Posted in: Disc Reviews by Gino Sassani on April 6th, 2010
"There are no multiple choices."
It's about time that someone did a good job of making a horror movie version of Revenge Of The Nerds. This is the first movie for director Joey Stewart. He's done a lot of second unit stuff, mostly for television in the past. It's like the third effort for writer Jason Kabolati, but together I think they just might be on to something here. The Final plays on both our desire for a good blood and guts horror movie and our satisfaction of seeing those picked-on socially awkward kids get the upper hand on their bullies. If you've been waiting for that kind of a combination, then this is the movie for you.
Posted in: Disc Reviews by Gino Sassani on April 6th, 2010
Maybe the problem is that I just don't get British. I'd like to think I'm just as hip as the rest of you out there, but I'm just not so sure. I mean, I love Monty Python to death, but just could never get Benny Hill. I'm a huge Doctor Who fan from a long time ago, but some of the British science fiction movies and mini-series I've seen of late mostly just leave me scratching my head. It's like everyone in the world is in on this great funny joke and I'm the only one who doesn't get it. I hate feeling that way, but that's exactly what The Reeds left me feeling before it was all over.
A group of 6 friends are on holiday. They're driving some time away from home to enjoy a weekend on a rented boat together. When they get to the Marina, they find out that the boat they reserved is damaged, and there just aren't any others available to let. Well ... that's not exactly true. If the group is willing to drive to another location and pick up a boat left there, they can use it for the weekend. They quickly agree and get directions to the boat. They find the Corsair Star sitting in a marsh with a group of zombie-like stoic kids aboard. They chase them away and commence to start their cruise weekend. They decide to leave the open water and attempt to navigate a narrow passage through a vast plain of reeds. That's when the strange things start to happen. They spot the odd kids again and hotshot aggressive Chris (Mellor) jumps ship to give them a what for. They scatter, leaving a charred dog corpse behind them. Then they get snagged on a metal object that pierces the hull, not to mention Chris. It all goes downhill from there. The group begin to have odd visions, and more and more strange things keep occurring about them.
Posted in: Disc Reviews by Gino Sassani on April 2nd, 2010
"The story of a man in a mountain climbing accident who cut his own friends off the rope to save himself. Convicted of second degree manslaughter, that's compelling stuff."
Posted in: Disc Reviews by Gino Sassani on April 2nd, 2010
"In December 2005 a tragic accident began a series of extraordinary events that thrust a grieving family and the small Victorian town of Ararat into the media spotlight. This film is a record of those events."
Posted in: Disc Reviews by Gino Sassani on March 31st, 2010
"Maybe I'm not being clear enough. Maybe I need to be honest with you and tell you what I want. I want your soul to open up for me."
Posted in: Disc Reviews by Gino Sassani on March 27th, 2010
When people reminisce about the great match-ups of all time, talk will inevitably hone in on Ali vs. Frazier, Tunney vs. Dempsey, or, for boxing non-enthusiasts, Eckersley vs. Gibson. For film fans, talk will likely drift to Godzilla vs. Mothra, McClane vs. Gruber, or even Feddy vs. Jason. Well folks, a new movie has thrown its hat into the ring, and it is called Carny. What potentially legendary match-up does Carny feature, you ask? Why, nothing less than Lou Diamond Phillips vs. the Jersey Devil. Will these two foes unseat any of the classic brawlers mentioned above? Read on and see.
For those who haven’t heard of the Jersey Devil, it is sort of a rural East Coast Chupacabra-style legend. You may have seen it on the X-Files way back in its first season. It has been portrayed in various tales as a flying biped with hooves, a large owl, and, on The X-Files, as a beast woman. In Carny it is a large and vicious bat-like monstrosity that has some black hair but looks a bit too smooth and rubbery to be a living creature, as does Phillips.
