The Reel World

It’s that time of year again, when all the studios are cranking out the films they are hoping will get some awards attention.  This is usually the time of year where I’m getting a bit excited, because usually around this time (in theory) some of my favorite films of the year will be released.  But a strange thing has happened this year. Though there have been several good films to come out this year, there hasn’t been one that truly separates itself from the pack and I can say “this is the best picture”.  Instead this year has been rather lackluster, and with a film like On The Basis of Sex, despite all the talent surrounding the film, lackluster is simply what is delivered to the audience.

Just in case the documentary RBG wasn’t enough Ruth Bader Ginsburg for you, Hollywood has churned out a legal love story just in time for the holidays.  Rather than produce another film that spans the career of Ginsburg, On the Basis of Sex instead sets its focus on her early years from being a Harvard law student to her taking a case where her client is being denied tax deductions because he is a man. Despite Ginsburg having such a long career in the legal system, it’s a shame the film chooses to focus on such a minimal amount of time with her career. What’s worse is the pacing of the last hour of the film plays out like a boring episode of Law and Order.

By John Delia, Jr.

The world of the Transformers is back with more action, adventure, and science fiction fun for everyone. The most loved Autobot from this world has a history that explains where these troubled characters all began. As the battle of Cybertron comes to a conclusion, the Autobots make their move to flee from the Decepticons to an unknown location to later meet up and regroup. Optimus Prime (Peter Cullen) tells B-127/Bumble Bee (Dylan O’Brien) that he must flee and head to earth and hide until it is safe to meet up again. Once on earth, Bumble Bee must find a place to be unnoticed. He must find a secure safe location for his fellow Autobots and defend earth until Optimus Prime returns. During his landing on to earth, he encounters a team of soldiers training for battle called Sector 7. This team led by Agent Jack Burns (John Cena) fear for their lives when the capsule transporting B-127 crashes in the forest nearly on top of his team.

“My father was a lighthouse keeper. My mother was a queen. But life has a way of bringing people together. They made me what I am.”

It’s been a rough year for the DC Universe, losing both Henry Cavill and Ben Affleck as Superman and Batman respectively. In a time when Marvel is heading towards a big finale of sorts, this should be when DC goes full steam towards capitalizing on any residual momentum. The loss of two members of the Justice League is going to put a crimp in that plan; however, thanks to the release of Aquaman, DC does not have to start from scratch. Jason Momoa returns as the titular character in this origin story of sorts. One of the breakout stars of the critical failure that was the Justice League movie, Momoa proves that he was made to command the seven seas.

“Everything is possible…even the impossible.”

To be clear, the fact that Disney has delivered a big-budget, star-studded follow-up to one of the most beloved family films in its staggering catalog is *exceedingly* possible. This is, after all, the age of reboots and live-action remakes of movies we already love. What seems impossible is that Mary Poppins Returns and its sensational leading lady both live up to and (re)capture the spirit of the Walt Disney-produced Julie Andrews classic from more than 50 years ago!

One of the best films of 2018 was Beautiful Boy. Both Steve Carell and Timothee Chalamet deliver absolutely stellar performances as a father and his addicted son. That story took us on a father's terrifying journey of dealing with his son's addiction and the toll it takes over a series of years. If you compress that experience down to a single frantic night, you get an idea of what you're in store for when you go to see Ben Is Back. It's another heart-wrenching story of the emotional toll that addiction has not only on the addict but the people who love the addict. It's a Christmas story, but it's not the kind of story that involves miracles and Santa. It's about love, but a tough love that only a parent of an addicted child will ever really know. But this film will take you close enough to the experience, perhaps closer than you will feel comfortable being. For most of us this is as close as we'll get...if we're very lucky.

Ben Burns (Hedges) takes a 24-hour leave from his rehab facility. He wants to visit his mother and family for the Christmas holiday. His mother Holly (Roberts) is glad to see her son, but you can tell immediately she has some concerns as she begins to move things around in her house. She's hiding any pills and any valuables that might be easy to convert into drugs. Her son is an addict, and while she attempts to be hopeful about his visit, she is concerned if it's really a good idea for him or the family. She agrees to let him stay for the night and celebrate Christmas. Holly now has a new husband, Neal (Vance), and they have two young children, so it's not to hard to understand her caution. Plus there is Ben's younger sister, Ivy (Newton). For Ben's part we believe that he's sincere, and he really is. He absolutely understands what his habit has cost him and his family, and he's making a concerted effort to change. He's reluctant to go to places like the attic where he used to stash drugs. He understands his own weakness and desperately avoids the things that might trigger his addiction or expose him to the temptation. Those are all good signs, and the family attempts to make the best of it with a bit of uneasy cheer that even they don't really believe.

Aristotle once paraphrased that “Nature abhors a vacuum,” which is the main thing I keep thinking while watching Mortal Engines, another in a long line of books turned movie adaptations. It seems like everyone is trying to fill the hole left behind by Harry Potter and Twilight (love or hate it, you have to admit that it brought in the teeny boppers) franchises. Unfortunately, I do not see this film becoming a worthy successor to the throne. Initially, I was intrigued by the premise: cities mounted on wheels devouring other cities. It had a real Transformers meets Mad Max vibe to it. If only the film lived up to the preview.

