Posted in: Disc Reviews by Gino Sassani on June 13th, 2019
"Does announcing your identity help with the covert part of the job?"
Let me begin by saying that actress Brie Larson doesn't want me to write this review. It's not that I didn't like the film and intend to cut it down. Actually I rather liked the movie, and while it isn't going to crack my top five Marvel films, it's a very entertaining film that adds wonderfully to this always evolving world of the Marvel Cinematic Universe, or as we fan geeks like to refer to it, the MCU. So she wouldn't take much if any umbrage with my evaluation of the film. It turns out that I happen to be a white male, and she has made it known that she doesn't want to see reviews for this film written by white males. Sorry, Brie. I suggest you skip this one.
Posted in: Disc Reviews by Gino Sassani on June 12th, 2019
For many years Acorn Media has been the best source for a lot of those classic British drama shows that you've seen reviewed here and elsewhere. They've brought us some of the best British stars in some landmark work spanning decades of British broadcast. These shows were always something produced by someone else, most notably the BBC itself. So while we can be thankful to Acorn for distributing these shows particularly here in the United States, they haven't actually been responsible for the actual content. That all changes with the release of London Kills Series 1 from Acorn Media. For the first time the company has created its own straight-to-series production. If this first effort is any indication of what we might expect in the future, I'd say there is great promise here, and while I didn't find it quite as compelling as favorites like the George Gently series, I saw a ton of potential. There are some very good reasons why I didn't enjoy this as much as many others, and I'll get into that in a moment.
Posted in: Disc Reviews by Gino Sassani on June 11th, 2019
In the late 1980’s Batman was in trouble. No, he wasn’t tied to a table saw by The Joker. Catwoman didn’t have her claws on him. It was the camp residue of the 1960’s television series. The idea of a Batman film was clamored after by fans, but the studios couldn’t get the Adam West series out of their minds. And, while the success of Superman might have awaken the studio bosses to the appeal of comic book films, there was surprisingly very little interest in a Batman film. Since DC Comics had become a part of the Warner Empire, it seemed only logical that they would want to do the film. But even Warner resisted for several years as a team tried to get the Caped Crusader back on the movie screen.
Posted in: No Huddle Reviews by Gino Sassani on June 11th, 2019
"What happens in Palm Springs stays in Palm Springs."
That's not exactly true. Since the 1950's, the small town of Palm Springs has been home to many celebrities looking to escape the bustle of Hollywood, yet remain close enough to work there. It was 1947 when Jimmy Van Heusen introduced Frank to the desert community, and he fell in love with the town. His own home was built in time for his wedding to Ava Gardner, and while that relationship lasted only seven years, Sinatra's relationship with Palm Springs lasted 50 years. He was the best advertisement a town could have. In 1954 he built the massive Rancho Mirage and invited all of his close friends to join him.
Posted in: Release Announcements by Gino Sassani on June 9th, 2019
"...One day when the lady met this fellow, and they knew that it was much more than a hunch
That's this group must somehow form a family. That's the way we all became the Brady Bunch."
Has it really been 50 years? Nothing make me feel as old as when a film or television show I watched as a kid celebrates some grand anniversary milestone. It's like birthdays without the ice cream cake. On September 26th, The Brady Bunch will celebrate its 50th anniversary, and the folks at Paramount/CBS have given yours truly a little homework to do before that date hits. We're talking about The Brady Bunch 50th Anniversary TV & Movie Collection. They call it the Bradiest collection ever, and that's no exaggeration. The 31-disc collection features just about anything that was ever associated with the name Brady. I'm surprised there isn't a complete collection of New England Patriot games for the last decade or so. What you will get is pretty impressive:
Posted in: The Reel World by Gino Sassani on June 8th, 2019
"All you have to do is learn to connect the dots and get ready."
Noble Lincoln Jones hasn't had any real feature experience in the director's chair. He's notable for some rather well-known country music videos, and now he's made the jump to the feature film world. It shouldn't come as any complete surprise that his first effort would be a rather small-budget independent film like The Tomorrow Man. The movie offers a pretty simple premise with a limited cast, so there aren't a lot of moving parts here. It's the kind of playground where a young filmmaker gets to show us what kind of a storyteller he is without the grand distractions of a seasonal anchor film and all of the trimmings that entails.
Posted in: Disc Reviews by Gino Sassani on June 7th, 2019
I'm constantly told that streaming services like Netflix are the way of the future. But it appears that to build that future it is necessary to look to the past with a television series from the 1960's that looked to the future, but itself was based on material from the past. If you're becoming a little dizzy, I get it. Of course, I'm talking about Netflix's reboot of the Irwin Allen television milestone Lost In Space. Allen originally pitched a serialized version of the famous Swiss Family Robinson story and was rejected. So he took that story and set it into the future and marooned the Robinson family not on a contested pirate's treasure island, but on a flying saucer marooned far from Earth. It lasted three seasons and introduced several phrases into the pop culture like "danger, Will Robinson" and "the pain, oh, the pain". Even if you've never seen an episode of the original show, you've heard these little references. And that's exactly what Netflix is counting on by delivering a modern take on Lost In Space now out on Blu-ray from Fox Home Entertainment.
Posted in: Disc Reviews by Gino Sassani on June 5th, 2019
Witness the birth of -- actually make that rebirth of --one of the most popular action heroes in literature. Tom Clancy’s Jack Ryan has been a character of many jobs and many faces over the years. Baldwin, Ford, Pine, and Affleck have all stepped into the role of the man who has been a soldier, an analyst, an operative, and a president. What might appear as a clear advantage for this Amazon Prime streaming television show can be just as much a liability. When you throw in the Tom Clancy novels, comic books, and fan fiction, there is a ton of Jack Ryan history that pretty much gives us a story arc from his humble beginnings to extraordinary exploits and wearing the face of a few good performers. It's a tall order for the series and perhaps an even taller order for actor John Krasinski, who has created a nice little horror franchise with wife Emily Blunt on the side. I don't really have the time or energy to watch streaming shows and films. There's always a backlog here of discs that need to be , and I've created a rather comfortable viewing experience with my home theatre I call The Reel World.
Posted in: Disc Reviews by Gino Sassani on June 4th, 2019
"Welcome to Benghazi."
It shouldn't matter what your politics might be. The events in Benghazi on September 11th, 2012 bring up some very important questions. Contrary to one 2016 presidential hopeful's declaration, it does make a difference. It did to the people who were there. It does for the families of the four who lost their lives. And it should make a difference to you. With such a political hotbed issue, you'll find that 13 Hours goes out of its way to avoid the political questions. Some might view this as an oversight, but I think it gives the film a greater sense of credibility and makes its impact on the audience to fill in their own political blanks.
Posted in: The Reel World by Gino Sassani on June 2nd, 2019
"My name is Elton Hercules John."
When I was a kid he was Captain Fantastic, and I spent a lot of time and money on Elton John records since the early 1970's. I was a 12-year old kid when Goodbye Yellow Brick Road came out, and I've been a pretty huge fan ever since. I'm a veteran of about 50 concerts over the years, and I was looking forward to this movie in the same way I used to anticipate a new Elton record for decades. Most of the time I was rewarded with brand new songs that would quickly become part of my own story growing up. Once in a while I was disappointed. I hated Victim Of Love so badly that I threw the record across the room, and there is still a stain of peach paint on my copy. I wish that I could say that the film Rocketman was more like those wonderful vinyl treasure chests, but it was more like the latter, and no one is more frustrated than I am. I wanted terribly to love this film. Unfortunately, it was a bit of a middle finger to Elton's fans, and I think it's going to be a long, long time before I get over it.
