Posted in: Disc Reviews by Brent Lorentson on July 29th, 2022
From the moment I saw the trailer for The Lost City, it immediately gave me vibes of Romancing the Stone and Jewel of the Nile, the adventure-romance films that starred Michael Douglas and Kathleen Turner back in the mid-eighties. The basic story for those films was simple: a romance writer who finds herself in an adventure to find a rare jewel alongside a handsome rogue with bad guys coming after them around every corner. I loved these films as a kid, and getting to see a modern twist on these stories is something I found welcome. What is even more welcome is getting to see Sandra Bullock back in a comedic role. I’ve been a fan of just about everything Bullock has done since she graced the screen in Demolition Man and then the following year in Speed. My only concern was seeing Channing Tatum as her co-star;
Posted in: Disc Reviews by Brent Lorentson on July 27th, 2022
It is a shame that director Roger Michell (Notting Hill) passed away before this film had a proper release. He’s a director who while he may not have a filmography of blockbuster hits, he’s literally worked with many of the biggest stars of the industry. Notting Hill is easily my favorite film of his; easily I’d rank it as one of the best rom-coms of all time. Sadly he’d go most of his career not quite matching the success of the 1999 film, but with The Duke, he gives us a film that is so damn charming it shows how he’ll be missed in an industry that’s become so dependent on CGI and spectacle.
Posted in: Disc Reviews by Gino Sassani on July 22nd, 2022
"The modern world comes to Downton."
Downton Abbey spent six years on television and has amassed 52 episodes. In that relatively short run the series has also managed to collect over 200 award nominations and several Golden Globes along with other prestigious awards. Let's not forget a rather loyal fan base that has watched each episode with anticipation of the next sharp barb or character revelation. The fans have been vocal and strong enough that a new film franchise has been anticipated to fill the void left by the series and the first film. In one of its years it was the number-one binged series in the world. That's a lot of power, and it's little wonder that all of these ingredients are expected to create a little box office gold. But film franchises from television shows rarely go on to such golden heights. There are some notable exceptions, to be sure. But even here, expectations and changing caretakers often lead to both high points and flops.
Posted in: Disc Reviews by Jeremy Butler on July 8th, 2022
This was a bit of a letdown, if I’m being honest. It just didn’t deliver the epic conclusion that I was expecting. Honestly, it felt more like Part 1 of a two-part conclusion. While it wouldn’t surprise me to learn that there is another upcoming installment in the franchise, at this moment I am unaware of any intentions to continue the series with this group of characters. Bearing that in mind, I must defer to my original statement: it was a bit of a letdown. In recent years, my fandom for the Wizarding World has been rekindled due my daughter’s discovery, and now obsession, for all things Harry Potter. I was especially glad when I learned that I would be able to bring her along for what I expected, at the time, to be an epic conclusion. And while the film got her stamp of approval, my approval is a little harder to receive.
Posted in: Disc Reviews by Brent Lorentson on June 21st, 2022
Offseason is the type of film we just don’t get a lot of anymore. It’s a film that heavily pays homage to HP Lovecraft and The Messiah of Evil and other films of the 70’s era, only there is little to no gore to show for it. There’s a strong Silent Hill vibe going on with the film, especially with the copious amounts of fog that seem to always be around. It would seem that this film has all the makings to be a hit, especially when it seems to be going for tropes that I like in a horror film, but unfortunately this one just missed its mark by making two big mistakes. One, it was too obvious, and two, it just totally screws up the ending. I’m not expecting every movie to be the next Wicker Man, but it seems that writer and director Mickey Keating is trying so hard to be on the same level as Ti West and Robert Eggers that the film just comes off looking like a good-looking snore-fest we’ve seen before. I really wanted to like this, and it had a lot going for it, but it seems when you pull inspiration from too many sources, it can get pretty messy.
Posted in: Disc Reviews by Gino Sassani on June 14th, 2022
"For nearly three thousand years, man has been searching for the lost ark. It's not something to be taken lightly. No one knows its secrets. It's like nothing you've ever gone after before."
