Posted in: Disc Reviews by Archive Authors on September 3rd, 2006
Synopsis
This is the second film starring Lindsay Lohan that I’ve reviewed for Upcomingdiscs, the first being Herbie: Fully Loaded. So I guess you could call me a LoFAN, get it? But in doing an IMDB scan for the credits on Just My Luck, I’ve found that one of the producers is Bruce Willis. Yes, Bruce Willis from Die Hard. So I guess the bigger question is why didn’t Bruce appear in this film? Surely he could have made it a little more entertaining for me to watch.
Posted in: Disc Reviews by Archive Authors on September 3rd, 2006
Synopsis
Protestors and loggers are in conflict over the cutting of trees on an isolated island. Unbeknownst to both groups, the logging company has been experimenting with something dangerous, and when this substance gets into the blood of an injured logger, he becomes a flesh-eating zombie, quickly spreading the virus. The son of the chairman of the board flies in to see why contact has been lost, and is quickly caught up in the desperate battle for survival.
Posted in: Disc Reviews by Archive Authors on September 2nd, 2006
Synopsis
The jacket copy says it better than I could: “Museum director Dr. Zita Furneaux (Kylie Wyote), empowered by the Egyptian goddess Nephthys (Andrea Smith), regains her lost youth by dispatching a living Mummy to kidnap sexy young women, from whom she steals their ‘kas’ (spiritual twins), turning them into zombie-like love slaves. Reporter Elyse Lam (Christine Nguyen), investigating the case of the missing women, also falls prey to Zita’s lusts. But when Zita defies Nephthys... you’ll have to s...e this ‘horrotic’ sequel to the cult hit The Mummy’s Kiss
Posted in: Disc Reviews by Archive Authors on September 2nd, 2006
Taylor Hackford’s drama Ray tells the remarkable story of singer Ray Charles’ life – dealing with subjects such as his drug addictions, his blindness and his family. We also get a look into his various recordings, his quick rise to stardom and his impact within the recording industry. More notable then the film itself is the Oscar-winning performance of Jamie Foxx in the lead role. Foxx does a fabulous job in his portrayal of Charles - most deserving of his Best Lead Actor statue.
There are scene... where, according to Director Hackford, Foxx acted so similar to Charles that he couldn’t distinguish between the two. Foxx did an unimaginable amount of work into acting just like Charles – from researching his life, to jamming and meeting with Charles himself, to wearing prosthetics over his eyes making him partially blind. In fact, Foxx is so truly good that you sometimes forget that Foxx is actually acting and wonder sometimes if Charles himself was acting in the film. Yes, Foxx is truly that good in this roll.
Posted in: Brain Blasters, News and Opinions by David Annandale on September 1st, 2006
Back in the sixties, Gamera was Godzilla’s poor, trailer-trash cousin. This flying, fire-breathing turtle (but of course!) gallumphed his way through a series of films. The first, under its North American release title Gammera the Invincible (the one time there was a double “m” in the name), is a pretty decent monster flick for that period, with some fine destruction, and introduces Gamera’s fondness for children (so though he trashes cities, he can’t be all bad). US-shot scenes were added to the original, and...the producers seem to have gone out of their way to find a Japanese actor whose mispronunciation of English was as stereotypical as possible (as his every “l” becomes an “r,” imagine how he utters the line, “Our fuel supplies are dangerously low”). The subsequent films degenerated almost immediately into full-on juvenilia. Most of these films are available in one form or another (none fabulous) from various budget labels. Check the bins at Wal-Mart.
Flash-forward to 1995. After a long hiatus, the turtle came back in Gamera: Guardian of the Universe. And everything changed. Where before the Gamera pics were hard-pressed to live up to even the weakest of the Godzilla movies, now the situation was reversed. Director Shusuke Kaneko here began a trilogy that set a new high watermark for giant monster movies. Gamera is now the creation of a lost civilization, and his mission is to defend the Earth against whatever might threaten it. In this case, the threat is the flying monster Gyaos, though it could almost as easily have been humanity. There are scenes of stunning pictorial beauty, and the monster battles are as thrilling as the child in you remembers the fights being in the older Godzilla flicks. One scene in particular (involving a failed missile attack on Gyaos) was stolen holus bolus by Dean Devlin and Roland Emmerich for their misbegotten Godzilla (1998), but rendered nonsensical.
