Posted in: Disc Reviews by Michael Durr on May 1st, 2008
Retelling of classic tales has been a fodder for movie scripts for years. Take something that has worked for ages, spin it just so and you got a movie that might be gold. They have been doing this with Romeo & Juliet for years. The results can be great or sometimes they are one step of having the creator roll around in his grave with pain and anguish. Take Hamlet for example, the classic Shakespearian tale about a prince who takes revenge on his uncle Claudius who has murdered his father the King and taken the throne and the king's wife too. It has treachery, corruption and a little good ole fashioned incest to wet the palette. Now take that piece of journalistic tragedy and set it after the fall of the Tang Dynasty in China. Insert popular Asian actors like Ziyi Zhang & Daniel Wu and you might just have something.
Emperor Li (played by You Ge) has taken over the throne from his brother by murdering him. In the process, he has also taken the brother's wife Empress Wan (played by Ziyi Zhang) as his own for the good of the kingdom (and cause she's hot). An attack is also staged on the Prince, Wu Lan (played by Daniel Wu) who has devoted his life to the arts and is found at a nearby village of actors. After an elaborate fighting scene, he escapes with his life and makes his way to the castle to confront his step mother, the Empress (which we find out they shared romantic feelings toward each other) and expose his father's murderer, the Emperor.
Posted in: Disc Reviews by Michael Durr on April 18th, 2008
As we know by now, Dragon Dynasty is the Criterion of Kung Fu movies. They take any Kung Fu movie, clean up the audio and video where needed and provide a slew of extras for us to enjoy. From featurettes to commentaries with expert Bey Logan, it always provided the Hong Kong kung fu fans with a presentation second to none. However, as with Criterion classics, the movie isn't always second to none.
Kong Ko (played by Wu Jing (Jacky Wu))was a member of the National Kung Fu Team. He now spends his off time at an opera house performing for the folks a blend of descriptive dance and his fancy moves. A group of thugs come in one night and try to recruit the young warrior to fight in the underground fighting circuit they take care of. At first Kong doesn't wish to participate. However, his co-worker/love interest Siu Tin (played by Miki Yeung) convinces him otherwise after striking a deal with the circuit gang.
Posted in: Disc Reviews by David Annandale on March 28th, 2008
Three female friends are there for each other’s personal storms. One is a coke-addled sensation addict, one aspires to be an artist (and does her share of powder too) and the third is taking refuge from an unhappy marriage and questioning her sexual identity. Many scenes of heightened emotion are the order of the day.
The title (translated as “On the Edge”) recalls Women on the Verge of a Nervous Breakdown, but Teresa Suarez isn’t quite in Pedro Almodovar’s league. The film has some fine comic moments (I’m thinking of one dream sequence in particular), and plenty of energy, but some of that is second-hand: a coke-frenzied drive early in the film more than slightly recalls Ray Liotta’s paranoid excursion in GoodFellas. Further, despite the universally vile male characters in the film, many of the protagonists’ problems are so obviously of their own making that they are hard to care for.
Posted in: Disc Reviews by David Annandale on March 14th, 2008
Here are four films from renowned maverick Jean-Luc Godard. Insofar as these films have plots in the conventional sense of the word, Passion is about a filmmaker struggling to rediscover his love for his profession, First Name: Carmen plays with the tale of that same name to tell another story of filmmaking and bank robbery, Detective is an idiosyncratic tribute to films noirs, and Oh, Woe Is Me is about a man who may or may not be possessed by a god wanting to seduce his wife.
Samuel Johnson once remarked that anyone reading Samuel Richardson’s Clarissa for its plot would be moved to suicide, and that is certainly the case for anyone trying to watch Godard for story. That is not what he’s interested in. These films, all from his late period (ranging from 1982 to 1993), are postmodern, allegorico-politico-philosophical musings on the human condition. Narratives fragment; soundtracks are multi-layered, with dialogue that is dense, sometimes obscured, and often opaque; and there is plenty of provocation. These are films that are probably not terribly inviting for newcomers to Godard. If you already have the likes of Weekend under your belt, you’ll be fine. If this is your first time, your might well reject the filmmaker as a pretentious twit.
Posted in: Disc Reviews by David Annandale on December 14th, 2007
Lando Buzzanca plays Senator Puppis, a telegenic young politician on track to become Italy’s next president. He’s been groomed for the part practically from birth by the Vatican, which plans to re-exert social control over the country through its presidential puppet. But plans go badly awry as Puppis suddenly develops an uncontrollable urge to fondle women’s buttocks (Stephen Thrower has aptly described the character as a “repressed heterosexual”). Even as he seeks help for his condition, various parties around him begin to panic, as the police think Puppis is planning a coup without telling them, the military think they are being left out of the loop by the police, and the Vatican, along with its Mafia catspaws, starts whacking everyone in sight in a desperate attempt to keep everything from completely unravelling.
How’s that for a sex comedy plot? Not exactly of the been-there-done-that variety, is it now? Behind the nonsensical UK release title is one of the most interesting Lucio Fulci films to reach these shores. Fans wanting the Fulci gore will have to look elsewhere, but those open to something new will encounter a level of filmmaking absent in too much of his later work. The sex gags are rather dated (though the moment of the Puppi’s first goose is a bit of wonderful deftness I’ve never seen in Fulci), but the black political satire, which makes up the bulk of the film, while being very tied to the specific Italian context, has lost none of its bite. This is an angry film, one that builds to an utterly appalling resolution, all the more sour for its comic framing. Without going so far as to compare Fulci’s filmmaking skills to Kubrick’s, one might think of this film as Fulci’s Dr. Strangelove – a bitter, hopeless indictment that can only fully express its venom in the form of farce.