Just in time for the wrap of principal photography on the next and final Indiana Jones film, Paramount cashes in on the renewed interest with the long-awaited, at least from this reviewer, release of the first four films in the Indiana Jones franchise on UHD Blu-ray in full ultra-high-definition complete with HDR and Dolby Vision. OK, I lied about the long-awaited four films. Now you can own the first on its own in this special Steelbook release of Raiders Of The Lost Ark on UHD/4K. No, I'm not going to call it Indiana Jones And The Raiders Of The Lost Ark, and yes, Han shot first and those feds in ET were not carrying walkie talkies in those hands. So sue me.
Posted in: Disc Reviews by Brent Lorentson on June 14th, 2022
“Congratulations, you’ve just been erased.”
In 1996, when Eraser came out, it was pretty much what everyone expected from an Arnold Schwarzenegger film: lots of action and cheesy one-liners. It was far from Arnold’s finest work, but it was fun, and the big guns used in the film were pretty cool, too. Eraser is a film you can look back fondly on if you grew up in the 90s, because it was silly fun and nicely directed by the legendary Chuck Russell, who had a pretty good streak of films going when he did Eraser. Before he’d had success with the breakout Jim Carrey film The Mask, and before that he had the remake of The Blob and A Nightmare on Elm Street 3: The Dream Warriors. I bring this up because the reason Eraser worked when it did was because it had the biggest action star on the planet in its lead role and a talented director working behind the camera, and to top it off a $100 million dollar budget to play with.
Posted in: Disc Reviews by Gino Sassani on June 3rd, 2022
"There are among us a people, gifted with a perfect memory of all their past lives. They call themselves Infinites. Among the Infinites, two groups have vied for power. On one side the Believers, dedicated to using their knowledge for the protection and growth of all humanity. Against them stood the Nihilists, who see this power as a curse. New technologies have given the Nihilists an opportunity to end all life on Earth, and the race is on for its control."
Infinite is an adapted story from D. Eric Maikranz's novel The Reincarnation Papers. On the surface this is one of those great concepts that could support a film franchise, and might have accomplished just that if the film itself hadn't taken the route of spectacle over substance. It doesn't help that this film was hurt by the COVID shutdown of productions and never ended up with the wide release it was originally intended to have.
Posted in: Disc Reviews by Gino Sassani on May 27th, 2022
“They think I’m hiding in the shadows, but I am the shadows.”
You have certain expectations when you go to a superhero/comic book movie. Sure, it changes a little depending on the character that you’re going to see. But there are certain things that all of these films tend to have in common. There’s an expectation of frantic action and some mind-bending special f/x. You’re looking for colorful villains who tend to act over-the-top and always provide that gentle wink back at the audience. When these expectations aren’t met, audiences tend to be disappointed, and big-budget films can end up costing the studios hugely in the end. Even as we appear to be reaching the last days of the limited pandemic crowds, that risk gets multiplied. It also doesn’t help if audiences are still riding the high off the first big global billion-dollar film in almost three years.
Posted in: Disc Reviews by Brent Lorentson on May 27th, 2022
Licorice Pizza marks writer/director Paul Thomas Anderson’s 9th feature film, and it seems to be his most personal film to date, as it takes place in his hometown of San Fernando Valley during 1973. It’s difficult to go into a Paul Thomas Anderson film and not have high expectations. I can’t even guess the number of times I’ve watched Boogie Nights, and Magnolia is one that I adore just as much. These two films just impacted me from the first time I experienced them in the cinema and really fostered my appreciation for film and storytelling with large ensembles. Since then I’ve been waiting somewhat patiently for PTA to do another film like those two, but instead he’s grown as a filmmaker and genuinely become an auteur. While I can look at his films The Master, There Will Be Blood, and Phantom Thread, they are great cinematic achievements that show he can do award worthy films and that he’s definitely one of the best working directors out there, BUT
