Sci-Fi / Fantasy

“Of course I have issues; that’s my father.” 

When I walked out of the theater in 2014 after seeing Guardians of the Galaxy, I knew I had just seen something special, and knowing a sequel was already guaranteed had me excited to see what was next for this band of misfits.  Since the release in 2014 the film hasn’t just become my favorite Marvel film; it is one of my favorite films, period.  So as photos and trailers began to trickle out, I began to wonder if Guardians of the Galaxy Vol. 2 could actually hold up to the first.

"For centuries man and mage lived side by side in peace until the rise of the mage sorcerer Mordred. Turning his dark ambition against man, he marches on the last remaining stronghold: Camelot."

So it finally happened: I found a Guy Ritchie film that I didn’t enjoy. I wasn’t expecting much from King Arthur: Legend of the Sword, but it is worth noting that I got even less than I expected. I know that sounds cruel, and I will admit that there were a few things that I did enjoy, but the number of things that went wrong versus what went right is not a close margin.

When we begin the second season of Blindspot, three months have passed since the first season's explosive finale. We are placed back in the action with the same time having passed on the show. Jane (Alexander) has been kept at a covert CIA black ops location where she is being tortured for information. It is a fortuitous time to rejoin the action, because we arrive just in time to see her engineer a clever escape. Meanwhile Kurt Weller (Stapleton) and his team have been back to more mundane FBI cases, and it's obvious they miss the excitement of working the tattoos. They're about to get their wish, and things are about to get pretty intense as we join the sophomore season of Martin Gero's Blindspot.

"In the future, the line between human and machine is disappearing. Advancements in the technology allow humans to enhance themselves with cybernetic parts. Hanka robotics, funded by the government, is developing a military operative that will blur the line even further. By transplanting a human brain into a fully synthetic body, they will combine the strongest attributes of human and robot." 

...and resistance is futile. OK. Wrong franchise.

Every year it seems the “summer” movie season seems to start sooner than the year before.  Here we are, the second Friday of March, and already we’ve seen the huge box office weekend for Logan, and now this weekend we have the release of Kong: Skull Island.  Ever since Kong first graced the big screen back in 1933, every film that followed was a mega-event. Personally it wasn’t till 2005 that theatergoers got to fully experience the massive beast in all his glory as he became worthy of the title “the 8th wonder of the world”.  Now we have Legendary Entertainment playing in the giant monster movie sandbox with plans to set up a series of monster films.  All this leads up to the inevitable clash of the kaiju monsters where we will finally see the showdown of Godzilla vs. King Kong.  Before we begin to get too excited, how does our current trip to Skull Island fare?

Black…all important movies start with a black screen…”

I completely understand if you’re Batman-ed out by now. The Caped Crusader barely had a chance to catch his breath since the end of Christopher Nolan’s landmark superhero trilogy in 2012 and being pressed back into duty to help kickstart Warner Bros.’ budding superhero universe last year. But between those two iterations, we got a glimpse at a fresh, knowingly funny version of a hero that takes himself entirely too seriously. Batman was a scene-stealing supporting player in 2014’s blockbuster The Lego Movie, and now he once again takes center stage in a sharp, hilarious, irreverent adventure that celebrates practically every version of the beloved character.

"I always know who you are. It's just that sometimes I don't recognize you."

Logan is perhaps one of the most interesting, endearing, and popular characters in the Marvel universe. Wolverine has the distinction of having been created by someone other than Stan Lee and Jack Kirby. While they invented the X-Men team from which the adamantium-clawed warrior was born, he was actually created by the team of Len Wein and John Romita, Sr. in the mid 1970's. Since that time the character has taken on a life of his own, a life that is as much owed to actor Hugh Jackman as anyone else. The funny thing is that Jackman is really nothing at all like the comic book character, who was actually quite short.

"You have to start somewhere."

I could sense a great disturbance in the Force. I could not quite put my finger on the reason, but there appeared to be much to worry about with the debut of the first ever Star Wars film that was not one of the driving episodes in the epic story of the Skywalker family and friends. There was worry that Disney might have been pushing their luck with these sidetrack stories. The Force Awakens was very good, but should the Mouse House really be tempting fate with such "filler" material? Then there were the disturbing reports that the film required so many rewrites that as much as $5 million had been spent on the services of Tony Gilroy to provide those touch-ups.

I’m writing a book about magical creatures.”

The wizarding world J.K. Rowling conjured for her Harry Potter series captured the imaginations of children (and many, many adults) throughout the globe because it was precisely that…a fully realized, living and breathing world with its own lingo and lore. So while spinning off a corner of that universe might seem like a blatant cash grab, Rowling’s imagination has provided particularly fertile ground for new franchise opportunities. (OK, OK…the part where Warner Bros. agreed to make five of these before the first one even came out *does* feel like a cash grab.) For example, this latest crowd-pleasing stab at a billion-dollar series is based on…a fictional textbook mentioned in Rowling’s Potter saga.

"There are days that define your story beyond your life. Like the day they arrived..."

The problem is that this starts out with the kind of story we've seen a thousand times before. The alien invasion theme is nothing new. H.G. Wells was describing it back in the 19th Century with War of the Worlds. Unrelated Orson Welles scared the crap out of a depression-era radio audience with the same story. Independence Day gave us a brilliantly visual story that also begins the same way: alien ships begin to take strategic positions around the world. Here we go again, right? Wrong. We should have guessed from the beginning that when director Denis Villeneuve tackles a genre, he's going to turn it on his head. We’d seen him do it before.