1.33:1 Fullscreen

“About this startling new show as a whole, we say this. When ordinary people of our real world encounter the chilling world of the unknown, when normal men and women take that one step beyond, that we think is incomprable drama, all the more memorable and amazing because these strange adventures are true, absolutely true.”

The stories from One Step Beyond were reportedly true, but to paraphrase a rather disingenuous former president, it all depends on what your definition of true is. In interviews many of the writers later admitted that much of the material came from a couple of reference books. The idea was a truly reported one, but the story was pretty much created. The series was directed and hosted by John Newland and ran from 1959 to 1961. The shows were half hour and sponsored by Alcoa. In syndication the series was often called Alcoa Presents: One Step Beyond. In 1978 the original creative team of creator Merwin Gerard and host/director Newland attempted to revise the series calling it The Next Step Beyond. But the show was not picked up.

Some of you might remember my review of the first two volumes of X-Men, the Animated Series. After the first thirty plus episodes, I secretly hoped that I would be able to bring you reviews of the rest of the series. Luckily, I was blessed enough to make this a reality when I received volume 3 & 4 at my door just before my fall vacation. How sweet it is.

When we last left the X-Men at the close of the original Phoenix Saga, Jean Grey in the form of the Phoenix had defeated D’Ken and saved the universe from the power of the M’Kraan crystal. In such, the crystal (with D’Ken trapped inside) had to be taken far away and flown directly into the sun. Phoenix accepts this mission and the mind of Jean Grey says goodbye to her fellow X-Men.

Written by Adrienne Ambush

Nightmare on Elm Street it is not, but Wallace & Gromit’s: A matter of Loaf and Death is anything but a movie you should let your kids watch without parental supervision.

"Space...The Final Frontier. These are the voyages of the Starship Enterprise. Its 5-year mission: to explore strange new worlds, to seek out new life and new civilizations, to boldly go where no man has gone before !"

Paramount was bold indeed when they undertook the remaster project of the original series. Not only did they clean up the prints, but they took the decidedly risky option of redoing most of the f/x shots from the original prints. We all know just how cheesy the old work looked when compared to today’s computer abilities. You could see a box around spacecraft that allowed the obvious cutout to maneuver through a cardboard star field. There were often mixups where phaser shots would be used for photon torpedo commands and the opposite. The planets often utilized matte paintings that look somewhat ridiculous now. We forgave these flaws with a complete understanding of the limitations the crew had at the time. While Star Trek showed us computers that were remarkably similar to the PC’s we use today, down to the floppy drives of our own yesteryear, the use of computers to create f/x was still many years away. So Paramount decided to “fix” these “flaws” and make much of the show look like it might have had it been produced today. It was a serious risk because of the extreme possessiveness fans have for these kinds of shows. Just ask George Lucas how much fans like their sci-fi tinkered with. The project encompassed a few years, and the results are quite attractive. But how do they stand up for the fans?

When we left J.D., Turk, and the rest of the staff of Sacred Heart Hospital at the end of their seventh season, there were good reasons to believe we had seen the last of Scrubs:

1)    The show had suffered the lowest ratings in its history.

Scooby Doo has spanned generations and over 40 years. Since the 1960’s the name and conventions have become a part of the pop culture. The original cartoon series had a series of conventions. The Scooby Gang would drive around in their green Mystery Machine van and solve ghostly mysteries. Fans of the show quickly grew to learn that these spirits and goblins were usually just normal people using scare tactics to get revenge or make a profit. The cartoon classic spawned music albums, live action movies, and several new shows and animated features.

This single disc release is pretty much just a collection of 4 episodes, 5 if you include the “bonus” episode of the television show, Scooby Doo Where Are You. The episodes are:

The longest running show in prime time doesn’t feature cops, doctors, or lawyers. It’s hard to believe that The Simpsons have existed as long as the Fox network. While the series didn’t really begin until Fox’s second year, the characters were part of The Tracey Ullman Show, which did start the first year of Fox. Who could have guessed that an animated short from an otherwise horrible and doomed variety show would explode into such a phenomenon. The Simpsons have not only dominated the pop culture; they have placed…everything else into context with their show. Like Doonesbury, it could be said that the only thing worse than being made fun of on The Simpsons is not being made fun of on The Simpsons. With that said, you’ll understand my warm feelings and appreciation for this show.

It’s hard to imagine that we’re getting the 12th season but we’re still not closing in on the current run of episodes. This thing has been on forever. Still, it never gets old. The show has a charm yet edginess to it that can’t be beat. Let’s not forget that while kids might love the show, this stuff is intended for adults. We’re not talking South Park trash talk here. Every episode is a veritable treasure hunt of subtle and not so subtle cultural references. Even after seeing an episode several times, it’s not uncommon for me to find something that I missed before.

Think of it as The Odd Couple Private Investigation Agency. These guys might be brothers, but they have only one thing in common, and that’s their skills as private investigators. Otherwise they are as far apart as night and day. A.J.’s (Parker) the clean cut, nearly anal member of the sibling pair. He sees the detective game more in the mainstream world and tries to play things straight and by the book. Rick (McRaney), on the other hand, is a slob of a guy. He’s the kicked back let life come to him sort of chap. He doesn’t pick up very much after himself. He lives a Bohemian lifestyle complete with houseboat and Sanford and Son beat up pick ‘em up truck. Neither of them are pulling in very much money and have to deal with Mom’s (Carver) disapproval of their chosen profession. The two treat everything like a competition and take sibling rivalry to new heights. They were also in heated competition with the detective agency on the same block, run by crotchety old Myron Fowler (Barth) and his daughter Janet (Wilson). Janet eventually becomes a district attorney and really gets under the brothers’ skin. Unfortunately she’s absent on all but a couple of the third season’s cases. The pair worked with rather off the wall detective Downtown Brown played by WKRP’s own Venus Flytrap, Tim Reid. He was one of those end justifies the means kind of a guy.

The cases were always just a little over their heads and often led them into various traps, gunfights, and car chases. The real charm of the show was watching the brothers working together. They would fight and argue about pretty much everything. Still, when the chips were down, they could always each depend on the other to have his back. They weren’t the brightest of detectives and fell into as many clues by dumb luck as through good investigation technique. It was most definitely a lighter show than most of the detective shows of the 80’s. Miami Vice this was not. The pair went against the mold in almost every aspect. They were not very good with the ladies. They didn’t drive hot fast cars. They were almost always out of money. And, they carried themselves as immature frat boys most of the time. The appeal was their Joe Public image. It must have worked, because the show ran for nearly a decade.

Star Trek – The Original Series:

"Space...The Final Frontier. These are the voyages of the Starship Enterprise. Its five year mission: to explore strange new worlds, to seek out new life and new civilizations, to boldly go where no man has gone before!"

The Untouchables took on a perhaps too convincing appearance of reality. Remember that the audience was made up of folks who grew up getting their news from newsreels at the local theater. It was a stroke of genius to have real life news reporter Walter Winchell narrate the series. Everything from that narration to the gritty dark photography carried a documentary style feel to every minute of the action. You can only imagine why too many Americans thought it was too violent. The show wasn’t too violent. It looked and felt too realistic. Robert Stack literally becomes the persona of Elliot Ness. The show was also based on a book that was co-written by Ness himself but was highly fictionalized by the time it reached millions of homes each week. In truth, Ness’s team didn’t exist long after bringing down Capone for tax evasion. In the series the team becomes a strike force of sorts against an entire mug book of criminals real and imagined.