Posted in: The Reel World by Gino Sassani on April 5th, 2013
“Welcome to Jurassic Park.”
With those words begin an adventure that started with the legacy of Willis O’Brien’s The Lost World. You see, dinosaur films are nothing new; they have held our child-like fascination since the industry was born. Jurassic Park was, however, something very new when it thundered into our cineplexes and forever in our imaginations 20 years ago. The marriage of brand new CGI technology with Stan Winston’s superbly detailed animatronics models transports you back 65 million years in time. CGI technology has improved since then and has become somewhat commonplace, but there is nothing common about Jurassic Park.
Posted in: No Huddle Reviews by Gino Sassani on April 2nd, 2013
Mystery Science Theatre is an acquired taste. For me, I’ve really got to be in that certain mood to watch it. That’s the beauty of these DVDs. You pop them in when you’re ready. The idea is pretty whacked. Depending on the season you’ve got, Joel or Mike is trapped in space on the “Satellite of Love”. Doomed to spend his life watching very bad films, our hero makes the best of a bad situation. He uses his resources to construct a few robot pals. There's Crow T. Robot (Beaulieu), Tom Servo (Murphy), and Gypsy (Mallon). Part of an experiment together, they watch the films from the front row, constantly ranting throughout. If you’re like me, you’ve invited a few friends over to watch a schlock festival. The movies weren’t as important as the banter you created while watching. That’s exactly what you see here. The silhouettes of our host and his robots dominate the lower portion of the screen, where they provide alternative dialog and sometimes witty commentary on the action. The two evil station owners/mad scientists send them a new bad film each week to observe their reactions to the bombs. The films are broken up by off-the-wall skits and fake commercials to alleviate the tedium. The collection includes three Mike and one Joel episode.
This collection features three really bad movies, even by MST3K standards, but one that is quite better than the films usually riffed here. The inclusion of The Mole People is a bit of a mystery itself. The film is a Universal property which goes against the normal usage of public domain or small studio titles that wouldn't cost a heck of a lot in royalties. Remember that the show was a cable public access show for a while and even under Comedy Central there was not a huge budget to do these films. No question that the inclusion of The Mole People makes this one of the better sets to be offered of the show.
Posted in: Contests, Expired Contests by Gino Sassani on April 1st, 2013
Our very good friends over at Dreamworks want to make sure your Spring gets off to a dramatic start. They've given us a copy of the award-winning Lincoln on Blu-ray for one lucky reader. One of the best films of the year, this Steven Spielberg movie features wonderful production design and a stellar performance by Daniel Day-Lewis.
To win just follow these instructions.
Posted in: Disc Reviews by Gino Sassani on March 28th, 2013
"Four score and seven years ago our fathers brought forth on this continent a new nation, conceived in liberty, and dedicated to the proposition that all men are created equal. Now we are engaged in a great civil war, testing whether that nation, or any nation, so conceived and so dedicated, can long endure."
These were strong words, and the man who spoke them was certainly a dominant figure in American history. He's been portrayed hundreds of times on film and television. Rarely have any of these efforts been able to capture the true essence of a great man. You can't blame the actors or the production teams. There are those tasks which some say just can't be done. Lincoln heard those arguments himself. I'm sure that Steven Spielberg must have been haunted by the same thoughts when he set out to do Lincoln. Fortunately, he found another remarkable man who was up to the task. Daniel Day-Lewis does get the Oscar for his performance as Abraham Lincoln. We might well believe that all men are created equal. It's a true enough axiom. That doesn't mean that all men process equal ability in all things. Just two and a half hours with Daniel Day-Lewis and you'll find the point well illustrated. The film also took an Oscar for its wonderful production design.
Posted in: Disc Reviews by Gino Sassani on March 28th, 2013
“It’s been a long time getting from there to here.”
35 years to be exact. Enterprise is the fourth spinoff from the original 1960’s hopeful series. The Earth is finally ready to send its first starship to explore the vast galaxy. This first starship Enterprise is smaller than the ships we’ve become used to. There are no shields or photon torpedoes. The transporter has only been cleared for inanimate objects. Not that this stands in the way of its occasional “emergency” use. The ship is very much like the cramped spaces of today's submarines. It adds an even greater sense of reality to the show. The crew is composed of Captain Jonathan Archer (Bakula), First Officer and Vulcan High Command liaison, T’Pol (Blalock), Chief Engineer Charles (Trip) Tucker (Trinneer), Tactical Officer Malcolm Reed (Keating), Denobulan Dr. Phlox (Billingsly), Pilot Travis Mayweather (Montgomery) and Linguist/Communications Officer Hoshi Sato (Park).
