Posted in: Super Round Up by Gino Sassani on March 12th, 2019
Howdy Partners. It's Gino down on the Upcoming ranch and do we ever have a busy week ahead of us. We've hit the slow time for releases but it seems like all of the studios want to stampede on this week's round-up. The other studios are certainly envious of Universal's Best Picture winning Green Book and it's coming out on UHD Blu-ray/4K. It was my SEFCA choice for Best Picture and even if my fellow critics went another path I still say this is the very best film from 2018. Now you get to see it in all its 4K glory. Let's just not mention any of this to Spike Lee, okay? Okay. Universal also remains in the driver's seat for Mortal Engines on UHD Blu-ray/4K. Lionsgate takes us back in time once again for the 11th season of Ancient Aliens on DVD and then they jump to the future with A.I. Rising also out on DVD this week. Lionsgate also let's it go down to The Last Man on Blu-ray. Eagle Rock goes across the pond to deliver Foreigner Live At The Rainbow '78 on Blu-ray. It's a trip back in time for the iconic band's tour after their first album hit the charts. Warner Brothers commits Fantastic Beasts: The Crimes Of The Grindelwald to UHD Blu-ray 4K. TNT boards The Last Ship: The Final Season on DVD. Film Movement goes Over The Limit on DVD and seduces us with Marquise on Blu-ray. Fox also goes across the pond for London Fields out on DVD.
And, Partners, don't forget. If you'll be making that video withdrawal from Amazon, lasso yourself one of our many links to get there. It helps keep us going here on the Upcomingdiscs ranch. Until next week, share some light with someone this week... television light, that is. Now let's get those titles rollin'!
Posted in: The Reel World by Gino Sassani on March 8th, 2019
"Does announcing your identity help with the covert part of the job?"
Let me begin by saying that actress Brie Larson doesn't want me to write this review. It's not that I didn't like the film and intend to cut it down. Actually I rather liked the movie, and while it isn't going to crack my top five Marvel films, it's a very entertaining film that adds wonderfully to this always evolving world of the Marvel Cinematic Universe, or as we fan geeks like to refer to it, the MCU. So she wouldn't take much if any umbrage with my evaluation of the film. It turns out that I happen to be a white male, and she has made it known that she doesn't want to see reviews for this film written by white males. Sorry, Brie. I suggest you skip this one. Just put it out of your mind. Still reading, Brie? I thought you might be. So, after a rather long wait for a movie only teased at in the final frames of a stinger added to Avengers: Infinity War, we finally get to meet the newest member of the Marvel MCU. Welcome, Carol Danvers, aka Captain Marvel, and as they used to say on the comic covers when welcoming new characters: I hope you survive.
Posted in: Disc Reviews by Brent Lorentson on March 7th, 2019
It may only be March, but I’m willing to bet The Standoff At Sparrow Creek will make the list of my top films of 2019. I’m going to go out on a limb and say that this is the next breakout film people will be talking about, because it’s just that damn good. Think about what Reservoir Dogs mashed up with Glengarry Glen Ross would be like if they were mashed together and the characters were all members of a militia; then you’ll somewhat have an idea of what The Standoff at Sparrow Creek has in store for you. We’ve all heard rumblings about militia groups, the kind that have their hidden bunkers that have stockpiles of weapons and ammunition that are ready to go into battle at a moment’s notice. At the same time we live in a world where it’s heavily frowned upon to want to own an automatic assault rifle, and those involved with these groups are often depicted as country bumpkins who are military washouts or just “gun nuts”. Well, writer/director Henry Dunham has decided to offer up a new look into this group and even dares to get into their heads and what motivates them. But Dunham isn’t trying to make any political statements, but instead he’s crafted a well drawn out thriller that explores each of these characters and gives them each motivation for their actions, keeping them human despite their actions at times.