Posted in: Disc Reviews by David Annandale on December 11th, 2007
Belgian filmmaker Olivier Smolders, after a successful run of gorgeous and disturbing shorts, here makes a feature debut that is just as gorgeous and disturbing. Strongly reminiscent of the works of David Lynch, but far darker overall, the film is set at a time when the world is shrouded in the night of a perpetual eclipse. Day only comes for 15 seconds at 12:23 pm each day. Oscar (Fabrice Rodriguez) is a museum entomologist haunted by traumatic dreams involving the death of a sister who might or might not have every existed. He returns home one night to find a dying and pregnant African woman in his bed, a woman who is somehow linked to his father’s colonial past.
Trying to summarize the film’s plot is like trying to describe a dream: either case involves imposing linearity where none exists. Don’t try to figure out exactly what is going on here. Think of it as fevered nightmare inflected by guilt of Belgium’s gruesome colonial history, served up as a stunningly beautiful meditation on death, sex and insects.
Posted in: Disc Reviews by David Annandale on December 7th, 2007
Olivier Smolders is a Belgian filmmaker with a sensibility as distinctive and challenging as his artistry is developed. Cult Epics has done North American audiences a huge service by bringing his films to Region 1 DVD release. This disc has ten short films. Each piece has its own distinct identity, yet they are all very clearly the work of a singular creative talent. The frequently disturbing shorts range from a tale of murder and cannibalism in “Adoration” (previously available on the Cinema of Death collection), to the heartbreaking “Mort à Vignole” (where Smolders narrates a family tragedy filtered through home movies made by his and his wife’s parents, along with his own family footage), to an extended yet elegantly filmed practical joke (“Point de Fuite”) to a most unusual adaptation of Sade with “La Philosophie dans le Boudoir.” The films are invariably gorgeous and clinical in the precision of their observations. The blurbs on the case invoke Lynch, Greenaway and Bergman, and the comparisons are apt, though Smolders is also very much his own man.
Audio
Posted in: Disc Reviews by David Annandale on September 13th, 2007
The film that arguably more than any other put director Alfonso Cuarón and actor Gael García Bernal on the map, Y Tu Mamá También is a smart, funny, extremely erotic tale of two young friends travelling across Mexico in the company of an older, sexually experienced woman. It’s a great film. But this isn’t the DVD you should watch to appreciate it. In this day and age of a veritable deluge of discs boasting unrated versions of their theatrical release, what, pray tell, is the point of an R rated DVD butchering of a unrated theatrical release? Fully six minutes are missing. The 100 that remain are, of course, excellent, but what is here is not the director’s vision. There is terrible irony in box boasting a blurb that exults in how “unafraid of sexuality” the movie is, when the DVD is clearly terrified. As punishment, I’m cutting the film’s star rating in half, not to reflect on Cuarón’s work, but on what has been done to it. The unrated version is out there, released at the same time as this. Track it down instead.
Audio
Posted in: Disc Reviews by David Annandale on August 13th, 2007
Mads Mikkelsen, whom we last saw taking a rope to James Bond’s family jewels, is here up to a far more praiseworthy activity: helping run a school for orphans in an impoverished region of India. The school is struggling to survive, and when a Danish businessman expresses an interest in providing stable funding, but only if Mikkelsen comes to Denmark for a meeting, the latter is reluctantly persuaded to leave India for the encounter. At said meeting, the tycoon (Rolf Lassgard) casually (it seems) invites Mikkelsen to his daughter’s wedding. Mikkelsen accepts, and at that wedding receives quite a shock. Lassgard, it turns out, has a very personal secret agenda at work.
To say more would be to spoil one among the many surprises the film unleashes upon both characters and audience. Most especially on the former, since the story also follows some twists familiar and predictable to any fan of the melodrama. And that is, essentially, what we have here, the modern inheritor of the likes of Stella Dallas and Dark Victory. That isn’t a bad thing. The big emotions are earned honestly, and Lassgard’s performance climaxes in a scene of such intensity that the word “raw” scarcely does it justice.
Posted in: Disc Reviews by Archive Authors on August 1st, 2007
I am a big fan of Kung Fu on film, whether it be Bruce Lee’s Enter The Dragon or Jackie Chan’s Drunken Master I can't get enough. More specifically I love Asian Kung Fu cinema, the Sammo Hung's and the Sonny Chiba's. So I think it goes without saying that this isn’t the first time I’ve seen Kung Fu Hustle, and it certainty won’t be the last.
It’s the 1930’s in Shanghai and various gangs compete for territory, the most powerful being the deadly Axe Gang. The police are powerless and it seems the only people that can live without fears are the poor ones, who the gangs have no interest in. That is until things get shaken up by Sing (Stephen Chow, Shaolin Soccer) and his sidekick Bone (Lam Chi Chung, Shaolin Soccer). The two pose as Axe members in the tenement Pig Sty Alley, where they attract the attention of real gang members. Catastrophe is merely averted when three local tradesman the coolie, tailor, and baker showcase their kung fu talents and thwart an Axe gang attack.
