Posted in: Super Round Up by Gino Sassani on February 26th, 2019
Howdy Pards. Last week we didn't have a lot to share with you so we stayed down at the bunkhouse on Tuesday. Things are still quiet this time of the year but we have a few things coming your way. In fact some of it's already here. Walt Disney Studios lets us go sleepin' with the fishes in the 30th anniversary Blu-ray of The Little Mermaid along with some fun and games as Ralph Breaks The Internet on Blu-ray. Congrats to Rami Malek for his Oscar playing Freddie Mercury but Universal has a different kind of queen with their Mary Queen Of Scots on UHD and that's 4K here on the ranch. Monarch Home Entertainment goes invisible with The Unseen out on DVD. Sony Pictures takes control of our screens with The Possession Of Hannah Grace on DVD. On the big screen Focus Features names the thriller Greta for a reel world review this Friday.
And, Partners, don't forget. If you'll be making that video withdrawal from Amazon, lasso yourself one of our many links to get there. It helps keep us going here on the Upcomingdiscs ranch. Until next week, share some light with someone this week... television light, that is. Now let's get those titles rollin'!
Posted in: Disc Reviews by Gino Sassani on February 26th, 2019
All good things must come to an end, and so it was at Walt Disney Studios. The Golden Age of feature film animation had started with Snow White and the Seven Dwarfs in 1937. By the end of the 1970's, it was all but gone. As the studio entered the 1980's the things had gone from bad to worse. Walt was gone, and so it seemed was the magic. Most of The Nine Old Men had either retired or passed away. The studio leadership was considering closing the animated studio and moving on to live-action films only. It was a dark time for the artists and creative folks at the Mouse House. A shadow had fallen. Sounds pretty much like the beginning of a Tolkien tale, doesn't it?
Enter a new regime. Michael Eisner became the new head of the company, and Jeffrey Katzenberg teamed up with Walt's brother Roy Disney to head the new studio. The first thing they did was banish the animation studios from the Disney lot and set them up in warehouse-like trailers in the middle of industry nowhere. It looked like the axe had finally fallen. But the exile turned out to be the best thing that ever happened to this new generation of Disney talent. Under the new leadership the creative forces banded together and began to do something they hadn't in a long time. They began to dream once again.
Posted in: Disc Reviews by Gino Sassani on February 26th, 2019
Ralph Breaks the Internet is a sequel to the hit Disney animated film Wreck it Ralph. In Ralph Breaks the Internet, we follow our heroes from the last movie, Ralph and Vanellope, as they travel the internet in search of a broken part for Vanellope’s arcade game. They find the missing steering controller on eBay, and it’s the last one in existence. Up for auction, they give the winning bid for $27,000. They now must find a way to earn the money to pay for the controller with a deadline in five hours, or they will lose Vanellope’s game forever. Ralph Breaks the Internet is a painfully average film, and compared to its predecessor, a huge disappointment. This sequel wasn’t bad, however, but it wasn’t too great either. There’s one big problem I had with this movie, and it’s Ralph. Ralph in the first movie had already gone through his character arc and was a very well developed character by the end of the film. In this movie it feels like they purposely broke the character just for a story line. Ralph in Ralph Breaks the Internet is now a needy, clingy, and annoying character. Throughout the movie Ralph is constantly holding Vanellope back from doing the things she wants to do to save herself. People who relate to her should start to feel how annoying Ralph can be.
Ralph was not the only problem I had with this movie. There is also a major plot hole that’s impossible to overlook. It doesn’t make sense that Ralph was able to leave his game for over 24 hours without it being infected by a bug. After all, he’s literally the bad guy in the game Fix-It-Felix, Jr., so how come nobody noticed he was missing? It wouldn’t be that bad of a plot hole except for the fact that Ralph being away from his game was the whole conflict in the first movie. You would think the writers and filmmaker would have noticed this, but I guess not.
Posted in: Uncategorized by Gino Sassani on February 20th, 2019
Kirk Taylor is an artist with many talents. He's an actor who can be found on such films as Oliver Stone's Full Metal Jacket and television shows ranging from Law & Order to Chicago Hope. He's an acting coach, musician and composer. He's living proof that an actor of faith can still make his mark in the entertainment industry. His latest appearance is as Cephas (Peter) in the film Revival! along with Chaka Khan and Mali Music. It's a retelling of The Gospel According To John that's part Jesus Christ Superstar and part classical stage production. It's a film that's hard to nail down. But I decided to give it a try and that led to an interesting conversation with Kirk Taylor. There's a passion for his art and faith that is very evident in his conversation. You don't have to take my word for it. Bang it hear to listen in on my conversation with Kirk Taylor.
Find out more about the film here: Revival: The Movie
Posted in: The Reel World by Gino Sassani on February 16th, 2019
"The math is right. Something else must be wrong."
Remember math class back when you were in grade school? Yeah, I know. Talk about your horror and nightmares. There used to be this thing called a Venn diagram. I imagine it was named after a guy named Venn. The idea was you had two circles. Inside the circles you had stuff. There were the things in circle A, the things in circle B, and then there were the things in a shaded area where the circles intersected like the Olympic rings. That's the only way I can really describe the experience I had watching Happy Death Day 2 U. I had not seen the first film, so I borrowed a copy and watched it literally hours before I attended the screening for the new movie. I thought it was shaving things a bit close, but it turned out to be the most fortunate circumstances that could have happened. It doesn't matter how many times you've seen Happy Death Day. You need to watch these films as closely together as you can, because this isn't a sequel, it's a lateral move to another angle. And these two films are intersecting like crazy. These would have been Venn's kind of movies.
