Disc Reviews

Ever since I was a kid, I’ve been fascinated by UFO stories. It’s a big part of what got me into watching The X-Files.  Whether you are a believer or not, there are groups all over the world where people get together and share their experiences about their abductions and how they attempt to cope with the trauma of the event.  Beyond the Sky is a film that is sort of a mockumentry about Chris Norton (Ryan Carnes) who has been attempting to find out what happened to his mother after she went missing on his seventh birthday.  Now years later, he takes his “documentary” to a UFO convention to meet with abductees and in the process comes across Emily (Jordan Hinson), who may help him on his journey to find the truth.

My first attempt at watching Mandy wasn’t a successful one. After fifteen minutes I was nodding off, so I stopped it and held off viewing it for another night.  This isn’t a movie you want to throw on too late at night. The first half is definitely a slow burn, but once this film picks up steam, you are in for one crazy, psychedelic, violent experience that will leave an impression on you.  It’s no surprise that Mandy has already developed a buzz through the internet and is well on its way to becoming a cult classic.  Is the hype for this film real?  Can Nicolas Cage still deliver a memorable performance as his career has seemed to have dissolved into constant direct-to-DVD content?  Well, the short answer to both these questions is yes, but this film is not for everyone, and to a degree I may be on the fence on the first half of this film.

“We had a job to do.”

When The Americans received a two-season renewal back in 2016, the news was met with unanimous enthusiasm. Fans of FX’s acclaimed (but low-rated) spy drama were guaranteed two more years’ worth of stories, while TV critics applauded the fact that creator Joe Weisberg and Co. could carefully plot out their show’s endgame. Sadly, the first half of that deal resulted in a penultimate fifth season that frustratingly punted a lot of the show’s more pressing plotlines. The sixth and final season of The Americans offers a thrilling and heartbreaking conclusion, even though it also kind of comes off as the brilliant kid who waited until the very end to cram before a big test.  

When I think of buddy cop movies, two movies spring to mind as favorites. No, not Lethal Weapon and Beverly Hills Cop. Not Bad Boys 2 and Rush Hour, either. While all of those are good films, the best for me are Hot Fuzz and 48 Hours. 48 Hours was a classic match-up of Eddie Murphy and Nick Nolte, while Hot Fuzz lampooned every single cliche they could think of and then some. Also, if you said The Heat or Ride Along as your two favorite buddy cop movies, I'm going to need you to move along. Move along to reading my Blu-ray review for Dragnet, because seriously, you need better taste.

"It's alive!"

After nearly 90 years the Universal Horror cycle stands as one of the most enduring collection of horror movies today. Their influence on modern horror is unmistakable. There have been literally thousands of incarnations of Dracula, The Wolf Man and Frankenstein's Monster, but the first image that comes to your mind will always be the nightmare creations of those Universal films. Studio head Carl Laemmle, Jr. was trying to break away from his father's control and create a studio culture of his own. The results would start in 1931 when an unknown Hungarian actor named Bela Lugosi jumped from the stage to the screen in Dracula directed by Tod Browning. Laemmle's niece, Carla Laemmle, is the girl in the coach headed for Borgo Pass as the film opens to the musical strains from Swan Lake.

The Matrix (1999) was a landmark film in the Sci-Fi genre. While its box office intake was dwarfed by Episode 1, it was The Matrix that had people talking. Andy and Larry Wachowski’s story of a post-apocalyptic world where humans serve as biological generators of energy for the machines that rule the planet challenged people’s perceptions of what reality was. Computer hacker extraordinaire Neo (Reeves) has this gut feeling that life isn’t all that it seems to be. Turns out he’s right in a big way. A group of revolutionaries led by the thought-to-be-mythical Morpheus (Fishburne) open his eyes to the Matrix.

So the director had my undivided attention until he went completely sideways. I mean, I was engaged; I was feeling the message behind the film. I found the characters to be original, and the things that they had to say were unlike anything I had seen in recent years. Not to mention that opening scene was the perfect way to bring the audience into this world; and then it all came crashing down. Despite this disappointment, Sorry to Bother You remains among one of the most creative cinematic experiences that I had this year. I wanted very much to love the film, but sadly I can’t say that. I liked it a lot, especially the first half. It is the kind of film that was likely the gem of the film festival circuit. The number one slot at the box office will be out of reach for it, though.

Apollo 18 at one time was meant to be one of several missions NASA had set up that would take astronauts back to the moon.  Due to the fallout from the incident involving Apollo 13 and budget cuts, all the missions were scrapped and focus shifted to the shuttle program.   Conspiracy theories have seemed to always swirl around the Apollo missions, the more famous being about whether or not man ever reached the lunar surface and whether everything we saw about the moon landing was really filmed on a Hollywood soundstage.  The Landing takes things a step further as a faux-documentary about an Apollo 18 launch that resulted in one of NASA’s greatest disasters (that never happened).

Get Shorty was one of my fondest cinema experiences. I was twenty years old, in college, and had just met a lifelong friend named Robert. He took a bunch of us to a place where you could actually eat a meal, have a drink, and watch a movie at the same time. Back in 1995, that was a big deal; now, of course, we take that experience completely for granted, with such places as Alamo Drafthouse. Anyway, the truth was that most everybody except me wasn't really interested in the movie. Of course, being the cinephile I am, I absorbed every moment, and it became one of my favorite pictures. It's only fitting that I finally get to do a disc review about this amazing movie.

"You are about to witness the strength of snake knowledge."

That's me. In addition to being the senior writer here at Upcomingdiscs, I also have been a snake breeder for an even longer period of crimes. So, when a box arrived from our friends at Lionsgate with a rubber snake, a couple of syringe pens, and a movie called Snake Outta Compton, I knew this was one I was going to tackle. The snake in the box was rubber and caused no fright here. The syringe pens on the other hand... Let's not talk about those. Snake Outta Compton attempts to bring the world of Snakes On A Plane to Straight Outta Compton.