The movie is set in a dystopian world, ravaged by an apocalyptic event known as the "Sixty Minute War", which caused massive geological upheaval. To escape the destructions cities have installed huge engines and wheels and been enabled to dismantle (or eat) other cities for resources. This act has become known as "Municipal Darwinism". As a result of the war, much technological and scientific knowledge has been lost. Because scientific progress has almost completely halted, "Old Tech" is highly prized and recovered by scavengers and archaeologists. Europe, some of Asia, North Africa, Antarctica, and the Arctic are dominated by Traction Cities. There is conflict between these cities and a group called the Anti-Traction League, which seeks to keep cities from moving and thus stop the intense consumption of the planet's remaining resources. That should bring those unfamiliar with the series up to speed regarding the film, which is a better intro than I received while watching the movie.

At first glance, Mary Queen of Scots has all the makings of a film you’d expect to be nominated for numerous awards; after all, it’s a period drama that showcases some remarkable performances from Saoirse Ronan and Margot Robbie.  Unfortunately this retelling of the story between Queen Elizabeth (Robbie) and Queen Mary (Ronan) is bogged down with its politics and the struggles these women have being leaders while their differing religions present a conflict preventing them from ever working together.  Let me just jump into this and attempt to sort this film out.

For those who are not history buffs, I won’t disclose who it is that we see in the opening moments of the film as they are being led to their execution.  It’s an odd way to open the film; despite it being historically accurate, it just seems a bit off-putting.  The film then takes us to Mary arriving in Scotland to claim her throne after being away in France.  At the same time Queen Elizabeth has been ruling over England and Scotland, since she hasn’t married and with no children it is Mary who is ready to take on the reins of becoming the heir to the throne of England.  This is the start of many squabbles between the two queens, where we see their relationship dissolve from a unique sisterhood to the pair becoming envious of one another.  Basically how most families are, only without the royal labels.

by Diana Delia

Ralph Breaks the Internet is a sequel to the hit Disney animated film Wreck it Ralph. In Ralph Breaks the Internet, we follow our heroes from the last movie, Ralph and Vanellope, as they travel the internet in search of a broken part for Vanellope’s arcade game. They find the missing steering controller on eBay, and it’s the last one in existence. Up for auction, they give the winning bid for $27,000. They now must find a way to earn the money to pay for the controller with a deadline in five hours, or they will lose Vanellope’s game forever.

"In the ring, you got rules. Outside, you got nothing. Life hits you with all these cheap shots. People like me, we live in the past. You got people that need you now. You got everything to lose; this guy has got nothing to lose."

For the last couple of decades the sport of boxing has lost much of its popularity, at least here in the United States. The big matches used to be events where neighbors and friends would gather and enjoy the spectacle together. It likely started when long-time fighting fan and announcer Howard Cosell distanced himself from the sport, and the collapse appeared finally complete around the time Mike Tyson added ear to his menu. It's devolved so far that I haven't known who the champ is for more than 10 years. Everyone used to know the champ. It didn't matter if you followed the sport. The names used to be household names. No longer. That doesn't appear to be as true with the boxing movie. Films like Rocky and Raging Bull helped to create an entire genre of the boxing movie, and it has survived the real thing. In 2015 Sylvester Stallone partnered with director Ryan Coogler to revitalize the aging Rocky franchise and focus the new films on the son of Rocky's friend and ring-rival Apollo Creed. Together with Michael B Jordan in the new titular role, the franchise saw new light, and Stallone would finally give the performance of his life. Coogler and Jordan went on to join the Marvel Universe and create one of the highest box office takes in history with The Black Panther. Now he's back as Adonis Creed without Coogler in the director's chair. This time Steven Caple, Jr. directs from a story co-written by Stallone, who wrote the original Rocky back in 1976. I'm happy to say there's still some heart left in the old man and his franchise.

"The wizarding and non-wizarding worlds have been at peace for over a century. Grindelwald wants to see that peace destroyed." 

Back in the early days of the internet before videos went "viral", there was a Thanksgiving cartoon about a chef who needed to serve too many people with a small turkey. So to compensate, he kept stuffing that sucker until it eventually exploded. Watching the latest entry in the J.K. Rowling Wizarding World, I was very much reminded of that early video. There's an attempt to make the running time a bit leaner than we've typically seen with these films. It's just barely over two hours, making it one of the shortest running times in the series when you include the Harry Potter films. But it doesn't appear as if there was an accompanying cut of "stuff" going on. Rowling and director David Yates have crammed so much into the film that it gets very difficult to really keep up with it all. I left with a feeling that I had been overwhelmed. It's a semester college course in three days. Of course it's loaded down with exciting visuals and larger-than-life characters that have become a staple in the franchise and have incidentally made Rowling the richest woman on the entire planet. She'll add a few shekels to the bank account, to be sure. The film will score huge with the box office take. But it serves little else but set up a game board. Its purpose is to identify the players and which side of the good vs. evil battle they will be playing for. It might just be the most expensive trailer ever filmed. But it's one people will pay hundreds of millions to have a chance to see. Fantastic Beasts: Crimes of the Gindelwald is a Thanksgiving feast of truly monstrous proportions.