Posted in: Disc Reviews by Gino Sassani on February 15th, 2019
Steve McQueen has established himself as a rather talented director. 12 Years A Slave was one of the better films of 2013 and one of the few times I happened to agree with the Oscars’ choice for Best Picture. When he tackled the heist format, I expected something unique, and I wasn't at all disappointed. McQueen managed to put a clever spin on a tired genre and provide us with a superior and inspired cast. It wasn't all completely his idea, of course. The film is based on a Canadian miniseries that goes back to the 1980's. That doesn't mean he hasn't found a way to imprint the material with his own style and bold choices. There's a lot to love about Widows, but I have pretty low expectations for this film at the box office. More on that later. Let's get down to it, shall we?
Harry Rawlings (Neeson) is a career criminal. His wife Veronica (Davis) knows where the money comes from, but she's willing to feign a great deal of ignorance to the fact, because she has become used to the comfortable style in which they live. But it all comes crumbling down when Harry's latest heist appears to go horribly wrong and Harry perishes in an explosive encounter with the police along with his entire crew. Now Veronica is feeling the grief that comes with the death of a spouse, but there's more to deal with than that. The man Harry and his crew took down was a gangster by the name of Jamal Manning (Henry), who has taken a dip into politics. He's going up against the corrupt Jack Mulligan (Farrell), who is running to take his father's alderman seat. Manning's $2 million war chest was Harry's target, and the money appears to have been destroyed in the explosion that took down the crew. Now Manning has gone to Veronica and has given her one month to refund his money.
Posted in: Disc Reviews by Gino Sassani on February 15th, 2019
"They have assembled here from the four corners of the earth. Fifty-five warships, among them the newest and most sophisticated ever produced. The United States is here. Great Britain, India, Japan, Canada, Australia, Germany. Twenty-six nations together; each will introduce the latest in naval technology in their arsenals."
And this is actually the true subject and focus of the latest IMAX/4K release from Shout Factory. If you came strictly to spend 45 minutes on an aircraft carrier, you went away a little disappointed. But now that you can have it at home to watch in UHD whenever the mood strikes you, there's less to be disappointed in here.
Posted in: Disc Reviews by Gino Sassani on February 12th, 2019
"Is this the real life or is this just fantasy?"
I think even Queen's biggest fans might have trouble distinguishing between the two in the Freddie Mercury/Queen biopic Bohemian Rhapsody. And that's absolutely OK. If you look at the film's trailers, the movie looks less like a bio-film and more like a celebration, and that's exactly the kind of experience you're going to have from beginning to end. I'm sure that a lot of film and Queen fans shared more than a little skepticism over the project. I know that I certainly did. But all of that magically disappeared when the first trailer hit the internet and we all watched in amazement as actor Rami Malek appears to be channeling the manic spirit of Queen front man Freddie Mercury down to the smallest detail. Suddenly I believed that everything was going to be OK. But just as our hopes and expectations were about to hit the ceiling, the film started gathering controversy after controversy like a snowball rolling down a steep hill in the winter. Everyone already had an opinion before the film was even finished. For months the web has been filled with issue after issue, and it all seemed to threaten the buzz we all got from the trailers. We're going to talk about those issues, to be sure. If you let any of that filtercrap keep you from checking out Bohemian Rhapsody, you're going to be missing the next best thing to actually seeing Freddie and the boys live in concert. Since that's not going to happen, this is where you want to be.
Posted in: Super Round Up by Gino Sassani on February 12th, 2019
Howdy there partners. It's that time of the week again where we take a trip down to the bunkhouse and let you know what we're going to be corralling for you guys this week. CBS breaks up the landscape with the first season of American Vandals. Fox will rock you with Bohemian Rhapsody on UHD/4K. Fox also leaves behind Widows also on UHD/4K. Up on the big screen Universal is dying for you to see Happy Death Day 2U.
And, Partners, don't forget. If you'll be making that video withdrawal from Amazon, lasso yourself one of our many links to get there. It helps keep us going here on the Upcomingdiscs ranch. Until next week, share some light with someone this week... television light, that is. Now let's get those titles rollin'!
Posted in: No Huddle Reviews by Gino Sassani on February 11th, 2019
"When telling our story, it's impossible to separate the truth from the myth."
Isn't that always the way? The Golem attempts to reach back deep into Hebrew history and update one of the world's oldest monster stories. It's a myth very much steeped in tradition and cinema history. A golem is a creature made from clay/dirt and animated as a means of revenge. Think of it as Pumpkinhead without all of the claws and teeth. The creature has been the subject of a few films going all the way back to the classic 1915 silent film of the same name. One of the more underappreciated versions of the story appears in the 1967 Roddy McDowall film It. Of course, the original story is a cautionary tale akin to the old saying that a man intent on revenge should begin by digging two graves. It's a popular story, and it's no surprise to find that it still has legs 100 years after its first appearance in film and centuries after the traditional story. With a limited budget and an authentic Israeli team, there are some aspects of this one that just might end up worth a quick look.
