Posted in: Disc Reviews by Brent Lorentson on December 1st, 2019
For some the ‘haunted house’ sub-genre is a bit stale. Sure, there have been some great films and TV shows that have tackled the sub-genre, but many of the films tend to be recycled trash. Personally I’m a fan of haunted house flicks, even the bad ones I tend to find at least somewhat enjoyable. Mary may not fall into the classic definition of the haunted house film, mostly because it takes place on a yacht and in the Atlantic Ocean, but really it plays by the same rules. Seeing a familiar story unfold in a different location, where the characters have no place to run to, is enough to inject new life into a stale story, but is it enough to keep viewers engaged to the very end? Mary is a ship that that David (Gary Oldman) finds at a boat auction and ends up purchasing with hopes of turning it into a vacation sailboat his family can use to run a business with. To say Mary is a “fixer-upper” would be the understatement of the decade, as it seems to be falling apart from the inside out. We’ve seen it before, where the protagonist finds some busted-up car, bike, boat, etc., and what follows is the required montage of the protagonist fixing up the boat. Well, the film of course delivers the montage, but as montages go this one is lame … It’s as though the filmmakers never saw a film in the 80’s ( a time when every film seemed to have a montage cued by some 80’s pop or rock song). It doesn’t take long before his family suspects that there could be something wrong with the boat.
Posted in: Site News by Gino Sassani on November 28th, 2019
From all of us here at Upcomingdiscs, I want to wish all of you a safe and happy Thanksgiving Holiday.
Enjoy plenty of family, friends, football and don’t forget to share a movie or two with someone you love.
Posted in: Disc Reviews by Archive Authors on November 27th, 2019
The most amazing thing about The Handmaid’s Tale — other than a powerhouse lead performance from the best actress working in television right now — is that this harrowing, suddenly timely cautionary tale about what happens when society falls asleep at the wheel is based on a story that was published more than 30 years ago. Of course, the show has a lot more going for it than impeccable timing. The Handmaid’s Tale is based on Canadian writer Margaret Atwood’s 1985 novel of the same name. Sometime in the not-so-distant future, the world is in chaos after environmental pollution and sexually transmitted diseases result in a catastrophic decline in human fertility rates. In the U.S., the result was Second Civil War, which led to the establishment of a totalitarian, Christian fundamentalist government known as Gilead. And while life isn’t exactly a picnic for anyone outside of Gilead’s elite ruling class, life is especially dire for women: they are not allowed to own property, work, handle money, or read. Much of this information is revealed in dribs and drabs over what is now three seasons.
Posted in: No Huddle Reviews by Gino Sassani on November 27th, 2019
"There is a doorway in the universe. Beyond it is the promise of truth. It demands we question everything we have ever been taught. The evidence is all around us. We are not alone. We have never been alone."
Ever since Eric von Daniken released his speculative book and its subsequent 1970 film Chariots of the Gods, there has been an entire field of study created around something commonly called Ancient Astronaut Theory, the idea is that extraterrestrials have visited many of our ancient civilizations. The theory continues that these visitors had a hand in shaping our development, whether it be through technology or even manipulation of our very DNA. These believers point to a world of evidence to support their claims. There are tons of images from earlier civilizations that could certainly be interpreted as depicting modern devices, concepts, or even spacemen. There is plenty of speculation that some of the knowledge and accomplishments of these peoples could not have been possible without some outside interference. There are even those who believe that aliens best explain our religious beliefs and that God himself was/is an extraterrestrial being. Whatever your own beliefs on the subject, there are certainly some fascinating points to be made. There is no question that the speculations and observations bring up some interesting queries that deserve our attention. This series attempts to document much of this evidence and the beliefs these findings have inspired.
Posted in: The Reel World by Gino Sassani on November 24th, 2019
"It's a beautiful day in this neighborhood. A beautiful day for a neighbor. Would you be mine?
Could you be mine?"
Anyone who was a kid from the 1960's to the 1990's and beyond recognizes Mr. Rogers and his neighbor song. The man defined children’s programming for television, and he did so from a small studio tucked away in Pittsburg, Pennsylvania for almost 40 years. There aren't many people living in this country who don't at least know who Fred Rogers was. It would be a complete waste of my space and your time to tell you very much about the man in these lines. Truthfully, you'll make the kinds of discoveries into the nature of who he was by spending a short 90 minutes watching the documentary Won't You Be My Neighbor that appeared last year. It will be time well spent no matter how little or much you think you know about him. But now hot on the heels of that incredible documentary comes a film staring Tom Hanks as the lovable neighbor we all used to wish we had. Recently Ancestry.com confirmed that Tom Hanks and Fred Rogers are related. Of course you have to go back the pre-revolutionary days of 1734 to find this elusive relative. But you won't have to time travel to spend a magical time with Mr. Rogers and Tom Hanks. In 2019 they happen to be the same man.
