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In the late 1960's three musicians came together with an idea. It was a somewhat unconventional idea. Roy Wood and Bev Bevan were part of the band The Move when they met up with Jeff Lynne from The Idle Race. The three hit it off almost instantly. So much so that before long Lynne would also become a member of The Move so that he could work with Wood and Bevan. But that wasn't going to be the ultimate goal. The unconventional idea that the three had involved combining rock and roll with classical music. Of course, other bands had done orchestral arrangements, most notably the Beatles.

"We have known them only as shadows, gazing at us from a ghostly world of black and white. But now the American Civil War can at last be seen as those who lived and died experienced it...in vivid color."

It was the bloodiest conflict in American history. Maybe because Americans fought on both sides of the brutal conflict. It might have been because it was a deeply personal war, often between brothers. The cause was one that cut deeply in both the hearts and minds of the men fighting.

Look at where the world is because of solitary dudes going mental in the desert.”

Depressed, deplorable artist Tom heads to the Mojave Desert, where he unexpectedly meets his match in crazed, charismatic drifter Jack. The fact that their tense encounter results in a death is one of the least surprising things about Mojave. What initially appears to be a cat-and-mouse game set in the desert turns out to be an interesting, uneven meditation on perception vs. reality that spills over into the vapid world of Hollywood.

"There's always room for improvement."

Banshee is one of those improbable plots that finds a way to pull us into the action all the while ignoring how unlikely any of this might really be. Of course, we do that all the time. It's certainly unlikely we're going to face a zombie apocalypse or run into a super-powered hero. That's a different kind of unlikely. This kind of real-world fantastic is usually a bit harder to accept. Credit folks like Allan Ball for keeping us engaged with some of the most entertaining sleight of hand on television.

Keanu Reeves is a guy who I don’t think anyone would be crazy enough to say is a “great actor”, but instead he’s a guy who has been in some pretty great films.  For me he’s an actor I grew up with from his days doing the Bill and Ted movies and Point Break. (Seriously, how dare they attempt to remake that gem?)  Between Speed and The Matrix, those are the two movies I’ve held onto for so long as his career took a more interesting turn; that is until John Wick came along and blew my mind with all the insane coolness that was up on the screen.  Finally it seemed I was on track to getting the Keanu Reeves that I grew up watching.  I know, so what’s the point of all this?  Well, until now, none of the Reeves films that I’ve liked could I really say it was because of his performance, and Exposed is finally the film he’s needed where he can show he’s more than just a brooding action star.

The name Quentin Tarantino carries the weight of legacy as such directors as Alfred Hitchcock, Steven Spielberg, and more recently Christopher Nolan.  I’m not saying one is better than the other, but simply by name recognition alone Tarantino is in the company of directors that when you hear that his name is attached there will be a loyal fan base flocking to the theaters to see what they have to dazzle us with.  This time around Tarantino returns to the cinema in his biggest release to date; in glorious 70mm we have The Hateful Eight

It was as if all the pieces of the puzzle were falling into place since what was being discussed here was a matter of creating something unique: a cuisine based exclusively on raw Nordic ingredients.”

That pull quote, which appears at the start of Noma: My Perfect Storm, accidentally serves as a microcosm for the film as a whole. The excitement that builds at the prospect of witnessing something special quickly gives way to a chilly, undercooked experience.

"A long time ago in a galaxy far far away..."

It sure does seem like it was a long time ago since Star Wars was actually very good. It doesn't matter if you thought Empire or Jedi was the last good film; few people that I've encountered mentioned the more recent trilogy in the same sacred breath as those original films. Star Wars gave us swashbuckler adventure in the spirit of the early serials. Then it was about a mythical epic story that swept a generation into its colorful universe. What George Lucas created in the late 1970's will never die. But before long it became more about the creator and less about engaging the fans. The attitude turned into "this is my franchise and I'll do whatever the heck I want to do with it."

When Vikings Season 1 first arrived a couple of years ago, I have to admit I was pretty excited. I was particularly eager to see footage from their very first game. Fran Tarkenton came off the bench, and the Vikings went on to become the first expansion team ever to win their very first game. OK, as Baby, our shepherd/chow mix dog film reviewer would say: I made that last part up. You'd have to have been living under a pretty isolated rock to have missed all of the buzz over the History Channel's drama series Vikings. Now season 3 is out on Blu-ray, and it's certainly a season to remember.

It’s the one that fans have been waiting for. The conclusion of the only adaptation series to rival the star power of Twilight in my opinion (Divergent comes close, but the popularity is clearly with this Jennifer Lawrence-led series). Hunger Games Mockingjay Part 2 is the culmination of all the action set up in the first film. It’s time to finally take the fight to President Snow, and this film delivers in every aspect. Action sequences are tier-one as well as being character-driven, all the while staying faithful to the source material. Accomplishing all these tasks is always difficult; however, this film appears to do it with ease.