Disc Type

You have to go back to the early 40’s for when Archie, Jughead, Betty and Veronica first appeared in comic book form.  Over the years, though, their characters have changed with the times, though the town of Riverdale always seemed to maintain an innocent charm where nothing bad ever seemed to happen. Well, that is until recently where the comics took a shift and thrust our characters into various scenarios, one even including Riverdale being overrun by zombies. These changes occurred when Roberto Aguirre-Sacasa took over the brand, and now he has brought the town of Riverdale and its inhabitants to the small screen for the CW network.  Though this iteration differs from the early days of the Archie comic universe, all the familiar characters are here, and they are showing us the shady underbelly of Riverdale that I’m so glad we are getting a glimpse of, one episode at a time.

When Season 1 left us, we were with Archie (K.J. Apa), and his dad, Fred Andrews (Luke Perry) lay bleeding in Pop’s Chocklit Shoppe after a “botched robbery”. Season 2 picks up right where the previous season left us and wastes no time ramping up the danger in town as a mysterious killer dubbed “The Black Hood” begins killing off the residents of Riverdale.  Wanting to protect his town and his friends, Archie forms a group called The Red Circle. As you can expect, this glorified neighborhood watch group is simply a recipe for disaster, but also entertaining television. While Archie is on the hunt for “The Black Hood”, Betty (Lili Reinhart) finds herself caught up in the mess as well as the killer plays a sort of cat-and-mouse game with her by leaving her clues to their identity. Jughead (Cole Sprouse) is keeping busy this season, as he’s relocated to Southside High and he is adjusting to his life while becoming a member of The Serpents. Personally seeing how Jughead evolves as a member of the Serpents, from his gang initiation to the power struggles we see develop over the course of the season, is one of the best things going for this season. Finally we have Veronica (Camila Mendes) who is adjusting to her father’s early release from prison and coming home to continue with “The Family Business”.  As you can imagine, Season 2 is loaded heavily with material for our characters, and there is so much that continues to work its way into the story that it almost never hits a lull.

My knee shall bow to none but to the king.”

In 1996, Aussie filmmaker Baz Luhrmann unleashed a star-studded, outrageously modernized version of “Romeo and Juliet” that retained William Shakespeare's original language while replacing the story's swords with gleeful gunplay. But five years earlier, Derek Jarman — an English director who left his mark on both stage and screen — beat Luhrmann to the Elizabethan punch with an even more provocative update of “Edward II,” a play written by Shakespeare contemporary Christopher Marlowe.

The First World War long existed in the shadow of the second. When it was fought, the term World War was not yet in existence. Until after the Second World War, it was referred to mostly as The Great War. The footage from this war is far more rare. Most of us have seen little of it. Clips from the Second World War have been used over and over for countless documentaries. There are no longer any survivors left alive from that Great War. You won't find them interviewed on television, and you won't hear their stories told to the extent you've heard accounts of other conflicts. The results of that war do still live with us today, but how many of us truly understand any of it? Mill Creek brings us the 10-part documentary series from 2008 WWI: The War To End All Wars.

The start of the war is more complicated than just the assassination of an Archduke. Unprecedented feelings of nationalism, an intricate web of alliances, and an arms race fed by new technologies in weapon technologies: all of this created a powder keg that was merely ignited by that fateful assassination. It's a story worth hearing in the detail provided here.

"What would you do if the person you loved walked out the front door and never returned? What would you do if the next day you were pulled into a police station and interrogated quite aggressively, under suspicion of murder? And what would you do if your kids were taken away and put into foster care and you were accused of being a bad mother? What would you do?"

That's pretty much the premise for the Acorn release of the first season of Keeping Faith, or first series as the Brits like to say. It's an 8-episode slow-burner drama that deals with the aftermath of the disappearance of a guy who appeared to be your average Joe with a loving family. On the surface you have the makings of an interesting series. But the real devil is in the presentation.

Sports movies have been something of a cliché for years now. And it's not really a recent phenomenon. Everybody remembers Ronald Reagan appearing in Knute Rockne All American as the famous George Gipp. That was 1940, and Hollywood is still selling films that ask teams to "win one for The Gipper". That's exactly what you get in director Sean McNamara's The Miracle Season. Substitute high school volleyball for college football, and you likely already know the story before you even order your popcorn and soda. Of course, even with established Hollywood formula and a well-trodden story, things are never quite that simple. Somehow the better films still tend to touch an emotional nerve, and when it's all based on a true and inspiring story, well then, break out the Kleenex and try to keep the tears from diluting your already watered-down drink. Still, some of these films manage to stand out from a very crowded field. So what exactly does it take to do that, and does The Miracle Season have what it takes? That's a little bit complicated.