Posted in: Disc Reviews by David Annandale on September 1st, 2006
Cult Epics' series takes a step back in time with this release. The last one took us to the 1950s, and now we go considerably further back. Where to go next I'm not sure, but anyway, this is an interesting collection of antique porn. That this is a French import is obvious not only from the fact that all the films hail from there, but also from the fact that the jacket copy has been rather clumsily translated into English. But never mind. The films, while hardly masterpieces, are fascinating little curios, and it says something that pieces such as "Le Verrou" actually expected their target audience to know who Fragonard was (the starting point of the short is a recreation of the painting of the same name). Also intriguing is an pornographic cartoon from twenties - now that-s something you don't see every day.Audio
As opposed to the running-projector-noise that accompanied the previous release, there is a music score for each film. The sound is mono and quite rough, but to be frank, given what's on display here, stunning surround sound would seem weirdly out of place. At any rate, the job is done quite adequately. "Le Verrou" has a new score (complete with come crackles and pops).
Posted in: Disc Reviews by Archive Authors on September 1st, 2006
Synopsis
Young bride Anabel Shaw arrives at a San Francisco hotel to meet her husband, on his way back from a POW camp. His plane is late, and as she anxiously awaits him, she witnesses Vincent Price kill his wife in the next room over. She lapses into shock, and is found in this state when her husband arrives. The best psychiatrist around is summoned, and uh-oh, that turns out to be Price, who realizes why Shaw is in shock. He has her carted off to his private clinic, where he and lover Lynn Bari pl...t to keep her in shock permanently.
Posted in: News and Opinions by Archive Authors on August 31st, 2006
Discussing the old school DVD’s that still sound and look great in the era of Blu-Ray and HD-DVD technology.
Say what you will about Star Wars: Episode I -- The Phantom Menace, but there’s no doubting that it’s one of the best sounding films of all time on DVD. In my opinion, it is THE BEST. By now the film looks a little outdated, grainy in places and just fuzzy and washed out in others despite being certified by THX, but the sound more than makes up for it.
Posted in: Disc Reviews by Archive Authors on August 31st, 2006
Johnny Depp continues to work hard in both good films and bad. While I didn’t care for this outing, I’m not sure I would call it a bad film… just one that didn’t connect with any of my tastes. Fans of Mr. 21 Jump Street will delight in yet another strong performance. He has the skill and talent to be remembered as one of the true greats. His performance in The Libertine does nothing to diminish that. But at the same time, there’s something dreadfully boring about films like these. Something not even Depp’s un...istakable craft can overcome.
Who the hell told writers and actors that films about them are so enthralling people will want to see them play the same characters in the same situations over and over again? It seems artsy folk are much more fascinated with themselves than John Q. Public, or any other moviegoer, could, or should, be. The weaknesses of The Libertine aspire to present them selves as the film’s strengths, and I, for one, am not buying. The plot is the same eccentricity finding redemption “on his own terms” theme that plays out in a lot of these films. Nothing much to say except that Depp plays an eccentric playwright, who insults King Charles II (John Malkovich) with a bawdy play that humiliates him in front of a group of French aristocrats. The stunt gets the playwright exiled, a punishment which seems more befitting than death to such a man, as he can no longer connect with his audience. Boredom ensues. The end.
Posted in: Dare to Play the Game, News and Opinions by Michael Durr on August 30th, 2006
Gaming Heaven, Raging Fantasies, & a little Ray-Man - Welcome to the raging hormone that can only be described as a tertiary nipple known as Dare to Play the Game.







