Posted in: Disc Reviews by Brent Lorentson on June 14th, 2018
For some reason, adapting video games into good films has been the nut Hollywood just can’t seem to crack. The Resident Evil series has been successful, but I wouldn’t say it really holds up to the game. Personally, Silent Hill has been the only adaption I’ve really enjoyed, and that film has divided fans as well. As for the Tomb Raider franchise that kicked off in 2001, sure, it had some fun sequences. And with Angelina Jolie becoming a hot commodity at the time, it’s not too much of a surprise that it did well at the box office. Now 17 years later, the time has come for Tomb Raider to get a makeover and work its way through the reboot machine. This is a reboot, though, I don’t mind; after all, the video game gave its featured character a makeover and decided to tell the story of a much younger Lara Croft. As for the film, how did it do as it followed the game’s footsteps by casting a younger actress to fill the role?
Tomb Raider is kind of a big deal for Warner Bros. Sure, they kicked in a lot of money for this film, but, more importantly, this was obviously a potential tentpole franchise that they hoped to squeeze several sequels out of. Because of the franchise potential, it is no surprise that they would cast a younger talent for the role of Lara Croft, and for me Alicia Vikander is great choice. For those unfamiliar with Vikander, I simply can’t recommend Ex Machina enough. Is she Angelina Jolie? No, but that’s okay; times have changed, and, instead of sexualizing the role, we get a more grounded and relatable take on the character.
Posted in: Disc Reviews by Jeremy Butler on June 13th, 2018
“A straight line…you just go, and you never…look…back.”
Well, I hope you’re ready to have everything you know about the Terminator franchise turned on its head. As a franchise known for his alternative timelines where the things we come to know are often turned around, my previous statement may sound like the usual bread and butter to you. However, I must say that I feel like the latest incarnation of the franchise, Terminator Genisys, has really outdone itself this time. As far as reboots go, this may be one of the best that I have seen in quite some time as we are introduced to a completely new cast (well, almost completely new cast) portraying characters already near and dear to our hearts. Terminator Genisys was an action-packed experience sure to leave the audience entertained.
Posted in: Disc Reviews by Gino Sassani on May 30th, 2018
“Welcome to Jurassic Park.”
With those words begin an adventure that started with the legacy of Willis O’Brien’s The Lost World. You see, dinosaur films are nothing new; they have held our childlike fascination since the industry was born. Jurassic Park was, however, something very new when it thundered into our cineplexes and forever into our imaginations 20 years ago. The marriage of brand new CGI technology with Stan Winston’s superbly detailed animatronics models transports you back 65 million years in time. CGI technology has improved since then and has become somewhat commonplace, but there is nothing common about Jurassic Park.
Posted in: Disc Reviews by Brent Lorentson on May 29th, 2018
The film is based on a series of books that I had never read, and from what I understand the film takes many liberties with the storyline and characters. As his sophomore effort behind the camera, there were high expectations for what Garland would do, and the result I believe is one of the most divisive films I’ve seen in a while. This is the kind of film that gets me excited for the future of cinema, not just because I loved the film, but I love the conversation it can provoke with other filmgoers.
The film has a non-linear narrative; really, this is my only complaint, since it opens virtually where our story is nearing its end. While I usually don’t have a problem with this kind of storytelling, I’m annoyed by it this time around, because all the suspense around the survival of our lead is stripped away. The film still manages to squeeze in some head-spinning surprises at the end, so I can easily put my one measly complaint aside.
Posted in: Disc Reviews by Gino Sassani on May 23rd, 2018
"Just another American who saw too many movies as a child? Another orphan of a bankrupt culture who thinks he's John Wayne? Rambo? Marshall Dillon?"
So the great debate rages on. Is Die Hard a Christmas movie or just a movie that happens to be set at Christmastime? Recently Stephen Amell from Arrow told a press group that his favorite Christmas movie was indeed Die Hard. He's not alone there. I've had the debate a few times myself. Unfortunately, I come down on the side that Die Hard is not a Christmas movie. Here's my criteria. Does Christmas play a vital part in the plot of the movie? The truth is that Die Hard could have happened at any time, as the many sequels have demonstrated over the years. Fox obviously doesn't think of it as a Christmas film. Why? Because they've waited until summer to release the film on UHD Blu-ray in glorious 4K. They could have released it for the shopping season or even held it for next shopping season. Either way, be glad it's not a Christmas movie, because it's May, and the film is out now in 4K. Grab it up and enjoy Christmas in May, if that's your thing.
Posted in: Disc Reviews by Jeremy Butler on May 23rd, 2018
“Don’t give them all of you, Dominika. Hold something back. That is how you will survive.”