The film begins with the story of two best friends. Caroline and Kelly have that special kind of bond, as the opening narration explains. We are treated to a montage of the close friends from young girls to adolescents who eventually find themselves teammates on Iowa City West's volleyball team. In 2010 they took home the state championship, and hopes are high as the girls begin practices for the 2011 season. All of the hope and enthusiasm is delivered by Caroline "Line" (Yarosh). Her energy and drive are contagious, and it's quickly evident why she's the natural leader of the team and a favorite of Coach "Bres" Bresnahan (Hunt). Her cheerfulness is even more amazing when we learn that her mother is dying of cancer and unlikely to survive to see her daughter win a second championship. She still manages to stay positive and keep her mother and father smiling. She decorates her shoes to dedicate the new season to her mother and encourages her friend Kelly (Moriarty) into believing she can also be a team leader. With someone like Caroline pushing the team, that second championship appears in the bag.

"30 years ago during the Cold War, there was an experiment... Something went wrong. They opened up a passage directly beneath us. When you go through this door, you come out the other side, you're in another world, identical to ours. Same experiment... When this door opened our paths began to branch off more and more over time."

That setup describes the premise behind the new original science fiction series on Starz, created by Justin Marks, a writer who most recently delivered the script for Disney's live-action Jungle Book film. This is his first attempt at building a series from the ground up, and it's absolutely a winner.

"Every bridge, every building grows from an engineers imagination."

Dream Big: Engineering Our World is the second of Shout Factory's latest collection of IMAX films to be brought into the capable arms of the UHD/4K format. And while this film doesn't take us so much into the natural beauty of some picturesque place on our planet or deep into the darkness of space, it does deliver a rather grand look at some of the wonders of the man-made world. Both films were directed by Greg MacGillivray, which binds them together in a somewhat nice little bow.

"Wildlife and its habitat cannot speak, so we must, and we will" - Teddy Roosevelt.

Actually they do speak for themselves, and Shout Factory's UHD/4K release of National Parks Adventure gives that wildlife plenty of grand opportunities to speak to us through the grandeur of the American National Park system. Last year Shout Factory showed us what the UHD/4K format could really deliver by releasing a series of IMAX films in the new format. It was a bold move that has really paid off. IMAX cameras utilize 65 and 70mm film, which offers source material that is actually much higher resolution than 4K. Unlike many recent digitally shot films which tend to be done in the neighborhood of 2K, these films have a film element as high as 8K. There's been a gap in the Shout Factory IMAX releases, but I'm happy to report that they're back with two new films.

It goes without saying this film is not suitable for children. Swung is a film in the vein of the 50 Shades of Grey franchise; however, where those films focused on BDSM, this film is centralized along swinging, or engaging with multiple partners. Brace yourself, because you will definitely see more than you think you will in this unrated movie. Granted, it is not just all about sex. The primary focus is the relationship between our two lead characters and the strain and struggles that they are encountering. In this regard, Swung was relatable, as it addresses intimacy, custody matters, and the difficulties of unemployment. Starring Elena Anaya and Owen McDaniel as the couple, they serve as our eyes into this dark world that will possibly change their relationship forever.

Alice and David are very much in love and committed to one another, but the spark has gone out in their sex life. Being without employment and unable to meet his child support requirements, coupled with only being able to see his child on rare occasions have diminished David’s ability to satisfy Alice. Alice does her best to be supportive, but after discovering a particular kind of voyeuristic content on David’s laptop, begins to wonder if the issue is her.  Determined to make the relationship work, Alice attempts to take part in this activity with David. After a chance encounter with another couple, things suddenly change, and the spark is instantly relit.

Like so many others, when I read the book Ready Player One by Ernest Cline I simply fell in love with the nostalgic ride through the 80’s, all thanks to a virtual reality world called The Oasis.  From start to finish it was a book filled with pop culture references that would make film and video game geeks squeal with delight, and it was no surprise that the book was a hit and would be turned into a film.  There were only two names I could think of that could ever come close to making this film a reality: Robert Zemeckis and Steven Spielberg.  With Spielberg involved, he was the only person I could imagine who had the clout to get all the licensing rights needed to pull this adaption, but still the biggest question I had was, does Spielberg still have it in him? I’m not questioning the man’s talent, but instead it’s the magic and wonder he would bring to his films, from Close Encounters of the Third Kind, ET, to Jurassic Park, where he could get us to believe the fantastic and impossible was real while we sat in a dark auditorium watching his film.

The Oasis is an open virtual reality world like nothing we have ever seen before, but with how our technology is developing it is quickly becoming a possibility for things to come.  There are worlds and planets within The Oasis where you can be in constant battles to win coins, or go to exotic places for a vacation.  It’s a world where you can be whatever you want and experience just about anything you want.  Basically think about Westworld, but on steroids.  The creator of this world is Halliday (Mark Rylance) who before dying announced to all of The Oasis that he created an Easter Egg hidden somewhere in The Oasis, and whoever was to find it would gain sole control of The Oasis and all of Halliday’s fortune.