Posted in: Disc Reviews by Brent Lorentson on January 16th, 2019
These days when the studios are cutting together trailers to promote their upcoming films, I feel one of the number one complaints people have is that the trailer gives too much away, so why bother shelling out the cash to see it on the big screen? When it comes to the trailer for Bad times at the El Royale, it gives you a glimpse at what is to come, but the result is something clever and ambitious. Unfortunately, it feels a bit too familiar. This is the second feature film from writer and director Drew Goddard, who first made a splash onto the screen with his hit film Cabin in the Woods. While I enjoyed his first romp that played with many of horror’s stereotypes, I still felt the film fell a bit flat. Unfortunately, though I enjoyed this fun little noir film he’s put together, I feel it too falls a bit flat, but mostly this is due to its 140-minute runtime.
Posted in: Disc Reviews by Gino Sassani on December 22nd, 2018
"Predators don't just sit around making hats out of rib cages. They conquered space."
In 1987 Predator became somewhat of a milestone film for many reasons. The movie would anchor a franchise, thanks mostly to a wonderfully original Stan Winston creature design and the performance of Kevin Peter Hall under the suit. Both Winston and Hall have since passed, but the alien hunter that they created together is still going strong. The film also featured two stars who would later go on to become governors of their states. Arnold Schwarzenegger and Jessie Ventura made their mark in politics. The film also featured Rocky's Carl Weathers. It also featured Shane Black in a small role that might not have contributed to the blossoming franchise then, but he has made his own impact by writing and directing the latest installment of that franchise The Predator.
Posted in: Disc Reviews by John Delia on December 20th, 2018
Children’s fairy tales have taken a new drift with the film The House with a Clock in Its Walls. Packed with exciting action adventure, the movie, based on the book by John Bellairs, envisions the story with an incredible amount of CGI. You could almost call the film animated, but that’s a good thing here as things go bump in the night, magic forms the basis, and solving the mystery becomes the prominent focus for older youngsters. Orphaned due to a car crash that took his parents, young Lewis Barnavelt (Owen Vaccaro) gets invited to live at his Uncle Jonathan’s (Jack Black) magical mansion. He’s a bit fearful of the old house with its grand stairway and many mysterious rooms, but Lewis sort of likes the flamboyance of the magician-turned-warlock. There he’s introduced to Jonathan’s neighbor and best friend, Florence Zimmerman (Cate Blanchett), who assures Jonathan that he will enjoy living with his uncle.
Uncle Jonathan has only one rule for Lewis: he mustn’t open a special cupboard, ever.
Posted in: Disc Reviews by Jeremy Butler on November 11th, 2018
When a disease begins targeting and killing children, you fear for the future of the generation. However, when the children whosurvive develop dangerous abilities, you fear for yourself. That is the situation that Ruby Daly finds herself in. To compound her issues, not only does she have powers that she can’t control, but among the powerful her abilities are among the rarest and strongest. Amandla Stenberg stars in this film based on a young adult novel series. Anyone else sensing a franchise in works. Unfortunately, despite the vacuum let behind by Twilight, Hunger Games (which our star was a part of), and the recently ended Maze Runner, I’m not so sure that The Darkest Minds will be the vehicle to fill the gap. Overall it was a solid opening, but I left the film with more than a few unanswered questions.
Posted in: Disc Reviews by Gino Sassani on November 8th, 2018
"If anyone wants to clap, now is the time to do it."
If he were alive today, A.A. Milne would likely find a reason to smile these days. Perhaps he is. Winnie the Pooh has made quite a bit of a comeback in recent years. Last year we saw the impact the creation had on his son, the real Christopher Robin, in the sentimental Goodbye, Christopher Robin. This year Disney continues its recent trend of bringing many of its classical animated features back for live-action remakes using the wonderful world of computer-generated f/x and motion capture performances. The recent Jungle Book release was a wonder to behold and one of the best films of that year. This year it's the world of Winnie the Pooh, and to help celebrate the 50th anniversary of Winnie the Pooh and the Blustery Day, Disney releases Christopher Robin, and you're not going to want to miss it. All of your favorite characters from both the classic books and the Disney cartoons are back, and it couldn't have been a moment too soon.
Posted in: Disc Reviews by Gino Sassani on September 26th, 2018
"A long time ago in a galaxy far far away..."
Yes, those lines open this Star Wars story, because the filmmakers want to be sure you know what you're watching. This is Star Wars. Just in case there was anyone at all in the audience who had no idea they just bought a ticket to Star Wars. If he were dead, George Lucas would be rolling over in his grave. Instead, maybe he's just having some restless nights with little sleep. It is Star Wars. And that means there will be a droid as a main character, space battles, and some good old fashioned one-reel-serial-days adventure. It's a heck of a visual amusement park ride, and the film will certainly entertain. But I have to open by saying it is my least favorite of the Disney Star Wars films to date.
Posted in: Disc Reviews by Gino Sassani on September 24th, 2018
"Do you remember the first time you saw a dinosaur? The first time you see them, it's like a miracle. You read about them in books, you see the bones in museums, but you don't really believe it. They're like myths. And then you see the first one alive."
By the time you get to the fourth sequel of a film, the results are usually not very good. Even a groundbreaking film like Jurassic Park has been followed by at least one terrible sequel. The problem with these kinds of things is pretty easy to figure out. You can't please all of any film's diehard fans, and it's hard to continue to deliver on the formula's expectations, all the while breaking new ground without the result feeling more contrived than original.
Posted in: Disc Reviews by Brent Lorentson on September 6th, 2018
There is something about the notion of movie magic that I believe can grab hold of an audience member and pull them from their living room seat and into the story they are watching. This movie magic seems to occur more often these days, as special effects seem to take leaps and bounds every year as new technology is created to dazzle us all. Here’s the thing, though, sure, it’s great how we can now see lifelike 50-story monsters destroying cities, or how underwater worlds can exist, but none of it matters if the story or the characters are not relatable. If the story isn’t there, then your big effects are nothing more than overpriced cartoons that will be forgotten by the time the audience has exited the theater. When it comes to Higher Power, the best way to describe it is to use the overused expression, “all style and no substance.”
Posted in: Disc Reviews by Gino Sassani on August 24th, 2018
"So dark. You sure you're not from the DC universe?”
I've said many times in these pages that expectations can kill. That might have been more true for Deadpool 2 than any other film I've seen since the re-launch of Star Wars. The first movie didn't push boundaries. It obliterated the boundaries and kept on going. Fans had certainly been ripe for a raunchy R-rated superhero film, and the box office for Deadpool certainly proved that out by bringing in nearly a half a billion bucks. For a superhero film that might seem like small change, but for what was essentially a comedy, it was awesome money and demanded a sequel before the first run was over at the multiplexes
Posted in: Disc Reviews by Gino Sassani on August 15th, 2018
"Thanos Is Coming..."
Whenever a filmmaker is doing a middle film in a trilogy, or merely a film that's intended to be a companion film in a series, they often talk about attempting to capture The Empire Strikes Back. For years it's been the standardbearer for anyone trying to end a blockbuster with a cliffhanger knowing it might be years before the ending is resolved for the audience. That's harder to do today than it was in the 1980's. I often say that the only thing wrong with instant gratification is that it simply takes too darn long. The Avengers: Infinity War is exactly that kind of film.
