Phase 4 Films

Even if you managed to catch the little-seen Budz House when it was released on DVD earlier this year, chances are you weren’t exactly begging for more. (At least not if you’re one of my esteemed colleagues.) The cast of the wannabe cult stoner comedy featured a handful of comedians, some of whom have reunited for this hybrid talk show/stand-up special. Although too many of the jokes rely on tired clichés, these live performers seemed infinitely more comfortable in their natural habitat.

The 67-minute special is hosted by actor/comedian Faizon Love, who played a character named (wait for it) Big Shitty in Budz House. We first see Love hanging out in a green room with some of his fellow Budz House actors talking about what they want to do next with their lives. Two female cast members say they want to be Avatars — one blue and one red — while another actor wants actress Danielle E. Hawkins to fart in his face. I realize the previous sentence sounds like something I made up just to see if you’re still paying attention, but I promise you this actually happened. After resisting the strong urge to turn this off after less than two minutes, Love reveals that he’s always wanted to host a talk show. And we’re off!

A single father gets a major job offer working in a prestigious Chicago restaurant, but the job requires him to move his entire family from out of their hometown of Toledo. They are set up with a new apartment but their dog, Shakey, is not permitted in the building. This family must then decide whether staying for this swanky job is worth losing a member of the family, or is there any other alternatives to losing Shakey?

I have had a bad string of luck when it comes to reviewing films that place “Family Approved” on their cover. To me, this has become a badge of low quality. Alas, this film is not the redeemer I'd hope it would be but it does have a couple bright spots I shall mention.

“It has skin like silverfish.”

After suffering through the vast majority of low-budget indie horror films whose only motivation seems to be to make a quick buck on distribution deals, it is truly a delight when you stumble on to something wonderful like writer/director Mike Flanagan’s Absentia. Building on a cast of unknowns, with the exception of an incredibly creepy cameo by genre fave Doug Jones, Flanagan weaves a web of creepy, atmospheric horror in this effective low-budget chiller.

Isn't it odd how movies with similar story lines tend to get released around the same time? For example, no one has gotten the urge to release another major motion picture with a volcano as its main antagonist since the Dante's Peak/Volcano Battle of 1997. (Though that might have more to do with the fact that, my slight soft spot for Dante's Peak notwithstanding, both those movies are terrible.) We've been treated to the Great Deep Impact/Armageddon Debate, dueling Truman Capote biopics and the upcoming Snow White Smackdown of 2012. In that same spirit, I'd like to unofficially — and belatedly — declare 2011 as the Year of Has Anyone Seen My Keys?

I'm assuming you've, at least, heard of Best Picture nominees Hugo — where the young protagonist needs a heart-shaped key to finish a project he and his late father started — and Extremely Loud and Incredibly Close, which pulls somewhat of a reverse-Hugo by giving its young protagonist a key, courtesy of his own late father, but no lock. I'm also assuming, unless you have kids, you probably haven't heard of Jeremy Fink and the Meaning of Life.

I am back! For now. Here to review Insight. Dun dun dun! A psychological thriller type that my husband thought I would like to take a look at. And then he bat his eyes and asked me to review it. Since I am a sucker for him and his gorgeous eyes, I agreed. Was this movie worth the look? Let's take a look, shall we?

So, we start the movie with an ambulance bringing in a stab victim. It is your typical scene of someone being wheeled in on a stretcher, down a hospital corridor. We learn that the stab victims name is Allison Parks (Angeline-Rose Troy) and she has been stabbed over a dozen times. They get to the operating room and start the usual medical jargon and run around the room acting like they are doing something important. They begin to fire up the heart zappers (Yes, I know there is a technical, fancy schmancy, medical name for them, but I like heart zappers, it sounds more festive) but before they can get them to full charge, the victim opens her eyes wide and looks at the nurse by her side. She tells her “He loved me”, the nurse grabs her, and ZAP! Nurse falls to the floor (You need to know that its not a good idea to grab someone who is about to be jolted with electricity, it does pass through one person to another).

Jimmy is a clinically overweight teen who is starting high school. He is immediately the target for relentless bullying but tries ignoring his classmates' tormenting by focusing his attention on losing weight and trying to win over a girl he fancies in his classroom.

