The Reel World

“No man will ever believe that a woman is smarter than he is.”

I love con movies. You name it, I’ve seen it. There is just something about someone or a group working towards pulling the wool over the eyes of some arrogant, corrupt fool that believes that they can’t be outsmarted. Mainly, it is about the scam; I like to see the elegance of the con. Lately I’ve been starved for a good con movie in recent years, essentially since Will Smith’s Focus, which was underrated in my opinion.

"It's going to be a tearjerker."

It all started with Iron Man in 2008. Marvel Studios put together the most ambitious film saga in the history of the medium. 22 films that served as introduction to comic book heroes and the various story threads that would ultimately bind them together into one epic tale. All along the way it was important that each film stand on its own legs and provide enough story and action to satisfy the film audiences at each signpost along the way. 22 films over 11 years, and it all finally comes to its inevitable conclusion in The Avengers: Endgame. From this film forward, it's going to be a very different landscape for the Marvel Cinematic Universe. New heroes are on the way, and some will either no longer be there or will take on an entirely different form and persona. I'm not about to tell you where these changes come down. That would ultimately ruin this 3-hour ride you are about to embark upon. But when it ends, you will completely understand that it was all leading to this point, and it will be a sad but satisfying conclusion. But before we talk about endings, let's enjoy that final ride into the end.

It's an inescapable fact of life that some things get lost in translation. Italian poetry loses its imagery. War And Peace is apparently much more compelling in Tolstoy's original Russian. And I've been told that Abbott & Costello is painful when told secondhand. You can add to that axiom that Stephen King really doesn't translate very well on the silver screen. The notable exceptions are films based on non-horror works like The Shawshank Redemption and the barely horror-related Stand By Me. Both are wonderful films that manage to capture King's knack for the absurd in every day life. While some consider Kubrick's The Shining a classic, you'll find just as many King fans who hated it, "Here's Johnny" and all of that.

Zachary Levi is every geek’s dream come true, becoming a superhero as he takes on the mantle of Shazam. I am not well versed with this hero, but it is safe to say that he is not someone to discount, having an impressive number of abilities that put him in the same league as a superhero. Going in, I was not expecting a lot from this film, as the previews made it seem very silly and without substance. However, I can honestly say that the previews did not do this film justice. Thanks to lively performances by Levi as well as his counterpart Asher Angel, much needed comic relief from Jack Dylan Grazer, and a surprise star-studded twist toward the film’s climax, Shazam is the film to see this weekend.

"Welcome to The Taj. Home to statesmen and celebrities for over a century."

There are times when movies come almost uncomfortably close to real life experiences. This can be both a blessing and a curse. I've heard World War II vets have mixed feelings after watching Steven Spielberg's relentless portrayal of the D-Day storming of the beaches of Normandy. Many cried because it brought them back to a place that lives vividly in their own minds. Some were resentful for the pain they experienced. As an audience member who has never experienced anything close to battle, it was compelling and also fatiguing.

So Dumbo was never one of my favorite Disney classics. In fact, when news initially broke about a live-action version being filmed, I wasn’t moved one way or the other. I figured I would end up seeing it for the sake of my daughter, but I figured it would just be something that I would have to endure. I speak these words with the full knowledge that I now have to eat them, as Dumbo has gone from one of my least favorite Disney films to one of my favorite movie experiences of the year. With an all-star cast that includes Colin Farrell, Eva Green, Danny Devito, and Michael Keaton, Dumbo is a fantastical and wholesome family experience that I will be taking my daughter to, but dragging her to it if she puts up a fight.

A very creepy, violent, and disturbing film, Us, enters theaters, and it’s probably going to be there for some time. Not only is the plot haunting and filled with terror, the acting that makes it work is superb under the guidance of Jordan Peele who gave us the film Get Out.  Adding more to the potentially Oscar-worthy film is the dank and fear-inducing cinematography with a soundtrack to match. If you like your horror nonstop, then Us is for you.

It’s Julianne Moore at her best, showing the great performer she is in a romantic comedy with heartbreak.  As Gloria Bell, she makes the lead role compelling and full of life giving her all and even more. It’s perfect for a date night, so grab your best guy or gal and check it out. And it has an explosion of a sound track that includes “Gloria” by Laura Branigan and “Total Eclipse of the Heart” by Bonnie Tyler. A steady visitor to the night club scene, Gloria (Julianne Moore) dances away the hours with men she meets at the bar after a long day working at an insurance office.  Not a spring chicken and divorced, she has been an easy mark for any kind of romance as long as she can dance.

"Does announcing your identity help with the covert part of the job?" 

Let me begin by saying that actress Brie Larson doesn't want me to write this review. It's not that I didn't like the film and intend to cut it down. Actually I rather liked the movie, and while it isn't going to crack my top five Marvel films, it's a very entertaining film that adds wonderfully to this always evolving world of the Marvel Cinematic Universe, or as we fan geeks like to refer to it, the MCU. So she wouldn't take much if any umbrage with my evaluation of the film. It turns out that I happen to be a white male, and she has made it known that she doesn't want to see reviews for this film written by white males. Sorry, Brie. I suggest you skip this one.

"I'm the master of the slow fade."

That would be a good way to describe director Neil Jordan and his latest Hitchcockian thriller, Greta. He also co-wrote the screenplay with Ray Wright, but let's be perfectly honest here. The film doesn't score on the writing. It's a completely predictable thriller, and there's nothing truly innovative or clever about the story. There's nothing here that we haven't seen before. This isn't a clever film by any stretch of the imagination. It's the execution of a tried story that makes this film as compelling as it actually becomes. And all of that comes from some rather unique cinematography and two quite powerful performances by the leading ladies in the star roles. Put that together and this ordinary film at least touches on something close to extraordinary.