Posted in: No Huddle Reviews by Brent Lorentson on March 7th, 2016
Despite how the History Channel continues to churn out more reality shows, the upside of this is that the shows they put out happen to be pretty entertaining. When I first heard about Mountain Men, the first thing that came to mind was how dangerous was this show really going to get? Sure, you can have people hunting in the snow, but would the producers of the show really allow their crew to sit back and record the “cast” as they continue to face dangerous and deadly situations over and over? Well, the answer is yes, and the danger comes in various forms as the men of the show face off against Mother Nature in a blistering struggle for survival.
For those who may not be familiar with the show, it’s a pretty simple setup. A film crew basically follows these “mountain men” as they struggle to survive in live off the land in the wildernesses of Alaska, Montana, North Carolina and New Mexico. These are not guys who just live in a simple cabin in the middle of the woods; instead, these are the rare breed of man who survive on the food that they hunt and the pelts of fur that they can sell. For those of you animal lovers, this may not be the show for you, since the hunting and skinning of the animals is a pretty common occurrence here, and the camera doesn’t look away. If you can stomach some of these graphic images, the reward is some well-crafted storytelling of survival as well as some beautiful cinematography.
Posted in: Disc Reviews by Gino Sassani on March 4th, 2016
"One last mission."
That’s exactly what we’re talking about here. It’s the last mission for our brave Section 20 team. Strike Back follows the exploits that elite and secret British military team called Section 20. On paper they do not exist, but they've got all the best new high-tech toys, and they're going to need every one of them. But after this season they will no longer exist. This is the fourth and final season of Strike Back. It’s time to say goodbye, but there’s a farewell party planned, and this release is it. Let me assure you that Strike Back is going out with a bang… literally.
Posted in: Disc Reviews by J C on March 4th, 2016
Weaponized can't seem to make up its mind about what kind of action flick it wants to be. It appears to be the story of a grief-stricken military contractor who obsessively pursues a dangerous experimental program, but instead the film focuses on a brawny, brooding homicide detective. On top of that, the Blu-ray's cover art prominently features an imposing robot that doesn't even factor into the plot until about 10 minutes before the credits roll. Most importantly, the movie totally ignores the schlockiness of its botched, cliche-ridden plot and plays everything distressingly straight, which makes Weaponized a pretty joyless trip to the near future.
The film opens on July 4, 2017 with proud papa private military contractor Kyle Norris (Tom Sizemore) on the phone with his son. The connection at the other end of the phone is abruptly cut off after Norris's son is killed during a terrorist attack on the Pentagon. Norris vows to eliminate the terrorist cell that wiped out his son, and the action jumps forward to 2018. Detective Mitch Walker (Johnny Messner) is called in to investigate when a young war veteran Jack Simon (Timothy Woodward Jr., also the film's director) shoots up a hotel for no apparent reason, killing multiple people. One moment, Simon has no recollection of doing the shootings, the next he's robotically confessing to Det. Walker before gruesomely killing himself.
Posted in: Disc Reviews by Gino Sassani on March 2nd, 2016
The last time we checked in on Rocky Balboa was 2006. It was a bittersweet coda to a franchise that provided 30 years and six films of the life and times of Rocky Balboa. Some were truly great films. I'd count the first and last as in that category. Some were near misses like the third and fourth films, while the fifth was pretty much a total disaster. In those years and films we watched Rocky go from a hungry Philadelphia wannabe boxer to the champion several times over. Like the franchise, the character had his own highs and lows. There's no question that the Rocky franchise has gone the distance. And while it might have been a split decision, the Rocky films still stand as the champion of the film genre. It's no surprise that Hollywood would want to pump a little more cash out of this reliable franchise. With Sylvester Stallone not exactly in his peak shape, we enter the often disastrous territory of the reboot/reimagine/remake. Just like an athlete who doesn't know when it's time to hang it up, Hollywood is known for propping up a franchise long after its staying power has faded. In both cases somebody is going to get hurt. But don't call Rocky down for the count just yet. Writer/director Ryan Coogler just might have found a way to breathe new life into the old franchise. Rocky just might have been saved by the bell with the arrival of Creed. All of a sudden it's a whole new fight game.
Adonis Johnson (Jordan) has grown up a troubled youth. His mother is dead, and he doesn't even know who his father is. He ends up in and out of juvenile detention centers until he's rescued by a woman with a story of her own. Her name is Mary Anne Creed (Rashad), and she was married to the late fighter Apollo Creed. The fighter had an affair years ago with Adonis's mother, and now Mary wants to take the boy in and raise him as her own. Adonis finds himself with a new identity that explains a lot about why he is the way he is. It also explains why he'll eventually give up a high-paying career to fight. Up to now he's been completely self-taught and ripping up the Mexican underground fight circuits. Now he wants to go legit and understands that requires the training he never had. There's only one man who can give him that. He makes the exodus from L.A. to Philadelphia, where he approaches his father's best friend and fiercest rival ... Rocky Balboa (Stallone).
Posted in: Disc Reviews by Brent Lorentson on March 2nd, 2016
When certain stories become public domain, you just have to expect that there will be a lot of people creating their own “unique” versions of the same tale all in the name of making a few bucks. When it comes to adaptations of Mary Shelly’s Frankenstein, I think we can all agree every attempt to tell the story has not been in the name of preserving the art. What I do find surprising: despite all the attempts to bring the story to the screen, there still isn’t a version that I can say is a perfect retelling of the tale, though each may have its pros, for the most part it just never seems to translate well.
