Disc Reviews

"It's alive!"

After nearly 90 years the Universal Horror cycle stands as one of the most enduring collection of horror movies today. Their influence on modern horror is unmistakable. There have been literally thousands of incarnations of Dracula, The Wolf Man and Frankenstein's Monster, but the first image that comes to your mind will always be the nightmare creations of those Universal films. Studio head Carl Laemmle, Jr. was trying to break away from his father's control and create a studio culture of his own. The results would start in 1931 when an unknown Hungarian actor named Bela Lugosi jumped from the stage to the screen in Dracula directed by Tod Browning. Laemmle's niece, Carla Laemmle, is the girl in the coach headed for Borgo Pass as the film opens to the musical strains from Swan Lake.

The Matrix (1999) was a landmark film in the Sci-Fi genre. While its box office intake was dwarfed by Episode 1, it was The Matrix that had people talking. Andy and Larry Wachowski’s story of a post-apocalyptic world where humans serve as biological generators of energy for the machines that rule the planet challenged people’s perceptions of what reality was. Computer hacker extraordinaire Neo (Reeves) has this gut feeling that life isn’t all that it seems to be. Turns out he’s right in a big way. A group of revolutionaries led by the thought-to-be-mythical Morpheus (Fishburne) open his eyes to the Matrix.

So the director had my undivided attention until he went completely sideways. I mean, I was engaged; I was feeling the message behind the film. I found the characters to be original, and the things that they had to say were unlike anything I had seen in recent years. Not to mention that opening scene was the perfect way to bring the audience into this world; and then it all came crashing down. Despite this disappointment, Sorry to Bother You remains among one of the most creative cinematic experiences that I had this year. I wanted very much to love the film, but sadly I can’t say that. I liked it a lot, especially the first half. It is the kind of film that was likely the gem of the film festival circuit. The number one slot at the box office will be out of reach for it, though.

Apollo 18 at one time was meant to be one of several missions NASA had set up that would take astronauts back to the moon.  Due to the fallout from the incident involving Apollo 13 and budget cuts, all the missions were scrapped and focus shifted to the shuttle program.   Conspiracy theories have seemed to always swirl around the Apollo missions, the more famous being about whether or not man ever reached the lunar surface and whether everything we saw about the moon landing was really filmed on a Hollywood soundstage.  The Landing takes things a step further as a faux-documentary about an Apollo 18 launch that resulted in one of NASA’s greatest disasters (that never happened).

Get Shorty was one of my fondest cinema experiences. I was twenty years old, in college, and had just met a lifelong friend named Robert. He took a bunch of us to a place where you could actually eat a meal, have a drink, and watch a movie at the same time. Back in 1995, that was a big deal; now, of course, we take that experience completely for granted, with such places as Alamo Drafthouse. Anyway, the truth was that most everybody except me wasn't really interested in the movie. Of course, being the cinephile I am, I absorbed every moment, and it became one of my favorite pictures. It's only fitting that I finally get to do a disc review about this amazing movie.

"You are about to witness the strength of snake knowledge."

That's me. In addition to being the senior writer here at Upcomingdiscs, I also have been a snake breeder for an even longer period of crimes. So, when a box arrived from our friends at Lionsgate with a rubber snake, a couple of syringe pens, and a movie called Snake Outta Compton, I knew this was one I was going to tackle. The snake in the box was rubber and caused no fright here. The syringe pens on the other hand... Let's not talk about those. Snake Outta Compton attempts to bring the world of Snakes On A Plane to Straight Outta Compton.

“I don’t know how to sing about love when I’m not feeling it.”

I have a surprising confession to make: I’m a huge movie musical nerd (that’s not the surprising part), but I thought the first Mamma Mia movie was absolutely terrible. Obviously, I was in the minority: the 2008 ABBA jukebox musical grossed more than $600 million worldwide. So the second least surprising thing about the perfectly-named sequel, Mamma Mia: Here We Go Again, is that it took 10 years to get the band back together. The first most surprising thing is that I actually thought this movie was...kinda good.

"My father told me about these men, about their natures. All I knew were the stories I was told of monsters and the valiant men sworn to slay them. I fear the stories I've heard may have been clouded, the truth more than clouded. It would seem these monsters are men, sons, brothers, fathers. And it would seem these men face their own monsters..."

Move over, Captain Jack Sparrow.

“Why make things simple when they can be painful and difficult?”

The current TV landscape is overflowing with “limited series” and anthologies that reboot themselves each year with new characters and storylines. The Affair, which premiered in 2014, seemed ready-made for that formula: each season could’ve followed different adulterous encounters in a wide variety of settings. Instead, the perspective-shifting Showtime drama has followed the same group of sad sacks through multiple years as they deal with the fallout of a single Long Island dalliance. The good news is this fourth season serves as both a soft reboot for the series and a swan song for a couple of major characters. 

It seems there isn’t an action film Bruce Willis can say no to.  It feels as though every couple of months there is an action film that has an appearance from Willis, and frankly it’s a little disappointing.  He’s a guy who can bring in the major box office dollars, but it seems more and more of the action stars are settling for the direct-to-video route for the simple paycheck and moving on to the next.  With the number of films being churned out for the cinemas, DVD and Blu-ray, and the streaming services, it seems the film industry is simply becoming a business of quantity rather than quality due to the amount of demand needed.  Reprisal is the latest example of this demand for quantity rather than quality as we get a pedestrian action film that plays by the numbers and will be forgotten by the year’s end, and that’s a shame considering its two leads.