reviews by Archive Authors on November 25th, 2006
Synopsis
The concept of JAG is pretty simple, I mean, it’s A Few Good Men on the small screen, using sets and footage from other recent armed forces films and hopefully enough pretty people that viewers will enjoy it. However, that wasn’t the case initially, but JAG is one of those shows that helps prove how sometimes you’ve got to give enough time for people to catch onto it before it takes hold.
Posted in: Disc Reviews by Archive Authors on November 25th, 2006
Synopsis
Back when it first aired on Comedy Central in a previous incarnation as a television series, Strangers With Candy was an interesting enough premise. Take a menopausally challenged, recently released prisoner named Jerri Blank (Amy Sedaris, Elf) who decides to return home for the first time in over three decades to try and get a new start and throw her into high school. Now, not knowing how good or bad the show did, it must have had some sort of following, because there’s a movie out ...ow from which said television series is inspired.
Posted in: Disc Reviews by Archive Authors on November 25th, 2006
(Portions of this review have been pulled from the original one-disc version of Ronin, which can also be found in the reviews portion of the site)Synopsis
I think the only thing I remember about Ronin initially was that Robert DeNiro (Heat) was involved in some scandal involving a French "house of ill-repute" or something along those lines. But when Ronin was released, people quickly forgot about that mess, as what came from it was an action film that put a little more e...fort into the characters than other action films. But that’s not to say the action scenes were neglected; the car chase scenes that negotiate through winding French country roads, and through city sidestreets so narrow you couldn’t open either car door to get out of the car, are some of the most nail biting in recent memory. Based on J.D. Zeik’s story and rewritten by Richard Weisz, a.k.a. David Mamet, Ronin’s introduction is a title card about Japanese samurai without a master, who are mission-less assassins. As a US operative named Sam, DeNiro is introduced almost immediately to the group, who include Frenchman Vincent (Jean Reno, Leon), the Russian, Gregor (Stellan Skarsgard, Dogville) and the Brit, Spence (Sean Bean, Lord of the Rings). Their liaison between them and their employer is the Irish lass Deirdre (Natascha McElhone, Solaris), and their object is a briefcase whose contents are mysterious.
Posted in: Disc Reviews by Archive Authors on November 25th, 2006
Synopsis
With Casino Royale now out in theaters and being shown to a mostly positive audience, let’s all take a step back and remember that James Bond just celebrated an anniversary in 2002 with the release of Die Another Day. The film was the twentieth in the Bond legacy, and Brosnan’s fifth (and last) in the role. How does it stack up?
Posted in: Game Reviews by Michael Durr on November 25th, 2006
Opening
I knew that when they announced Guitar Hero 2 many moons ago, I would be running not walking to my local EB Games and procuring the game ahead of time. I mean what was there to not love about the first one, hard rocking music, every air guitarist's dream and addictive gameplay. I am happy to report that the second is more of the same; there are new songs, new levels of difficulty, and the same great gameplay albeit with a few new quirks. However, don't let that little flaw deter...you from this great game. Read on young air guitar aficionado!
Posted in: Brain Blasters, News and Opinions by David Annandale on November 24th, 2006
If the exploitation film is the dark underbelly of mainstream cinema, then the rape revenge movie is the dark underbelly (or one of those dark underbellies) of the exploitation film. It is a form that has more exemplars than many would like to think, and has extended its tendrils into the mainstream, whether that be in the form of made-for-TV movies or theatrical ones. Carol Clover, in her excellent study Men, Women and Chainsaws: Gender in the Modern Horror Film sees a direct link between the most notorious o... the rape revenge films – I Spit On Your Grave (1978) – and the Oscar -winner The Accused (1988). One, though, she argues, is more honest in the way it confronts the issues than the other, and the honest one is not the one starring Jodie Foster.
I Spit On Your Grave is undoubtedly a nasty piece of work, what with its near-interminable rape scene that makes one sigh with relief once the castration gets going, but there is another film arguably even more unpleasant, and certainly even more peculiar: Thriller: A Cruel Picture (1974). This was released, in truncated form, in the States as They Call Her One Eye, and its eye-patched heroine is the obvious visual inspiration for the Elle Driver character in Quentin Tarantino’s Kill Bill.
Posted in: Disc Reviews by Gino Sassani on November 24th, 2006
No monster movie is bigger than King Kong. AFI members recently considered King Kong to be the most influential film ever. The original King Kong has inspired more filmmakers, actors, and technicians than any film in Hollywood’s history. The score is considered the first modern film score. For the first time the music is timed to accent certain aspects of the action. Willis O’Brien practically invented movie special f/x with his revolutionary stop motion technique seen earlier on The Lost World. One of those filmma...ers so inspired was director Peter Jackson. It seems none of the wonderful journey that was Lord of the Rings would exist on celluloid if not for King Kong. At 12 years old, Jackson set out (unsuccessfully) to create his own version of the iconic film and has apparently dreamed of remaking it ever since. After a hopeful but aborted start in 1996, Peter Jackson finally brought his childhood fantasy to life, and was it ever worth the wait.
The first question you might ask is how does this film compare with the original or the 1976 Kong? This film simply blows away the 1976 debacle. As for the original? Obviously the 70 years of f/x progress means that Kong himself shows the greatest improvement. No question the stop motion Kong was the most spectacular thing 1933 audiences had ever seen. Today we live in a computer age where if you can imagine it someone can bring it to life. Jackson’s WETA Digital is very much like George Lucas and ILM. In New Zealand they are movie f/x. Unlike Lucas, Jackson integrates his f/x so intimately into the action that we cease to think of them as movie magic. Lucas tends to overload each scene with a “look ma what I can do” overindulgence. Andy Serkis plays the Kong character as he did with Gollum so that the other actors have something real to act against. His emotional range gives Kong a façade of realism that sucks us into the story without really thinking about the f/x. So, like the original, Kong is a real character to us, capable of feelings and deserving of our empathy When he finally slips from the tower of the Empire State Building, we share an emotional moment with Ann (Watts) that can only be possible for a real being. The film is far longer than the original. In this extended version Jackson’s Kong is about double the original’s running time. Jackson’s Skull Island, while richly detailed and far more elaborate than the original, maintains the illusion that we are in that same place. The creatures are purely magic, rivaling the best we’ve seen from Jurassic Park.
Posted in: Disc Reviews by Archive Authors on November 24th, 2006
Synopsis
John Steinbeck, looking and sounding remarkably like James Ellroy, and coming across as surprisingly two-fisted given the overall tone of the movie, introduces a quintet of stories by O. Henry. “The Cop and the Anthem” features Charles Laughton as a dignified bum trying unsuccessfully to get himself arrested so he can spend the winter in a nice, warm prison (Marilyn Monroe is one of the top-billed, but she has only one brief scene here). “The Clarion Call” has Dale Robertson as a detective w...o realizes that a wanted murderer is, in fact, a childhood friend to whom he owes a huge debt. The friend is played by Richard Widmark, who shamelessly recycles his psycho act from Kiss of Death, right down to the hyena laugh. In “The Last Leaf,” Anne Baxter struggles to convince her pneumonic sister (Jean Peters) that life is worth living. “The Ransom of Red Chief” is the tale of two con-men (Fred Allen and Oscar Levant) who kidnap a young boy and very quickly wish they’d never clapped eyes on the holy terror. And “The Gift of the Magi,” the most famous story of the bunch, is the Christmas tale of a young couple (Jeanne Crain and Farley Granger) who give up their most treasured possessions in order to buy each other a special gift.
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