In 2004 there was a TV mini-series that attempted to bring the classic horror story to life, and the one aspect that seemed to work best is that finally we get a relatively accurate adaption from the original source material. For those who have read the material, you know that there is much more to the story than its fantastical elements of the macabre. Staying true to the source material is one thing, but what really got to me about this take on the story is that it played out more as a Gothic love story and seemed to completely lose its horror element. This is kind of a problem considering Frankenstein is considered one of the most beloved horror stories of all time.
Posted in: No Huddle Reviews by Jeremy Butler on March 1st, 2016
“I fought for the sport of it, never to kick someone’s ass. It started in the ring and ended in the ring. Fighting should be a last resort, not a first.”
Before this quote, I must I was mildly concerned about the message this film was sending to the public. I wholeheartedly agree with the statement; however, before the words were uttered, I was mildly confused by the behavior of some of the characters in Fight to the Finish. Fortunately, the confusion did not last long, as I was quickly brought up to speed about the characters’ actions.
Posted in: Disc Reviews by J C on March 1st, 2016
Even though I like to think I've seen more movies than the average bear, I'll admit to having somewhat of a blind spot when it comes to world cinema. So I'm a little ashamed to say I hadn't even heard of Paolo and Vittorio Taviani — the Italian filmmaking brothers who have worked together all their lives and started making movies in the 1950s — before I picked up this handy three-pack from the Cohen Media Group. The Taviani Brothers Collection features three of the siblings' most acclaimed work: Padre Padrone, The Night of the Shooting Stars, and Kaos.
“Obedience is the air you breathe.”
Posted in: Disc Reviews by Brent Lorentson on February 28th, 2016
Life on the road as a comic always seemed like it would be the bachelors dream lifestyle: a new town every other night, getting to meet new people and see new sites while getting paid to tell jokes. Well, for the most part I still think it’s a pretty sweet deal, but in the new existential comedy Entertainment, we get a glimpse into what the road life would be if you just happened to be one of the worst comedians to take the stage. This slow, depressing look at The (unnamed) Comedian (Gregg Turkington) as he attempts to mend his relationship with his daughter doesn’t go for laughs but instead attempts to take an introspective look at its star, and just seems to go nowhere.
As we watch The Comedian in his life offstage, he’s your average guy who seems to be disappointed with his lot in life but seems to embrace the “art” of his craft. When we see The Comedian take the stage, we see a shift in demeanor as the quiet and meek man turns into crude and obnoxious comedian who stumbles his way through jokes and insults. It’s a very Andy-Kaufman-esque performance, only lacking the showmanship of his lounge lizard persona, and most importantly, the humor. What makes the character so frustrating is that it is obvious he’s no good, but yet he does nothing to attempt to improve upon his act, but instead he points the finger at the audience.
Posted in: No Huddle Reviews by Brent Lorentson on February 28th, 2016
Here is an instance where there was so much promise going into this film, but because of its lack of restraint, it blew an opportunity to be a good film. The Midnight Man offers up a fun premise, a good cast, and high production values, but what plagues this film is a script that is filled with so much bad dialog you’ll wish you were watching a silent film. Quick lesson in screenwriting: don’t try to be Shane Black or Quentin Tarantino; they are a class of their own, and to try to copy them only shines a light on how bad your dialog really is. I’m being hard on this film, because had this film shown some restraint and kept the dialog simple, this could have been a really cool film.
Grady (Will Kemp) is the guy people use when things are about to get messy and you need to have your problem eliminated quickly. He’s the perfect hitman because of a special gift that he has the ability to not feel pain; the sense of touch means absolutely nothing to him. Because of his superhuman threshold against the sense of feeling, it has given him bravado that borderline makes him a reckless individual, but still he gets results.
Posted in: No Huddle Reviews by Archive Authors on February 26th, 2016
Back in October I wrote about The Facts of Life: Season 7 in which I dealt with the general history and overall dynamics of the show. I suggest you go back and check that out so I don’t cover the same ground twice. The big addition that year was George Clooney. Not many series have as long and healthy a run as The Facts of Life, but as they age changes are forced on them. One of those changes that occurred in the opening episodes of Season 8 is Charlotte Rae’s (Mrs. Edna Garrett) decision to leave the show. The transition is handled gracefully with Edna’s marriage to a doctor who is leaving to help those in the third world by serving in the Peace Corps. This brings her sister, Beverly Ann Stickle (Cloris Leachman) to try and take up the mantle of house mother to the girls. I’m sure everyone knows the girls, named Blair, Jo, Tootie, and Mindy. The main purpose of releasing these programs from the 1980’s on DVD is to relive earlier times in our own lives as much as to see the programs themselves. Maybe mothers want to share life lessons with their daughters from a much simpler and, at this point, almost alien time. The show was part broad comedy and part melodrama, focusing on the teenage girls and their coming of age. The comedy on the show was, frankly, full of hamminess and cheesiness. With so much ham and cheese, you weren’t hungry after one episode, so imagine bingeing on a season of shows. The life lessons learned were basic but well-intentioned and good-natured. On one level, things have changed enormously since the 1980’s, but core values and human decency are still important. It’s hard to find that kind of innocence today in television programming, but it was almost required in those days.
Most of the episodes tend to run together with a predictable sameness with some rising to the top and some sinking to the bottom. One particularly difficult one to watch was an episode with Fabian and Bobby Rydel playing themselves, but then flashing back into the sixties when they were popular. I mentioned ham and cheese, but I forgot to mention corn. This was a lowlight of corniness with the girls playing 60’s teenagers and Leachman as a jaded beatnik. One of the highlights was an episode when the young orphan who was always hanging out with them, Andy Moffett (Mackensie Astin), was going to a heavy metal concert by a group called The Walking Dead. They were ahead of their time on that one.