What kicks off the film is a shooting at a police funeral, In a panic to find out who may be responsible, Gannon (James Badge Dale) has all the members of his group meet up at a lumber mill to sort things out. It’s at the mill where Gannon discovers that a gun and other materials are missing and that the person responsible for the shooting is one of the members of his group. Knowing the police are going to be out for blood, Gannon decides to interrogate the members of his group in hopes of finding the rogue killer and offering them up in order to preserve the safety of the militia.
Posted in: Disc Reviews by Gino Sassani on March 6th, 2019
"In the ring, you got rules. Outside, you got nothing. Life hits you with all these cheap shots. People like me, we live in the past. You got people that need you now. You got everything to lose; this guy has got nothing to lose."
For the last couple of decades the sport of boxing has lost much of its popularity, at least here in the United States. The big matches used to be events where neighbors and friends would gather and enjoy the spectacle together. It likely started when long-time fighting fan and announcer Howard Cosell distanced himself from the sport, and the collapse appeared finally complete around the time Mike Tyson added ear to his menu. It's devolved so far that I haven't known who the champ is for more than 10 years. Everyone used to know the champ. It didn't matter if you followed the sport. The names used to be household names. No longer. That doesn't appear to be as true with the boxing movie. Films like Rocky and Raging Bull helped to create an entire genre of the boxing movie, and it has survived the real thing. In 2015 Sylvester Stallone partnered with director Ryan Coogler to revitalize the aging Rocky franchise and focus the new films on the son of Rocky's friend and ring-rival Apollo Creed. Together with Michael B Jordan in the new titular role, the franchise saw new light, and Stallone would finally give the performance of his life. Coogler and Jordan went on to join the Marvel Universe and create one of the highest box office takes in history with The Black Panther. Now he's back as Adonis Creed without Coogler in the director's chair. This time Steven Caple Jr. directs from a story co-written by Stallone, who wrote the original Rocky back in 1976. I'm happy to say there's still some heart left in the old man and his franchise.
Posted in: Super Round Up by Gino Sassani on March 5th, 2019
Howdy Partners. It's Gino down on the Upcoming ranch, and I have some titles we need to round up and get to market for you. A little birdie told us that RLJE Films is releasing The Standoff At Sparrow Creek on Blu-ray today. RLJE Films also score with 100 Yards out on DVD. Warner Brothers is going the distance with Creed II out on UHD Blu-ray, and you folks know what that means; yeah, it's 4K for your home theater enjoyment. Shout Factory pairs up Liz And The Bluebird on Blu-ray. Paramount takes a shortcut with Instant Family out on Blu-ray. Fox picks sides with The Favourite also out on Blu-ray.
Out in The Reel World, Marvel takes command of the box office with Captain Marvel.
Posted in: No Huddle Reviews by Brent Lorentson on March 4th, 2019
It’s been a while since there has been a good invisible man film. It’s one of the original Universal horror monsters that just doesn’t seem to get the fanfare that I feel it deserves. Some of the greats in Hollywood have tackled incarnations of the character. John Carpenter with Memoirs of an Invisible Man (1992); then there was Hollow Man (2000), but neither of these films are what you would consider classics, though they are films I had fun with. So when The Unseen crossed my path, I was looking forward to this. After all, it has been a while since this type of character has been tackled; then factor in that it is being helmed by Geoff Redknap, who previously worked as a special effects artist on Cabin in the Woods, Watchmen, and numerous other projects. This just seemed like it would be a good match. The result is a bit of a mixed bag.
When we meet Bob Langmore (Aden Young), he’s a bit of a suicidal mess who works at a lumber mill. I can appreciate that this doesn’t go the typical route where we see a scientist who gets involved with an accident that causes them to transform. For some reason Bob just seems to be afflicted with this disease that seems to be eating away at his physical form. He’s able to hide this by using gloves and tape, but Bob understands that he can only conceal this for so long. His family life is a mess as well; his wife has left him, and his daughter wants little to nothing to do with him. The family dynamic is actually one of the strong points of the film, though I wish it didn’t wait so long for Bob to actually have screen time with his daughter.
