Posts by Gino Sassani

"My dear Frodo, you asked me once if I had told you everything there was to know about my adventures. Well, I can honestly say I've told you the truth, but I may not have told you all of it..."

It's hard to believe that it's been a decade since Peter Jackson last brought us to the fantastic lands of Middle Earth. It was one of Hollywood's most ambitious projects ever. Jackson took on the perilous journey of adapting J.R.R. Tolkien's famous Lord Of The Rings trilogy, perilous because of the beloved place the works hold in the hearts of those who have read them over the years. There is such a wonderfully detailed world delivered by Tolkien that we already had very vivid ideas of these places and characters. To his credit, Jackson proved to be up to the task and delivered a trilogy that one can only describe as brilliant. The lands and people were just as I had envisioned them since I first encountered them in my own youth. Expanded versions hit the home video market, and about 12 hours of story have made it to our screens. And there it has sat for the better part of that decade.

"Welcome to the wonderful world of magic."

They say that the hand is quicker than the eye. Through the art of misdirection and skillful manipulation we have been awed by magicians ever since Glog made Ooof's club disappear somewhere in Mesopotamia circa 20,000 BC. It's not all skill, really. The truth is we've always wanted to be fooled. We're begging for "magicians" to tamper with our sense of reality. I don't know how fast the hand happens to be, but today we're fooled at the speed of 24 frames per second (unless you happen to be Peter Jackson). The magic happens every time we walk into a movie theater or put a shiny disc into our magic machines. And what do we enjoy even more than being "tricked"? We love to laugh. The Incredible Burt Wonderstone has just the right amount of sleight of hand to pull it off.

"You're capable of more than you know."

Perhaps it's been a long time coming. The MGM version of The Wizard Of Oz has been captivating audiences for over 80 years, introduced to new generations of admirers, first through frequent re-releases in movie houses. Then it was annual showings on television, where I first encountered the classic film. Finally, the many phases of home video have made it a popular choice and a staple of any truly complete film library. The film is memorable for so many reasons. The technological achievements for 1939 were nothing short of magical. The cast took to their parts and gave soul to the lovable, and not so lovable, characters. Judy Garland's short and tragic life will forever be identified for most of us as Dorothy. Now, in 2013 it takes a lot more to wow an audience, and who better to make the attempt than the collaboration of Walt Disney Studios and Sam Raimi?  Together, with the legal hawks from Warner Brothers watching every move, they have set out to take us on a magical journey to Oz, and a breathtaking journey it is. It might become a classic in its own right....if it only had a heart.

"I'm bad, and that's good. I will never be good, and that's not bad."

One of the easiest ways to let your age show is to talk about your favorite video games. If you're old enough, you even remember a time when there weren't any video games at all. Most people refer to this era as The Dark Ages. But I'm willing to admit that I put a deposit down on an Atari 2600 system these many years ago. If you have a love of all things video games and a great appreciation for the history of the field, Wreck-It Ralph was built just for you.

If you were alive at the time, you probably remember watching the seven tobacco company executives testifying in before a Senate committee on the addictive nature of their products. They all raised their hands to swear that they do not believe that nicotine is addictive. It made for great television of the absurd. It was great fodder for the late-night comedy routines, and almost every stand-up in the country found a way to work it into their material. It was the beginning of a changing environment in America toward smoking, in general. Most states have since passed "Clean Air Acts" which prohibit smoking from most public places. States have sued and ultimately won to recoup some of the money they lose each year on taking care of citizens who have ruined their health by smoking. Even more restrictions on advertisement have been implemented, and the idea of smoking being "cool" went out along with the billboards and sports stadium banners. The tobacco companies are still doing fine, however. They now export more product than they sell in the United States, and the lawsuits and advertisement bans have been little more than speed bumps on the profit margins.

Much of that swing in public opinion can be attributed to Jeffrey Wigand (Crowe). He was a scientist working for one of these "big 7" companies when he was fired. He had some fundamental issues with the work he was doing and left with a pretty generous severance package and a non-disclosure agreement that barred him from revealing what he knew.

"Were you expecting an exploding pen? We don't really go in for that sort of thing anymore."

It was 1962, and Ursula Andress emerged from the tropical island surf sporting a provocative swimsuit, and a tradition was born. The seductive scene would become the first iconic image in a line that has lasted a half a century and counting.  Fifty years; 23 movies makes it the longest-running film franchise in motion picture history. He had many faces over those 50 years: Sean Connery, Roger Moore, Timothy Dalton, Pierce Brosnan, George Lazenby, and even David Niven, Peter Sellers and Woody Allen in a 1967 spoof. For the last three films he's been played by Daniel Craig. They all had somewhat different styles. They all had a line of beautiful women. They all faced different challenges and foes. But they all shared the same name: Bond...James Bond.

