"Who are we? Are we simply what others want us to be? Are we destined to a fate beyond our control? Or can we evolve? Become something...more?"

The simple reality is that this franchise should have ended with Days of Future Past. That would have been a good point to call it quits; it had a good resolution and all, but the chasing of additional box office revenue has forced us to have to endure two more mediocre additions to the franchise. Though Dark Phoenix is better than Apocalypse, and it is a better telling of the Dark Phoenix Marvel Storyline, Fox’s second bite at the apple is still not the film that I hoped it would be. Fortunately, with Marvel recovering the property, we are undoubtedly due for another reboot, and perhaps the third time will be the charm.  Picking up after the events of Apocalypse, the X-Men have become a national treasure, widely considered to be the world’s first line of defense. It would seem that Charles Xavier’s dream of mutant unification is within reach. However, the realization of his dream comes at a cost of those closest to him. Matters come to a head during a questionable mission to rescue astronauts following a failed space exploration. With a solar flare closing in, the team pushes themselves too far, resulting in Jean Grey taking the full force of the cosmic energy.

"It's what I do."

What David Boreanaz does is create iconic television characters. He has had no trouble getting work over the years. He has had the ability to jump from one successful series to another and enjoy longevity in those roles. Unlike many actors who have had big television roles, he doesn't get at all pigeonholed or typecast. In Buffy The Vampire Slayer he originated the role of the vampire Angel, who spun off to his own series for several years. Immediately after that he took on the role of an FBI agent and partner to the title character on Bones. That job lasted a decade. Before the remains of Bones could be laid to rest, he was already working on his next new series. Now he's the field leader of a Navy Seal team, and if the first season of Navy Seals is any indication, he's going to be dodging bullets and RPG's for the foreseeable future. CBS has a big tradition of long-running shows, and I wouldn't be surprised if a decade from now I'm talking to you about the 10th season of Navy Seals.

The Good Fight just keeps getting better with every new season. It has become one of my guilty pleasure shows. Though it does tend to take quite a few jabs at our president and likes to emphasize alleged depravity, beyond that is a show that is very relevant to today’s society, and this season is no different as the show hits the ground running in the first episode with a storyline that has long reaching effects on the firm, as well as a member of the main cast. This storyline is obviously a reality-based storyline used for the purposes of highlighting the MeToo movement, as well as addressing implications this movement has had on certain celebrities’ images, particularly Bill Cosby’s fall from grace. I believe the proper term for this is “ripped from the headlines.”

After appearing to have found their footing, the firm of Reddick, Bosemon, & Lockhart find themselves facing an image problem when during a documentary honoring founding member and civil rights legend, Carl Reddick sexually assaulted multiple women within the firm and several women not affiliated with the firm. Obviously, this comes as a shock to the firm, but no one is more shocked than his daughter, who is also a partner at the firm. With this storyline, Season 3 had me hooked from the very first episode, mainly for the affects that this revelation has on Audra McDonald’s character. Best I can tell, this was the first emotional story arc the character has undertaken in the series, and she handled it beautifully in my opinion. It also provided another side to how this crime of incident affects all parties involved. We are used to seeing how it affects the victims, but this season showed that the children of the perpetrator are also victims, as Liz’s perception of her father is forever changed, and she is forced to make an impossible decision about how to address her father’s actions.

When it comes to shows that simply sneak up on you and manage to suck you in, This Is Us would be a show I never saw coming nor expected to simply fall in love with.  As a show that is on network television it stands toe to toe with the best that cable has to offer. But what is most surprising is that what sets this show apart from the rest of the pack isn’t a complex antihero or dragons; instead, it is as simple as being a show that feels as real as anything I’ve seen on television in some time.  As the title would suggest This Is Us is simply about a family and the struggles and successes that come day to day, though as many of you can understand and relate, there is nothing simple about life and the constant hurdles that are thrown at us on a day-to-day basis.  I was hesitant when I first began the series, but I was quickly moved by its characters and their stories.  I was impressed by the first two seasons, and I’ve wondered if it can maintain its level of quality moving into a third season level.  After another 18 episodes and plenty of tears, I was a little let down by the first part of the season, but it came together in the end, delivering some of the best moments in the shows run to date.

Dan Fogelman (Crazy, Stupid, Love) has created a show about the Pearsons, Jack (Milo Ventimiglia) and Rebecca (Mandy Moore) as they go about their journey raising their three kids who all happen to share the same birthday with their father. This season we start off with the siblings turning 38. There is Kate (Chrissy Metz) who is continuing to follow her interest in singing as well as enjoying the newly married life with Toby (Chris Sullivan), Kevin (Justin Hartley) who is on his way to becoming a respected actor after the success of his new film, and then we have Randall (Sterling K. Brown) who seems to finally have a handle on his life and family.  Everything seems to be going well for the Pearsons, but of course, that is all going to change.

"...Til the one day when the lady met this fellow, and they knew that it was much more than a hunch
that this group must somehow form a family. That's the way we all became the Brady Bunch."

Sept 26th, 2019 Marks the 50th anniversary of the debut of The Brady Bunch.

The biggest complaint I hear about today's movies is that there's no originality at the box office anymore. While it's true that most of the big earners are comic book heroes, sequels, reboots, monsters, or fantasy book franchises it's simply not accurate at all to say there isn't anything original happening in cinema anymore. If you are willing to take a chance on something different, you'll find it everywhere, and while it might not dominate the media buzz, it's there all the same, and your local multiplex likely dedicates at least a couple of screens to these kinds of films. Yesterday is certainly one of those little gems that go by not completely unnoticed but receiving far less buzz than it deserves. The fact is, there's still room for all species of film. After pulling in a more than respectable $150 million at the box office, Yesterday is now out on home video, including this UHD Blu-ray release in 4K.