Posted in: The Reel World by Gino Sassani on March 2nd, 2019
"I'm the master of the slow fade."
That would be a good way to describe director Neil Jordan and his latest Hitchcockian thriller, Greta. He also co-wrote the screenplay with Ray Wright, but let's be perfectly honest here. The film doesn't score on the writing. It's a completely predictable thriller, and there's nothing truly innovative or clever about the story. There's nothing here that we haven't seen before. This isn't a clever film by any stretch of the imagination. It's the execution of a tried story that makes this film as compelling as it actually becomes. And all of that comes from some rather unique cinematography and two quite powerful performances by the leading ladies in the star roles. Put that together and this ordinary film at least touches on something close to extraordinary.
Posted in: No Huddle Reviews by Jeremy Butler on March 2nd, 2019
The city morgue on the graveyard shift? Well, you can’t ask for a better setting for a horror film, can you? Shay Mitchell has been making a decent run in horror/suspense with her role of Peach on the stalker thriller You, as well as her newest role in this horror film The Possession of Hannah Grace. Horror films have become a new obsession for me in recent years, so I was very excited for this addition. Though given how saturated the market has become in recent years, my expectation was on the lower side of the spectrum. In its favor, there are several other familiar faces, including Stana Katic of Castle fame and Grey Damon. Additionally, the story unfolds in a suspenseful manner, which is half the battle right there. Though no possession film will ever top The Exorcist, The Possession of Hannah Grace is a worthwhile addition to the genre. I mean, it scared my wife out the room.
The story follows disgraced ex-cop Megan as she begins a new job as a night shift intake attendant at the city morgue. Off the bat, her supervisor informs her that this is not a job for the fainthearted, as her only coworkers will be corpses. Despite this, Megan takes on the responsibility, eager to redeem the sins of her past that resulted in her leaving the police force. While beginning this new chapter in her life, she is still haunted by the things that caused her to spiral out of control as well as the tense relationship between her and her ex-boyfriend, Andrew.
Posted in: Disc Reviews by Brent Lorentson on February 27th, 2019
At first glance, Mary Queen of Scots has all the makings of a film you’d expect to be nominated for numerous awards; after all, it’s a period drama that showcases some remarkable performances from Saoirse Ronan and Margot Robbie. Unfortunately this retelling of the story between Queen Elizabeth (Robbie) and Queen Mary (Ronan) is bogged down with its politics and the struggles these women have being leaders while their differing religions present a conflict preventing them from ever working together. Let me just jump into this and attempt to sort this film out.
For those who are not history buffs, I won’t disclose who it is that we see in the opening moments of the film as they are being led to their execution. It’s an odd way to open the film; despite it being historically accurate, it just seems a bit off-putting. The film then takes us to Mary arriving in Scotland to claim her throne after being away in France. At the same time Queen Elizabeth has been ruling over England and Scotland; since she hasn’t married and has no children, it is Mary who is ready to take on the reins of becoming the heir to the throne of England. This is the start of many squabbles between the two queens, where we see their relationship dissolve from a unique sisterhood to the pair becoming envious of one another. Basically how most families are, only without the royal labels.
Posted in: No Huddle Reviews by Jeremy Butler on February 27th, 2019
“For the record, I am a better Dorothy Parker than Dorothy Parker.”
Looks like Melissa McCarthy is attempting to branch out from her usual branch of raunchy comedy. Or at least she is dipping her toe in the water of such an idea, as Can You Ever Forgive Me is not without its raunch. Based on the novel by Lee Israel, a known literary forger said to have forged over 400 false letters from notable writers, McCarthy plays the character and brings the comical quips that she has became famous for. Paired with Richard E Grant, the two work off one another with positive results. Probably one of the best examples of a non-romantic pairing I’ve seen this year.
On The Web
Sponsors
