Posted in: Disc Reviews by Jeremy Butler on January 6th, 2023
"My son dreamt of a better world. That's why he saved me. But the world was only a better place with him in it. Khandaq needed a hero. Instead, it got me. All this power. And the only thing I can do with it is hurt people. I will speak the word my son gave me, and I will give up my power. And when I do, you must ensure I never speak it again. Shazam."
Black Adam was a unique experience. It was an occasion where a being who kills without hesitation is viewed as more of a hero than those who exercise restraint while fighting for justice. This is a principle that was leaned into during the film’s marketing campaign, which for me generated a great deal of intrigue, and I was glad that it was not just a marketing ploy. The fact is that Black Adam is very much an anti-hero. However, he did not start out that way. He was initially just a supervillain, one that was and likely still is intended to serve as the primary antagonist to Zachary Levi’s Shazam.
Posted in: No Huddle Reviews by Michael Durr on December 6th, 2022
Hopefully, most of you have enjoyed my review of Unidentified, the first in a series of three films directed by Bogdan George Apetri set in a small town in Northern Romania. It is a nontraditional trilogy, as all three stories share the same universe but do not require the viewer to watch them together or in a certain order. Well, today I have received the second film in this series, entitled Miracle. Since they were filmed at the same time, one would hope that it is just as good and just as brilliant as the first film. Let's take a look and see what it has to offer.
Posted in: Disc Reviews by Gino Sassani on November 28th, 2022
"It's what people know about themselves inside that makes 'em afraid."
Clint Eastwood might have gotten his film career started with bit roles in the sci-fi classics Tarantula and Return Of The Creature, but he made his mark in Europe with Sergio Leone and his famous spaghetti westerns. He became The Man With No Name in a trilogy of films, and it would create the character of Clint as much as it would any film character. Eastwood was smart, and he used the time on those films to learn. He was observant and took in all of the technical aspects of the business of making movies, and it continues to serve him 60 years later, as Eastwood has become as much of an icon behind the camera as he ever did in front of it. His first directing job was Play Misty For Me, but he returned to those still fresh spaghetti-western roots for his second time in the director's chair and his first time directing a western
Posted in: No Huddle Reviews by Michael Durr on November 10th, 2022
I certainly do not want to get political here, but cops as a rule have a certain extent of power that we as common folk typically do not enjoy. It is often a plot point in many thriller movies that we sit and watch the officer harasses suspects or perhaps uses some shady tactics in order to get their man (or woman). It's common, heck it's probably in film school 101 and some might even see it as a bit cliché. Today's film is Unidentified, a Romanian film where a detective enters a very grey area in order to catch the perpetrator. It's also the first film in a trilogy. Yes, you read that right but more on that later. Let's take a look.
Posted in: Disc Reviews by Brent Lorentson on November 4th, 2022
It has been about 36 years since the release of the first Top Gun. This is one of my earliest memories as a kid, seeing the movie on the big screen with my parents at the old Main Street 6 Cinemas. I was a bit obsessed with this movie growing up. I had a copy of the film that I had recorded off of Showtime, and over the years I’d imagine I’ve seen Top Gun at least 100 times. I was obsessed with the movie and its soundtrack. Kenny Loggins and “Danger Zone” lived rent free in my head throughout my childhood. I know I’m not alone on this when saying just how much Top Gun is a movie I just love. It’s not perfect, but I just can’t find anything I dislike about it. Even in my forties, I look at this film as comfort food.
Posted in: Disc Reviews by Jeremy Butler on October 21st, 2022
“We’re in his territory now.”
Given the film’s premise, this strikes me as the perfect tagline for the film. A family on safari finds themselves trapped and stalked by a lion with a bloodlust. It definitely evokes memories of the Val Kilmer and Michael Douglas-led 1996 film, The Ghost and the Darkness. In this instance, of course, they rely on the acting chops of Idris Elba to keep the film from descending into cliché. And while there are some situations that seem avoidable and unrealistic, the film did a great job of maintaining my interest for the duration. Joining Elba is Sharlto Copley, another talent with an extensive resume. My only gripe about Copley is that he felt underutilized, and I felt there were intriguing developments with his character that if fleshed out would have added a greater degree of depth to his character. However, this of course was out of Copley’s control and in no way negatively impacts his given performance
Posted in: Disc Reviews by Gino Sassani on October 18th, 2022
“Space … the final frontier. These are the voyages of the starship Enterprise. Its continuing mission, to explore strange new worlds. To seek out new life and new civilizations. To boldly go where no one has gone before.”
Nearly 20 years after the original Star Trek left the network airwaves, Gene Roddenberry set out to discover whether he could catch lightning in a bottle once again. Some say he did an even better job with Star Trek: The Next Generation. There are times I tend to agree. The Star Trek sequel series had a lot more advantages from the moment it was conceived. Star Trek, a series that barely registered on the ratings during its three-year primetime voyage, became a huge sensation in syndication. By the time The Next Generation came on the scene, the original show had been syndicated in over 20 different languages all over the world.
Posted in: Disc Reviews by Gino Sassani on September 28th, 2022
"For those of you who are wondering who this fella here is, I am the legendary Colonel Tom Parker. I am the man who gave the world Elvis Presley. Without me, there would be no Elvis Presley. And yet, there are some who'd make me out to be the villain of this here story. No, no, I didn't kill him. I made Elvis Presley. Nothing all those muckrakers said in their books was true. Me and Elvis, we was partners. It was Elvis the Showman and the Colonel the Snowman. I always knew I was destined for greatness. As an orphan, I ran away to the carnival, where I learned the art of the "snow job," of emptying a rube's wallet while leaving them with nothing but a smile on their face. But a carnival act that would get you the most money, the most snow, had great costumes and a unique trick, that gave the audience feelings they weren't sure they should enjoy. But they do. And I knew if I could find such an act, I could create the greatest ... show ... on ... Earth."
Rock bio-pictures have been pretty hot as of late. It really started with the exceptionally done Bohemian Rapsody that chronicled the rise of the band Queen, and more its flamboyant front man, Freddie Mercury.
Posted in: No Huddle Reviews by Michael Durr on September 11th, 2022
My fascination with tennis has come in spots throughout the early part of my life. In the 1980's, I was fascinated by John McEnroe with his brilliant play and fiery emotion. In the 1990's I was smitten with Jennifer Capriati, but also impressed by her tenacity at such a young age. I still remembering listening to the broadcast of Goran Ivanisevic finally winning at Wimbledon in the early 2000's. And that's where I stopped watching, really, still eager to see the amazing game play, but no longer finding the characters I so desperately wanted to look for. Today's film is Final Set, which follows an aging tennis player who has one final shot at becoming the player he always learned to be.
Posted in: Disc Reviews by Michael Durr on August 25th, 2022
Mamoru Hosoda's directing career basically started with the world of Digimon where he directed a few shorts, episodes and even the original Digimon movie. But where he really started to show off his directing chops was Samurai Champloo which has been often cited as one of the greatest anime shows right up there with Cowboy Bebop. It would then continue with the first film that he could truly call his own in the Girl Who Leapt Through Time. From there, Hosoda could have been content at that point but he would go on to direct more and more animated classics. Today, we take a look at Hosoda's latest film, Belle and I don't think any fan would be disappointed with this one.