Posted in: The Reel World by Jeremy Butler on November 23rd, 2019
“We got twenty-one bridges in and out of Manhattan. Shut them down. Three rivers. Close them. Four tunnels. Block them. Stop every train and loop the subways. Then, we flood the island with blue.”
Chadwick Boseman looks to be trying to bring back the days of Dirty Harry in this film as a cop known to kill cop killers. 21 Bridges is an action-packed film where nothing is really what it seems. Also featuring Sienna Miller, Taylor Kitsch, J.K. Simmons, and Keith David, I have to admit that some of these cast members’ appearances were more like cameos, as the action primarily focused on Boseman as he attempted to hunt down his target by any means necessary. Sorry, I just always wanted to say that, but for the context of this movie it rings true, as from the quote above you can see the extent he was willing to go to.
Posted in: The Reel World by Gino Sassani on November 22nd, 2019
It's been six years since Frozen became somewhat of a surprise hit out of Walt Disney Studios in 2013. No one was surprised it made a good haul at the box office, but I suspect that even the masterminds at Disney never saw this billion dollar baby when it was first being born. It's become the biggest original hit out of Disney since the original Lion King set animated feature records in the 90's. I'll give the studio credit. They didn't rush out and try to cash in on the momentum as quickly as other studios would have. They took their time and assembled the same team of directors and songwriters and allowed the process to follow a six-year process with the intent of doing it right rather than doing it fast. For the most part I think that strategy paid off, and while this film will never be the classic the original has become, it will fit rather snugly into the franchise and will delight children while possibly cursing the adults who are fated to watch the film over and over again. This is absolutely one of those kinds of movies.
Posted in: Disc Reviews by Gino Sassani on November 22nd, 2019
"He picked me out of a pile of pups, a tangled mass of paws and tails. He'd stopped at the farm on his way home from the speedway at Yakima. Even back then, I knew I was different than other dogs. My soul just felt more human."
There was a time when this kind of film would have been reviewed by Baby, the German Shepherd/Chow who used to run security here at Upcomingdiscs as well as fill in for the occasional dog film review. Baby's gone, and we haven't yet trained Aurora the Siberian Husky who resides at Upcomingdiscs to pitch in on reviews. The problem is getting her to put her ball down long enough to pay enough attention, let alone write a review. But we're working on it. Until then these duties have fallen back to me, the occasional dog lover, which usually depends on what Aurora is up to at any particular moment. As Baby would have said: "Let's not talk about that right now." The task at hand is another talking dog film which followed quickly on the heels of A Dog's Purpose and its sequel A Dog's Journey along with the most recent A Dog's Way Home. It's a trend that has produced some emotional moments at the cinema for those of us who have spent a large part of their lives with our canine companions. This time out we have The Art Of Racing In The Rain, which is based on the novel by Garth Stein. If you're hoping to have that same kind of emotional ride that these other films brought, I think you'll be in for a little disappointment.
Posted in: No Huddle Reviews by Jeremy Butler on November 22nd, 2019
Whistleblowing is a difficult decision. You are part of an organization, and you believe in that organization. Speaking out against that organization (yes, I know I’m overusing the word) at times can seem like ratting out family. Not to mention the downside. We all say that there will not be reprisal for whistleblowing, but more often than not, there is. However, that doesn’t mean that if you see wrongdoing that you should sit idly by and do nothing. Most believe that inaction is as bad as committing the act yourself. But when the organization you are speaking out against is the United States government, that is another animal entirely. Official Secrets portrays the real-life actions of Katherine Gun, a translator who back in 2003 leaked classified information exposing a conspiracy to facilitate the war against Iraq. Keira Knightly portrays our whistleblower with an all-star cast that includes Matthew Smith, Matthew Goode, Rhys Ifans, and Ralph Fiennes.
Posted in: Disc Reviews by Brent Lorentson on November 22nd, 2019
I have to be honest; when I got this title and saw that Jim Gaffigan was starring, I didn’t know what to expect, but I went into this film with some low expectations. I’m a fan of Gaffigan, and I own a few of his stand-up albums, but seeing him headlining a thriller, well, it was a tough leap for me. Now that I’ve seen the film, I got to say I’m impressed by what he pulled off with this film. That being said, as I was watching this film, I couldn’t help but see a similarity between Gaffigan and the late Philip Seymour Hoffman. I doubt this was intentional, and perhaps it’s just my subconscious attempting to make these connections, but Gaffigan’s performance in this film is on par with many of the performances we saw from Hoffman in his later years. As for the film, American Dreamer follows Cam (Gaffigan), a down-on-his-luck schlub who at one point was living the American dream: a good job, a nice home, and a wife and child. Then he lost his job, and everything else seemed to disappear around him. Now he’s a driver for a ride share company, where he struggles with paying child support and has had a bit of a mental breakdown.
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