Posted in: No Huddle Reviews by Gino Sassani on March 27th, 2013
It's hard to believe that CBS didn't want The Carol Burnett Show. Not only didn't they want it, but they fought hard to keep it from ever happening. It was the result of a 5-year contract the actress had with the network. She had been a popular member of The Gary Moore Show, and they wanted to hold on to her services. So they made her an offer she just couldn't refuse. They gave her a not-so-standard 5-year contract that gave her the right to activate a special clause at any time in the five years. The clause gave her the right to produce her own variety show, and the network would be obligated to air at least 31 episodes of the show. Carol activated the clause with just one week remaining to do so.
The network called out the lawyers looking for loopholes that could get them out of the deal. They tried to intimidate her into believing that a variety show hosted by a woman was doomed to failure. They tried to bribe her with new perks and a sit-com of her own. Carol stood her ground, and with the help of her producer husband Joe Hamilton, they put together an ace writing staff and assembled a cast. CBS had no choice. They were forced to air the show. It was a costly duty. They only ended up with the number-one-rated variety show for over ten years.
Posted in: The Reel World by Gino Sassani on March 24th, 2013
"Sometimes you need to do something bad to stop you from doing something worse."
If you are a fan of director Chan-wook Park, you are used to the kinds of bizarre images and somewhat enigmatic story elements that dominate the landscape of Stoker. While none of the images here reach quite into the territory of Oldboy, it's hard not to plug into the disturbed nature of the film's themes and story. I left the movie with more questions than answers and a little bit lost as to how exactly I was going to approach this review. I had not seen Oldboy at the time of the viewing or since. I did go out of my way to get some exposure to the film's famous imagery through clips and stills. Even still, I've never been more confused about a film than I am about Stoker.
Posted in: The Reel World by Gino Sassani on March 22nd, 2013
"What's the secret to getting in...There has to be one, right?"
You will probably never look at Princeton University in quite the same way again after you've seen Tina Fey's latest film, Admission. Under the guise of a poorly-played-out romantic comedy, the film offers us much more comedic insight into the mysterious world of college admissions than it does about relationships. The film was actually based on a novel written by Jean Hanff Korelitz and takes us deep into the labyrinth of how a prestigious college goes about accepting its future students. Of course, it's a romp and not intended to depict the actual process. Still, there are moments when you have to cringe and wonder to yourself if they don't just hit too close to home at times. It's that aspect of Admission that has me quite shocked that Princeton allowed themselves to be used as the college in question here. I guess they figure their reputation can take a tongue-in-cheek hit from Tina Fey. Good for them.
Posted in: No Huddle Reviews by Gino Sassani on March 21st, 2013
The third season would end up being both the longest season and its final one on television. It was the only year that the show enjoyed the opportunity to spread its wings over a complete run of episodes. It aired an entire season from September to May in 1990/1991. That meant we got a lot of good episodes that are available in this release. Father Dowling and Tom Bosley are both gone now. I can safely say they haven't been forgotten.
Catholic priests are used to hearing confessions, but for one particular pastor in Chicago, the usual confessions about using the Lord's name in vain or stealing a couple of paper clips from the office just weren't exciting enough. Father Dowling loved reading mystery books, and it appears to have sharpened his own powers of observation and deduction. As luck would have it, crimes and mysteries would simply fall into his lap. With the help of Sister Stephanie, better known as Sister Steve, he would step away from his pastoral duties to track down clues that were elusive to the Chicago Police Department. You might just say he was the answer to their prayers. All the while he would attempt to keep the financially-strapped Saint Michael's parish on solid footing.
Posted in: Podcasts by Gino Sassani on March 20th, 2013
Shadow People is out from Anchor Bay this week. It's a most unusual horror film that blends real documentary information with a standard horror film. At issue is something called Sudden Unexplained Nocturnal Death Syndrome. If you want to know more about the syndrome and/or the film, you're in luck. I had a chance to speak with Director/Writer Matthew Arnold. Check out what he has to say about this interesting experience. Bang it here to listen to my chat with Matthew Arnold