Based on a novel by Diane Lang and Michael Buchanan, this is a serviceable lesson about how children can attempt to keep a positive attitude despite facing all sorts of adversities. Said adversities Jimmy faces start as typical bullying, which is portrayed in this film in a realistic fashion, and escalates to extremely serious issues regarding his best friend, whom is facing even greater challenges living in a broken home with an alcoholic father.

A pirate radio station offers to grant wishes to listeners on full moon nights, but all of said wishes come with grave consequences as it seems that there have been monthly murder/suicides occurring since the radio station's inception. Without knowing what sort of evil she might release, a teenage girl, who is grounded by her parents, makes a wish with the “Oracle” of the station and soon her friends are falling victim to evil possession.

Like a million horror films before it, we start of the film by being introduced to a band of sexy teenagers (played by actors most likely in their twenties) who pal around and generally act like annoying idiots (for lack of a more graceful label) to the point where I could care less if they fall victim to a maniac or curse of any sort....but we'll get to that later on. The story goes, one of the sexy teens is grounded by her parents and cannot attend a party where she was planning to meet up with her crush; which in the teenage world, seems to be the equivalent of having your limbs sawed off. In her angst she calls a mystical pirate radio station and makes a wish that starts off a set of tragic events involving all of her friends and family. Apparently, only a young girl's crush triangle and petty feud with her parents were at stake, which meant that the audience has nothing worthwhile invested in these characters when some of them start to die.

The third BloodRayne film (and second with Nastassia Malthe in the title role) sees the titular dhampir slicing up Nazis, and so the chronology of the third film rejoins that of the first game. During a raid on a death camp train, Rayne accidentally infects a Commandant Michael Paré. Becoming a dhampir himself (a human/vampire hybrid), he and Mengele-figure Clint Howard (because who else are you going to cast as a Nazi scientist other than Clint Howard?) plan to use Rayne’s blood to grant Hitler immortality.

Vampires and Nazis notwithstanding, the important thing here is that this is yet another Uwe Boll film. So what exactly does that mean for you, the discriminating viewer? As regular visitors to this site might know, I have, in the past, actually praised some of Boll’s more recent efforts. I may well have destroyed whatever critical credibility I could lay claim to by being so impressed by Tunnel Rats, but damn it, it was good. Here, though, is yet more evidence that the Indefatigable One is not at his best when dealing with video game material. Also World War II. Opening an action movie about vampires with shots of Auschwitz-bound prisoners is not, methinks, in the best of taste. Furthermore, Boll’s decision to go with a washed-out, gritty feel does a disservice to his heroine. The world of the BloodRayne video games is a fantastic, exaggerated one, Gothic in every sense. It is a world of decadent costume balls, and villains headquartered in castles, and it is the cartoonish, occult-obsessed, iconographically berserk side of the Nazis that lends itself to the kind of stories we fine in the games, not to mention the look of the character. Rayne’s revealing costume, hardly practical, looks even sillier when placed in a context of grime, washed-out colours and snow.

"1, 2, 3, 4, 5, 6, 7, release the one ignored by Heaven. 8, 9, 10 now run and hide or join her at the Devil's side. 11 comes the clocks will chime, forgotten souls erased by time. Midnight comes, it's not too late. So kill the ghost and seal your fate."

When I got to college, I had no idea what I wanted to be. I had signed up for computer science so I could go on to be a video game programmer. The truth is, I placed that as my major because I did not know what else to put. As luck would find it, five years later would get me a degree in Finance which I have never used in the professional world. But there was one thing in college I knew for sure. I wanted nothing to do with any fraternity and I am guessing Brotherhood is not going to change this opinion.

We start off the story with four frat guys in a van (if that van was down by a river, I’m out of here). Frank (played by Jon Foster), the pledge leader puts on a mask and runs out to rob a convenience store and comes back. He demonstrates that he wouldn’t ask the pledges to do anything he wouldn’t first. The other three are noticeably frightened because they think they will be arrested. Eventually one of the pledges decides to do it and when they hit the next store, he completes his task quickly.