Posted in: Disc Reviews by William O'Donnell on March 14th, 2010
The flesh-eating plague from the first film is still spreading and turning teens into gurgling vomitarioms of puss and blood. This film takes place a few short seconds after the first one as we see the original hero explode onto the front of a school bus right before the title sprawls across the screen, which then leads to a cute animation explaining how the tainted water has been bottled and shipped to a high school in a neighbouring town. From there we have a slight love-triangle story that is peripheral to the fountains of gore that fill the screen.
Posted in: Disc Reviews by Michael Durr on March 11th, 2010
In my lifetime, I’ve really only liked five zombie movies. There is Shaun of the Dead, the three Resident Evil movies, and Zombieland. Most of the other zombie type films either belong in the “Way too Gory” or “Nonsense” designation. So, naturally when I receive a zombie movie like Dead Snow, there is some apprehension. However, in this case I can say that this movie belongs in both of those designations and delightfully so.
The movie opens with a lady (played by Ane Dahl Torp) and she is chased through the snowy mountains of Norway. The creatures ultimately corner her and eat her alive. We notice that the zombies have strange costumes as we fade to black. We re-open with seven medical students who are spending their vacation at a cabin up in what appears to be the same mountains.
Posted in: Disc Reviews by Archive Authors on March 10th, 2010
Possessed machines are long-standing horror staples: Christine, The Car, Maximum Overdrive, etc. It’s easy to understand why. Imagine driving down the road in your comfortable four-door sedan when your seatbelt suddenly tightens around your chest and crushes you to death. Now, obviously, that wouldn’t happen in the real world, nor would a thin car window have enough force to decapitate someone. Regardless, these are the kind of things you can expect from Phantom Racer.
The story begins with two rivals, Cutter and J.J., who used to be friends until they pined after the same girl. They get into a racing wreck during a tournament and only one survives. The remaining racer cuts his losses, leaves town and brings his guilt with him.
Posted in: Disc Reviews by Gino Sassani on February 22nd, 2010
When the original 1987 film The Stepfather came our way, the world was a very different place. Of course, that's true with any titles that are separated by nearly 25 years of time. When reboots or remakes are attempted, as they all too frequently are today, it is often true that some allowances must be made for those inevitable changes in our world. Filmmakers attempt to make whatever adjustments they deem fit and bring the old favorite, or not so favorite, into our current collective consciousness. Like all things, sometimes it works. More often it does not work. And then there are those occasions where it simply could never work. The Stepfather was released just at the dawn of this new instant information age. In 1987 most public records weren't available at the click of a mouse. There weren't social networks and Google options that allowed any normal person to become a private investigator. Put simply, it was a time when a person could still step into a new persona and leave his past acts behind him. Certainly, the ambitious could still research someone, but that required dusty basements in newspaper offices or library microfiche. The idea so essential to the suspense and thrill of The Stepfather simply no longer exists. The only way a remake could have really been effective was to make it a period piece and set it in the 70's or 80's, if not earlier. A ten year old kid can get the goods on you now. Here David doesn't appear to be concerned at all about fingerprints and DNA.
The original film had more than a slower information age going for it. Terry O'Quinn delivered one of the creepiest performances of his career. Yeah, that's the same Lost John Locke Terry O'Quinn, so it shouldn't be that hard for you to imagine an enigmatic performance. Even in 1987 the idea wasn't terribly original. There were enough stalker films by then that the concepts were already tired and worn. What made that film work more than anything was that performance. I remember particularly a moment, badly reproduced here, when O'Quinn's character stops and looks blankly at the camera and says, "Who am I here?" O'Quinn gives us a look that totally defines the hideous pathos of his character, and in that instant we realize how dangerously deluded he really is. It wasn't the back story. It wasn't the body count leading up to that moment. It was all in that look. It sent a shiver through the stoutest spine. And it is that element that is completely absent here. Dylan Walsh is a fine enough actor, and his performance is solid, but he never truly frightened me. Without that glue, the pieces of this remake simply cannot hold together.
![The Stepfather [Blu-ray] dvd cover art](https://upcomingdiscs.com/ecs_covers/the-stepfather-blu-ray-large.jpg)
