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"The city still needs saving. But not by the Hood. And not by some vigilante who's just crossing names off a list. It needs... something more."

That someone, that something more ...that something else is the DC Comics character Green Arrow. Not to be confused with the same-colored Hornet or Lantern. In season 2 Oliver Queen finally sheds the name and reputation of the Hood or Vigilante. He has vowed not to kill, and he no longer has the list to guide him. His job now is to go after any bad guys in Starling City.

“It’s not the end of the world.”

I still remember the night I walked out of the screening of the Roland Emmerich version of Godzilla.  I can’t remember a time I had ever been so angry at a film.  It was a film that was an insult to the monster that I had held in such high regard right alongside King Kong.  Sure, I had seen the trailers, but when I saw that first reveal of their “Godzilla” I cringed. I hated it. 

"Spartacus' mongrel horde has swelled with each passing victory since Glaber's defeat at Vesuvius. They added thousands to rank liberating the mines of Lucania. Slaves across the Republic, humble and grateful to their masters for so many years, have broken to treachery in the wake of the ever-expanding legend of Spartacus."

Starz has had a pretty good run with their Spartacus series. Coming off the style of blood and violence that was popularized with Zach Snyder's 300, Spartacus brought that comic book/graphic novel intensity to television.

"There's virtually nothing the Winchesters can't do if they work together."

But that's the rub, isn't it? The tradition has been that each of the last several seasons end up beginning with the brothers separated for one reason or another. Often one of them is trying to escape Hell, purgatory or some fantasy mental land. There are at least two times a year they split up over an argument.

"One must regard the 30 years of strife, turmoil and suffering in Europe as part of one story. One story of a 30 years war." - Winston Churchill

He was exactly correct, and one of only a few people of the time who had the vision to understand that concept. Before the end of World War II the first world war was known as The Great War. The idea of two separate world wars came later.

Some of the most iconic stand-up comics of all time have famously wrestled with personal demons while simultaneously mining them for material on stage. Few have done so more successfully — and for a longer period of time — than Richard Lewis. His neurotic, self-flagellating act earned Lewis his “Prince of Pain” nickname, but his longevity is just as impressive. The fact is a lot of great comics don't last as long as Lewis because they lose that battle with their demons too soon. So it's great to see that, at age 67, Lewis finally gets his due with a DVD set that covers some of his most seminal work.

"It's been a long summer."

And my how things have changed in Mystic Falls. Elena is a vampire, and Katherine is now a human, and doing a pitiful job of that, to be sure. Bonnie is a ghost who only Jeremy can see, and they're trying to keep it all a big secret from everyone so they all think Bonnie is out globe-hopping and having a great time. Stefan is at the bottom of a lake in a safe where everyone else thinks Silas is.

Drag racing is for fast cars. Road racing...that's for fast drivers.”

I imagine that distinction — along with one character scolding another for pulling a “Vin Diesel stunt” — is meant to set this straight-to-DVD racing drama apart from the Fast & Furious franchise. That separation is an interesting choice for a couple of reasons. On one hand, I assume it's been easier to finance any car-centric flick ever since a certain high-octane film series proved there's an audience for the genre. Then again, the increasingly staggering success of the Fast movies seems to be directly proportional to how ludicrous they've become.

There are movies that can be described as slow burns, and then there's Night Moves. Director Kelly Reichardt frames much of her 112-minute thriller in a way that invites you to pay an inordinate amount of attention to the lush greenery, winding trails, and tranquil water the film's three protagonists go to dangerous lengths to preserve. The extended, quiet sequences and exceedingly simple plot also encourage viewers to fill in spaces in the story that seem to have been intentionally left blank. This deliberate approach will undoubtedly infuriate and bore some people, but I personally found it absorbing enough to recommend as an unconventionally tense drama.

The list of bad videogame movie adaptations is as ridiculously long as the titular weapon in this animated offering. In fact, the film that has best captured the spirit of gaming wasn't even based on an actual videogame. The bottom line is it's hard to translate the highly-interactive thrills of videogames into a satisfying, relatively passive moviegoing experience. So maybe the answer lies in targeting inherently cinematic games like Heavenly Sword.