Paramount

"Maybe we could use a dad's night out."

Let me begin this review by stating that I did not see the first Daddy's Home film. There are pros and cons to that situation. I'm not really in a good position to judge the film's value or quality as a sequel, and I wasn't familiar with any of these characters when I started to watch the film. It does, however put me in a good place to evaluate this film on its own merits. Is it the kind of sequel that functions as a standalone film, or will you be lost from the start with no chance to catch up? I'm happy to say that I never felt like I was at a disadvantage. Yeah, there were moments where I felt like I wasn't part of the inside joke, but those moments are actually quite rare.

Stop me if you’ve heard this one before: single gal pals looking for love — among other things — in the big city. On television, the trope dates back to the days of Laverne & Shirley and continues with more contemporary entries like Sex and the City and Girls. The queens kweens of Comedy Central's Broad City have given that timeless story hook a funny, druggy and tremendously weird spin for the past four seasons. That includes this most recent batch of episodes, which is lighter on comedy than usual as it explores the origin of NYC besties Abbi and Ilana's relationship...and the way even the closest friends can inevitably drift apart.

Bad Robot, in my eyes, is simply the best at keeping things a secret.  In this day and age, to be able to surprise audiences is just about an impossible task.  When the first Cloverfield trailer was released in 2007 in front of Transformers, it was a trailer that had us all guessing up until its release.  In my opinion Cloverfield was one of the best found-footage films to come out and was a grand achievement, considering it was a monster film that had been pretty much been kept under wraps until its actual release.  Bad Robot managed to surprise us again, releasing a trailer for 10 Cloverfield Lane that set the internet on fire with theories and hopes for this to be a long-awaited sequel.  But is that what this really is? 

It might be hard for me to admit, but there are certain instances where having an ultra-high-definition transfer of even a modern film is not necessarily a better thing. The UHD 4K release of Cloverfield is one such instance. There is no question that the transfer is about as sharp and clean as anything I’ve seen on Blu to date. The problem is that it only helps to accent the stylistic flaws inherent in this kind of film. The most noticeable improvement is in the first third of the film. Of course, that part of Cloverfield is about as entertaining as watching paint dry. I still don’t care about these characters and their party ramblings any more now than I did before. The fleeting shots of the creature do look better, but you still better hit the pause button if you want a good look.

Most movies are just not very good. Lots of money goes into turning out boring, repetitive garbage. You watch it and then dispose of it and make room for the next thing. There are some who do more, but the more you do, the greater the risk. Most filmmakers are not given the freedom to take really big risks, but someone who has been given the opportunity to take the big risk is Christopher Nolan. Interstellar is $165,000,000 gamble shooting for the moon.  Actually Nolan is shooting for something way past the moon. He wants to take us to another galaxy. There is so much speculative science in this film that it is mind-boggling. The cutting edge of real science is, frankly, getting crazier and crazier. The average person really has no idea how crazy, but Interstellar is going to try to show us just how crazy. The true nature of some of the elements of the theory of relativity and other related theories is that they defy all logic.

When I was a young boy I loved playing with my toys. We didn't have Transformers in those days, but we did have Major Matt Mason, plastic dinosaurs, Hot Wheels and Creepy Crawlers Thingmaker sets. Yeah, in those days a toy could cause third-degree burns and no one really worried about getting sued. Kind of takes the fun out of being a kid today. You know who else, I bet, loved to play with his toys? Michael Bay. I bet he had the coolest toys in his neighborhood. He probably wasn't the best guy to be friends with, however. He didn't invite the kids over to play with his toys. He likely charged you a nickel to watch him play with them. It's many decades later, and Michael still has the coolest toys on the block. Only now you have to cough up twenty bucks if you want to watch him playing with them. Sadly, that is what the Transformers film franchise has been reduced to. We're all watching the rich kid playing with really cool toys.

"In any war, there are calms between the storms. There will be days when we lose faith, days when our allies turn against us. But the day will never come, that we forsake this planet and its people."

Following the events of Transformers: Revenge of the Fallen, the Autobots are working hand-in-mechanical-glove with human authorities (in other words, the apparently all-powerful CIA), keeping close watch for Deception activity, but also helping out in human-on-human conflicts. Meanwhile, Shia LaBeouf has traded in improbably hot girlfriend Megan Fox for the equally improbable Rosie Huntington-Whiteley (an improbability that the script does have some fun with). He is also out of work and dismayed at not being given due consideration as a savior of the planet.

"Before time began, there was the Cube. We know not where it comes from, only that it holds the power to create worlds and fill them with life. That is how our race was born. For a time, we lived in harmony. But like all great power, some wanted it for good, others for evil. And so began the war. A war that ravaged our planet until it was consumed by death, and the Cube was lost to the far reaches of space. We scattered across the galaxy, hoping to find it and rebuild our home. Searching every star, every world. And just when all hope seemed lost, message of a new discovery drew us to an unknown planet called... Earth."

In this version of Transformers, Earth is caught up in an age-old conflict between two factions of an Autobot society.

“These movies that I’ve done, they are massive movies. They take a lot out of you.”

That’s director Michael Bay talking about his decade-long work on the Transformers franchise on the eve of the fifth(!) film’s arrival. The movie also doubles as Bay’s swan song in the director’s chair, so when he says, “They take a lot out of you,” the filmmaker is presumably talking about the massive amount of energy and manpower (and horsepower) these big-budget bonanzas require. The problem is “They take a lot out of you” has also applied more and more to each subsequent movie in this series. Transfomers: The Last Knight isn’t just a bad movie…it is painful and exhausting to watch.

In the vein established by 21 Jump Street of taking a serious television series and transforming it into a comedy comes Baywatch. I’m sure everyone remembers Baywatch, possibly one of the most watched television series of all time that featured buxom ladies like Pamela Anderson and Yasmine Bleeth in tight swimsuits, running in slow motion.  Transplanted for a moderate time period, this film adaptation features this generation’s hard bodies such as Zac Efron, Dwayne Johnson, and Alexandria Daddario (those eyes are hypnotic) taking on the established and iconic roles of Matt Brody, Mitch Buchannon, and Summer Quinn.