There appears to be nothing Jennifer Lawrence can’t do. She is an Oscar winner, the face of a successful movie franchise, and now she is a Russian spy who specializes in seduction techniques. Now in the looks department, there are scores of men that would gladly hand over their social security number for the opportunity to be seduced by J Law, so her casting was a no-brainer. But she went much deeper than that, showing an unparalleled intellect and natural aptitude for the world of espionage.
Posted in: Disc Reviews by Gino Sassani on May 22nd, 2018
"My name is Maximus Decimus Meridius, commander of the Armies of the North, General of the Felix Legions and loyal servant to the TRUE emperor, Marcus Aurelius. Father to a murdered son, husband to a murdered wife. And I will have my vengeance, in this life or the next."
After nearly 20 years, it's hard not to already consider Ridley Scott's Gladiator a classic. But not in the same way we think of Blade Runner, which has become more of a cult classic, or Alien, which has all the trappings of a genre film, blending horror and science fiction into a nice little package. Gladiator is a mainstream film that took the deserved Oscar for best picture along with four others in the 2001 awards ceremony. With this film, Scott was able to explore more powerful themes that, like the actions of Crowe's Maximus, echo through eternity.
Posted in: Disc Reviews by Gino Sassani on May 22nd, 2018
The Matrix (1999) was a landmark film in the Sci-Fi genre. While its box office intake was dwarfed by Episode 1, it was The Matrix that had people talking. Andy and Larry Wachowski’s story of a post-apocalyptic world where humans serve as biological generators of energy for the machines that rule the planet challenged people’s perceptions of what reality was. Computer hacker extraordinaire Neo (Reeves) has this gut feeling that life isn’t all that it seems to be. Turns out he’s right in a big way. A group of revolutionaries led by the thought-to-be-mythical Morpheus (Fishburne) open his eyes to the Matrix.
The Matrix, it turns out, is nothing more than an elaborate computer-generated reality intended to mollify humanity who are in reality nothing more than sheep, or in this case a renewable energy source, to feed the machines that have inherited the Earth. Morpheus believes Neo is “The One”, a prophesized savior who can bend the Matrix to his own will who will eventually lead humanity out of slavery. What follows is enough eye candy to give an army of Swiss chocolate factory workers diabetes.
Posted in: Disc Reviews by Gino Sassani on May 16th, 2018
"I shall tell you of William Wallace. Historians from England will say I am a liar, but history is written by those who have hanged heroes. The king of Scotland had died without a son, and the king of England, a cruel pagan known as Edward the Longshanks, claimed the throne of Scotland for himself. Scotland's nobles fought him, and fought each other, over the crown..."
Mel Gibson had a bit of a rollercoaster life for a while there. His DUI arrest and subsequent anti-Semitic rant caused many to look less favorably upon the man himself. He appears to be making his way back into the fold. Of course, it helps that Hollywood has bigger fish to fry now, and suddenly Gibson's flaws don't appear quite so damning with all the new revelations that really started with Bill Cosby but blossomed with Harvey Weinstein. Gibson's directed films hadn't been as accessible to the public, but last year he took the film world by storm when he released Hacksaw Ridge. It was perhaps the most meaningful World War II film since Saving Private Ryan 20 years earlier. Little by little, Gibson is coming back. He won't win everyone over, but he's making some headway. Still, no matter how you view Gibson or his work today, it can’t be denied that he has created one of the more compelling films of our day in Braveheart.
Posted in: Disc Reviews by Jeremy Butler on May 8th, 2018
The world’s most erotic novel series is coming to an end with the release of the final chapter, 50 Shades Freed. Dakota Johnson and Jamie Dornan reprise their roles as Anastasia Steele and Christian Grey, as the pair enters wedded bliss. Their romance has been a whirlwind, going from meeting to marriage in what seems to be less than six months. However, when it’s right, it’s right; besides, it’s rare that you find someone with the same taste, if you know what I mean. Naturally, happily ever after won’t come as easily, as our couple will have to face an old enemy and a new challenge that could threaten to tear the two of them apart.
The story wastes no time getting to the moment that the audience was waiting for, as we encounter the pair on their wedding day, exchanging their vows. From there, it is jet-setting across the world in what has to be the world’s most expensive honeymoon. However, their fairy-tale ending is still a long way off as Ana and Christian receive news that her former boss and predator, Jack Hyde (Eric Johnson), has broken into Grey Enterprises and set off an explosive. Christian is forced to reveal to Ana that Hyde appears to be obsessed with the Grey family and has been targeting them.
