Posted in: Disc Reviews by David Annandale on April 2nd, 2007
A ferocious typhoon washes up a giant egg on Japan's coast. Unscrupulous entrepreneurs lay claim to it, planning to exploit it as a tourist attraction. The egg in fact belongs to Mothra, now nearing the end of her life cycle, and the twin fairies from Infant Island come to Japan in the hopes of having the egg returned. No such luck, but when Godzilla returns and begins another rampage, this time it is the inhabitants of Infant Island who are turned to for help in the hopes that Mothra will come to Japan's aid.
Posted in: Disc Reviews by David Annandale on April 2nd, 2007
Godzilla and Anguirus are discovered duking it out on a deserted island by two pilots working for a fishing fleet. Before long, the brawl makes its way to Osaka, devastating the city.
And that, as they say, is just about that, as far as plot goes. There's a fair bit of business about our heroes' friendship, and references to their private lives, but nothing that really has much of an impact on the plot, which remains one of the most basic in the entire Godzilla series.
Posted in: Brain Blasters, News and Opinions by David Annandale on March 30th, 2007
In theatres now (and no doubt hitting DVD before long) is the Korean film The Host. It’s been a long time since we’ve had a monster movie this good, and even longer since we’ve had one with this much depth.
Any text, of course, has its subtext, and this is as true of giant monster movies as any other work of art. But some films are much more a much richer subtext than others, partly because the filmmakers were quite deliberate in seeing their monsters in a metaphorical or symbolic light. Though the e...
Posted in: Brain Blasters, News and Opinions by David Annandale on March 23rd, 2007
A tale of three films. One is original. One is its remake. One is a cash-in. And the latter is the one that became a classic.
In 1975, a big-budget SF effort by Norman Jewison hit the theatres with much publicity. This was Rollerball. In a future world with no wars, and everything is controlled by corporations, human aggression is channeled through the titular, extremely violent game. The game has been designed to be such that becoming good at it is impossible, and thus there are no heroes, and the f...
Posted in: Disc Reviews by David Annandale on March 22nd, 2007
Zac is the fourth of five sons in a Montreal family, growing up in the 60s and 70s. He’s sensitive, and rather more in touch with his feminine qualities than his father (very macho, though a huge fan of Patsy Cline) would like. The film then tracks Zac’s struggle to accept the direction his sexuality takes, to accept himself, and to once again find his father’s acceptance.
Lord knows that rock music is more than the soundtrack of our teenage years; it’s the narration.
Posted in: Disc Reviews by David Annandale on March 19th, 2007
Cupt Epics here presents five films identified as "underground" (a fluid term at the best of times). Certainly, they are all deliberately transgressive, though not all are equally successful. Two are by Nico B. - the perviously released "Pig" and "Hollywood Babylon." The former has been reviewed here before, but briefly, its catalogue of murder and S&M horrors, working out a killer's fantasies, is rather too self-conscious about its own transgression. The latter is a 4-minute tribute to Kenneth Anger, taking in exhibits at the Museum of Death.
Posted in: Disc Reviews by David Annandale on March 18th, 2007
The Pursuit of Happyness is inspired by the true story of Chris Gardner, who wrote a biography of the same name, from which the movie is based. Will Smith plays Gardner who is a salesman of medical equipment, who actually only manages to sell the odd unit. Because of his poor sales, his family is struggling making it from bill to bill, until finally his wife becomes so fed up she packs up and leaves for New York. Gardner is now left by his request, with his five-year-old son Christopher. With the untimely loss...
Posted in: Disc Reviews by David Annandale on March 17th, 2007
James Caan is a sailor whose stopover in Seattle becomes much longer than he expects, as first he has to wait for new orders when a medical exam forces him to miss shipping out with his crewmates, and then his records disappear. During this time, he meets Marsha Mason, a prostitute with an 11-year-old son. Caan falls for both of them, and a finely developed sense of responsibility sees him moving heaven and earth to make life good for all three. His task won’t be an easy one.
Posted in: Brain Blasters, News and Opinions by David Annandale on March 16th, 2007
Gosh, I don’t know if today’s subject counts as cult movies. These are genre films, though. And they’re old.
Really old.
They’re the first.
Horror, fantasy and SF in film effectively owe their existence to one man: Georges Méliès. A stage magician, he attended one of the first shows the Lumière brothers put on with their cinematograph, and was intrigued by the device’s commercial possibilities. Come 1896, he was making his own movies. He built a movie a studio, and here I let Denis Giffo...
Posted in: Disc Reviews by David Annandale on March 15th, 2007
Long the bad boy of French novelists, Jean Genet directed this 25-minute short in 1950. Borderline pornographic, it is a silent portrayal of (literally) imprisoned desire. Two prisoners convey their longing for one another through the prison walls, while a voyeuristic guard watches, becoming aroused and frustrated to the point of violence. Poetic, fetishistic, and intensely personal, it is a startling and historic piece of underground cinema.