Matlock began life as a television movie from Dean Hargrove, who brought us Columbo. Hargrove would later work the same magic with Dick Van Dyke in Diagnosis Murder. In fact, the two shows could easily have been companion pieces. Both featured sit-com stars from the 1950’s and 60’s who had become somewhat iconic characters. Both would don the role of professionals. Both shows would subscribe to the “formula” mode of storytelling. Diary Of A Perfect Murder would set up the Matlock formula. It’s simple, really. Matlock was a lawyer in Atlanta. Some wronged defendant, usually charged with murder, would show up asking for Matlock’s help. Matlock and his team would investigate the crime with an eye toward, as OJ Simpson is fond of saying, finding the real killer.  His team consisted of his daughter Leanne (Brynn Thayer), herself a competent lawyer, and Tyler Hudson (Holliday), his private investigator (In the early seasons). In the pilot the Matlock character was less Andy Taylor and a little more slick at first. I’m sure that while it was intended to show Matlock’s prowess as a high-priced attorney, somewhere along the line it became obvious that the show’s finest asset was Griffith himself and that southern charm he was already famous for. Whatever the reason, you can see the character soften significantly during the early episodes of the season. And that decision was a smart one, as Matlock would continue for nearly a decade.

The eighth season of Matlock brought more of the same. If you’re a fan, that’s very good news indeed. What is that, you ask? Imagine Sheriff Andy Taylor older and now an attorney, and you pretty much have the setup for Matlock. Forget for a second that both characters were played by Andy Griffith. That’s not all they have in common. Matlock is every bit the “southern gentleman” that Taylor was. He might be a little smarter, but he walks and talks like Andy Taylor. Law graduate Cliff Lewis, played by Daniel Roebuck, also joins the firm as a new lawyer.

Our friends over at Well Go USA have given us three copies of Interview With A Hitman on Blu-ray to give away. "Trust no one. Feel nothing. Never lose. This is Viktor’s (Luke Goss) code. This mantra took him from the slums of Romania to the pinnacle of his profession – as a murderer for hire. Viktor knows the value of life more than most, which makes him the perfect killer. But after a ruthless betrayal by his bosses, he escapes to London, joins a new “family,” and finds himself caught in a vicious underworld power struggle. Viktor is now better, faster and more ruthless than ever before, but an encounter with a dark beauty offers him a chance at new life. But can he ever hope to escape the ghosts – and buried secrets – of his past? "  3 lucky winners will get in on all of the excitement.

To win just follow these instructions.

"Guess who?"

In case you haven't been paying attention, 2013 is turning out to be the year of the returning action stars. The Governator Arnold Schwarzenegger teamed up with Korean action director Jee-woon Kim to deliver a very entertaining ride in The Last Stand. Sly Stallone teamed up with action icon Walter Hill to bring us the not-so-entertaining Bullet To The Head. Of course, perhaps the most eagerly awaited return was Bruce Willis back in the role that made him an action star in the first place. This is less Willis's return and more a potential swansong for cowboy cop John McLane. It's the fifth entry in the Die Hard franchise and the first sequel written originally as a Die Hard film and not something adapted to the character. With the disappointing Live Free Or Die Hard still fresh in my memory, all bets were off when I entered the cinema for a sneak peak of A Good Day To Die Hard.

Three-time widower Ben Cartwright  (Greene) runs his famous Ponderosa Ranch with the aid of his three grown sons from three different mothers. There’s Little Joe (Landon), Adam (Roberts) and Hoss (Blocker). Set some time in the mid 1800’s, this long-running series followed the family’s many exploits. In the late 1950’s westerns accounted for six of the top ten programs on TV. Only Gunsmoke had a longer run than Bonanza. From 1959 to 1973, Ben Cartwright and his boys rode across the small screen. Years later in syndication the series re-emerged as Ponderosa, and a handful of TV movies continued the tale into the 90’s.We never have grown tired of the genre that gave us such heroes as John Wayne and Clint Eastwood.

Unlike many of the 1960's Western television shows, Bonanza was all about the characters. You rarely saw a gunfight. There was often a bit of fisticuffs, but usually it ended with a lesson that violence never pays. The show prided itself on using the Western genre to deliver a family kind of show, and it's no surprise that series star Michael Landon would use many of the same kinds of stories and lessons on his own Little House On The Prairie. The Cartwrights are always helping widows, the wrongly accused, and the local Indian population. That help often lands them in hot water.