Posted in: Disc Reviews by Gino Sassani on May 18th, 2015
"A man of your age has no excuse for looking or behaving like a fugitive from a home for alcoholic music hall artistes."
Sound like anyone you know? Johnny Depp is one hell of a talented actor. There are few in the industry than can so completely inhabit a character. He has an uncanny ability to make you forget Johnny Depp the actor and lose yourself in his performance. He is a chameleon physically and expressively. Unfortunately, Johnny has had trouble finding box office gold lately. You see, he's having a lot of fun at our expense. But it's not just we who are footing the bill for his tomfoolery. The studios are handing out hundreds of millions of dollars for box office misses like The Lone Ranger, Transcendence, Dark Shadows, The Rum Diaries and the animated Rango. Depp appears interested only in making films where he can have a blast on screen and doesn't appear all that concerned if the film makes any money or if the audience feels like they've been invited into the party. You can now add Mortdecai to that list. There's absolutely no question that Depp is having a blast, but if you paid anything at all to see it, it was at your expense.
Posted in: Disc Reviews by J C on May 14th, 2015
“To truly know a man, you must walk in his shoes.”
On the lone special feature of any substance included on this Blu-ray, director/co-writer Thomas McCarthy admits The Cobbler was inspired by the well-known idiom listed above. I’m all for getting as many original ideas on the big screen as possible. But even if you don’t think basing a feature film on a popular saying is a shaky proposition, The Cobbler severely underwhelms because it totally fails to capitalize on its high-concept premise in an intriguing way.
Posted in: Disc Reviews by J C on May 13th, 2015
Lost River is the showy, laborious, mystifying feature filmmaking debut of actor/meme machine Ryan Gosling. Unfortunately, you’re more likely to have heard about the intensely negative reaction the movie received when it premiered at Cannes last year, than you are to have actually seen the film. Lost River now arrives on a bare bones Blu-ray that does little to clear up — or enhance — Gosling’s first foray into directing. So we’re left to assume he simply decided to make a movie out of his dream journal.
The plot of Lost River is ostensibly simple. It’s the story of Billy (Christina Hendricks), a single mother who lives in a particularly run-down part of Detroit with her two sons, teenaged Bones (Iain De Caestecker) and toddler Franky (Landyn Stewart). Bones likes to get into abandoned houses and collect interesting scraps. Meanwhile, Billy learns she is in danger of losing her family’s home after meeting with eccentric bank manager Dave (Ben Mendelsohn), who suggests she get a job in town. So far, so normal…except the operative word here is definitely Lost, which is how you’ll likely feel as the story unfolds.
Posted in: Disc Reviews by Gino Sassani on May 12th, 2015
"It's the guy next door, guy who sits too close in the theater, maybe even at church. Plain, ordinary, the everyday man. That's the guy they should be afraid of. 'Cause they never see him coming."
Or maybe the friendly neighborhood barber. Max Enscoe's screenplay for The Barber appears to touch on those fears. We've all seen those interviews with neighbors and friends after a particularly heinous killer is finally caught. He was quiet. Always went to church.
Posted in: Disc Reviews by Archive Authors on May 12th, 2015
There are certain things that are obvious to some of us, and nobody wants to talk about them. All people are full of weaknesses that they then try to deny exist. People are people, but some people think they are better than other people. It seems obvious that we should all try to get over our hatred and be more accepting of all our differences and see how much alike we all are. Black or White is an important movie that comes in the form of a fun and heartwarming melodrama. The movie navigates through very murky and unexplored waters and comes out the other side triumphantly. There is no reason that these waters are unexplored except for the fact that everyone thinks everyone else is racist but never looks at themselves. There is lots of very ugly and violent racism, and then there is subconscious racism. The subconscious racism is harder to deal with.
Most people are guilty of this, because we all tend to put ourselves in smaller and smaller categories.
Posted in: Disc Reviews by J C on May 11th, 2015
“It’s like being kids again. The streets are our playground.”
The above quote refers to parkour, the art and discipline of moving through urban spaces that was popularized in France. French practitioners of parkour are called “traceurs,” which gives this totally clichéd, consistently ridiculous, but occasionally breathtaking action flick its title. You’ve seen the plot before (many times), but Tracers still vaults itself above the straight-to-DVD pack thanks to its freewheeling free-running sequences.
Posted in: Disc Reviews by Gino Sassani on May 7th, 2015
"An early computer command that sent the machine into a race condition, forcing all instructions to compete for superiority at once. Control of the computer could not be regained."