Have you ever imagined what the world would be like with (fill in the blank)? For me it's cell phones. For others it might be a particular person. What if it were The Beatles? Better yet, what if you were the only one who remembered them?

"Oh no. Has it been a year already?"

The 10th season of Modern Family has arrived on home video. The series entered its 10th season with a bit of a tease. It was revealed that during this season one of the cast members would die. Of course the expectation being built was that it would be one of the regulars, and speculation had it that Jay was going to be the one to go. I never bought any of that. Jay's the patriarch of this family and the one piece of the enormous puzzle that might be the most essential. What I and many fans of the show didn't expect was that it would actually be a recurring character, and that the core family was safe for one more season. After the 11th season, it all comes to an end. Modern Family will be riding off into the sunset come spring of 2020, and it will be a sad day indeed. But that's a ways off, and we still have Season 10 on home video to watch.

Downton Abbey spent six seasons on television and has amassed 52 episodes. In that relatively short run the series has also managed to collect over 200 award nominations and several Golden Globes along with other prestigious awards. Let's not forget a rather loyal fan-base that has watched each episode with anticipation of the next sharp barb or character revelation. The fans have been vocal and strong enough that a new film franchise has been anticipated to fill the void left by the series. In one of its years it was the number-one binged series in the world. That's a lot of power, and it's little wonder that all of these ingredients are expected to create a little box office gold. But film franchises from television shows rarely go on to such golden heights. There are some notable exceptions, to be sure. But even here, expectations and changing caretakers often lead to both high points and flops. The Star Trek franchise is a perfect example of those kinds of ups and downs. Mission Impossible is an example of shows that have to be completely retooled to hit the high numbers. Where will Downton Abbey fit in this equation? I rather suspect the jury is still out. One thing I can tell you with complete confidence: the film will absolutely entertain fans of the series. There's no retooling to be found here, and you can expect the same kind of drama that you've been mainlining for 52 episodes.

The original series left the Crawley family at the Christmas of 1925. A little over two years have passed, and we rejoin the family in the summer of 1927. The family appears to have come to a point where they have to face the possibility that the aristocracy in Great Britain might be finally coming to an end. There is much conversation about having the family finally give up Downton Abbey and place themselves into somewhat normal British society. The manor doesn't bring in the kind of wealth it once did, and keeping it going will require making some serious cuts and sacrifices. Amid this crises of conundrum, Robert Crawley (Bonneville) is informed that the King and Queen of England have decided to visit the Abbey and spend an evening there. The occasion brings about a flurry of preparations. One of these preparations involves the newly promoted butler. Thomas Barrow might not have the right experience or demeanor to handle such a huge job. Lady Mary (Dockery) decides to reach out to their seasoned but retired former butler, Mr. Carson (Carter). It's actually a quite clever way of giving the show some kind of major story and a great excuse to bring back the familiar character so that fans can get at least one more visit with things very much as they were at Downton Abbey.

You know a movie’s bad when Brad Pitt isn’t enough to save it. However, where Ad Astra falls down is in execution of story rather than a failure on the part of Mr. Pitt. The premise was interesting: a son follows in the footsteps of his hero astronaut father to learn that his father, who was previously believed to be dead, may be responsible for catastrophic events plaguing the Earth. There is depth to the story, and the idea of human beings colonizing other planets was shown in a truly interesting and realistic manner, but instead of this being the forefront of the film, the story focuses primarily on a emotional journey that never pans out. The film also features a cast of superstars whose performances were little more than cameos. A waste of talent if you ask me. I mean, why put together a cast that includes Tommy Lee Jones, Donald Sutherland, Liv Tyler, and Ruth Negga, just to have their contributions be the length of a commercial. Yes, I know that was an exaggeration, but it just seems wasteful.

Ad Astra follows Major Roy McBride as he plummets back to Earth from an apparent space ladder (interesting idea; wish they would have spent more time explaining it), when a power surge of unknown origin destroys portions of the spacecraft. Upon landing safely, McBride is informed that the source of the surges have been traced back to the Lima Project, a 30-year-old highly classified mission tasked with looking for intelligent life; this mission has significance to McBride because the mission was led by his father, Space Command legend Clifford McBride, who was thought to be dead up until this point. In that moment, McBride learns that not only is his father alive, but he is believed to be responsible for a event that resulted in the loss of thousands of lives. McBride is tasked with the mission of travelling across an unforgiving solar system in hopes of making contact with his father, as well as discovering the truth of his father’s wayward mission thirty years earlier.

"My name is Kara Zor-El. I'm from Krypton. I'm a refugee on this planet. I was sent to Earth to protect my cousin. But my pod got knocked off course, and by the time I got here, my cousin had already grown up and become... Superman. I hid who I really was until one day when an accident forced me to reveal myself to the world. To most people, I'm a reporter at CatCo Worldwide Media. But in secret, I work with my adopted sister for the D.E.O. to protect my city from alien life and anyone else that means to cause it harm. I am Supergirl." 

So, you're asking yourself, who the heck is Kara Zor-El, and what is this D.E.O.? I get it. You're just not caught up on the CW series Supergirl. It's not such a good idea to start here, however. You can check out our reviews for the first three seasons here. Catch up on the episodes, and then join the rest of us for Supergirl: The Complete Fourth Season.