That command? It's Halt And Catch Fire. Television is very much like that. So many shows out there are competing for your attention. Even on the same network there's often competition for the resources of the studios and the sponsors who provide the paydays. Now AMC has added another original series to compete for your attention...and precious time. You guessed it. Halt And Catch Fire. Does it work? Let's find out.
Posted in: Disc Reviews by Brent Lorentson on April 30th, 2015
“I need to know what you are worth when I leave you nothing.”
These are the parting words that Jim Bennett (Mark Wahlberg) is left with from his dying grandfather. At first these words may seem a bit harsh, but the more time we spend with Bennett we start to understand the grandfather’s intentions. The Gambler, a remake of the 1974 film with same title, follows Bennett along his downward spiral as his gambling addiction drags him down to the point where death is imminent, yet death seems to be the escape Bennett so desperately craves. In other words, this is not exactly the film you watch to get into the holly jolly spirit of the holidays.
Posted in: Disc Reviews by Gino Sassani on April 29th, 2015
"You do know the combination, don't you?"
It's a Taken film, and the third one in the series. You should have the ingredients down by now. Let's run through the checklist, shall we? You've got your daring escapes, check. You have some awesome car chases with a lot of mashed-up metal, check. You've got some torture, of course. Waterboarding is in these days. You have the standard carnage level, check. And check. It's all there, but credit the folks behind the franchise for finding ways to deliver every last drop of the expected stuff and still turn the third part of a trilogy on its head enough to make it more interesting than the previous two films. Or were you expecting pretty much more of the same?
Posted in: Disc Reviews by Archive Authors on April 29th, 2015
Inherent Vice is the kind of movie I personally love to watch over and over again, partly because it is always tantalizing you with content that you can't quite get your head wrapped around. Almost anyone would want to see this more than once, even if only to make sure they weren't stupid for not connecting all the dots. The film has a classy, fun pedigree combing the talents of Paul Thomas Anderson and Thomas Pynchon. Paul is the beloved director of modern classics like Boogie Nights, Magnolia, and There Will Be Blood. Thomas is the novelist of unfathomable masterpieces like Gravity's Rainbow and V. Both are titans in the cultural zeitgeist of the academic and the bohemian. They both are supremely confident to put together a plot that flies high above our heads. It is also a detective story, but the gumshoe or private dick in this case is a hippie. The story takes place in 1970 and is immersed in the smoke of the period. It is also immersed in a period authentic string of 70's tunes and wild psychedelic set decoration and groovy duds. It would be pointless to start to outline the plot, partly because the plot is beside the point. The point is to feel the vibe. To settle back, take a deep breath, and hold it in. Hippies are not likely candidates to be private eyes, but it is the perfect way to get a cross section of a time and place. This time and place is as foreign to us today as is Moses in the desert.
If I won't give you a plot, I will give you a cast of characters. Larry “Doc” Sportello (Joaquin Phoenix) gets a visit from his ex, Shasta Fay Hepworth (Katherine Waterson). She wants his help with a problem. Shasta is the mistress of Michael Z. Wolfmann (Eric Roberts) and he seems to be the target of a plot to get his money. Tariq Khahlil (Michael Kenneth Williams) stops by the dentist’s office where Doc works to give him a job, that also ties to Wolfmann. Our unreliable narrator, Sortelege (Joanna Newsome) seems to float through the story as character as much as a ghost. Jade (Hong Chau) is a sweet Asian hooker who helps out when she can, especially when trying to warn him about “The Golden Fang”. Lieutenant detective Christian F. “Bigfoot” Bjornsen (Josh Brolin) has a bit of a man crush on Doc when he isn't slapping him around and kicking his door in. Sauncho Smilex, Esq. (Benicio Del Toro) shows up to “help” Doc (but sometimes you're not so sure). Hope Harlingen (Jena Malone) hires Doc to find her dead husband, Coy (Owen Wilson). They are all mutual acquaintances of Shasta, who has also gone missing, as has Wolfmann. Deputy D.A. Penny Kimball (Reese Witherspoon) is involved because the F.B.I. is involved, but she is also Doc's current squeeze. A little later, we meet Dr. Rudy Blatnoyd, D.D.S. (Martin Short). He is a dentist but also the probable head of a heroine syndicate ensconced in a high rise that looks like a golden fang. Don't think anything I have told you is in any way a summary.
