Posted in: Disc Reviews by Gino Sassani on May 1st, 2019
“In space no one can hear you scream.”
That was the slogan that drew a conglomerate of horror and science fiction fans to theatres in 1979. Was it horror or sci-fi? Alien turned out to be a rare cross-genre film that managed to satisfy both audiences. Ridley Scott started out by bringing the “space ship” film away from the glamorous bright future and depicted a world startlingly very much like our own. In Scott’s gritty future, companies are quasi-government agencies, and these astronauts are not explorers out for glory and heroism. They are strictly blue-collar workers trying to make a buck. It’s hard to imagine that most of the cast, including Sigourney Weaver, were relative unknowns at the time. Weaver would create a new model for female leads that would later pave the way for actors like Linda Hamilton.
Posted in: Disc Reviews by Brent Lorentson on May 1st, 2019
If I’m being honest, I never would have guessed that Nicole Kidman could ever pull off playing a dirty undercover cop. I’m not saying she’s a bad actress; I just never thought the day would come that she would play such a lowdown gritty role, and I’m so glad she did. How Kidman wasn’t showered with awards this past year for her performance in Destroyer is beyond me. This isn’t just a good performance, but what we get in this film is a woman who transforms herself into a role so different from what she’s done in the past that I respect the chance she took with this role, and the result is mesmerizing even if the film suffers from some pacing issues.
Posted in: The Reel World by Gino Sassani on April 26th, 2019
"It's going to be a tearjerker."
It all started with Iron Man in 2008. Marvel Studios put together the most ambitious film saga in the history of the medium. 22 films that served as introduction to comic book heroes and the various story threads that would ultimately bind them together into one epic tale. All along the way it was important that each film stand on its own legs and provide enough story and action to satisfy the film audiences at each signpost along the way. 22 films over 11 years, and it all finally comes to its inevitable conclusion in The Avengers: Endgame. From this film forward, it's going to be a very different landscape for the Marvel Cinematic Universe. New heroes are on the way, and some will either no longer be there or will take on an entirely different form and persona. I'm not about to tell you where these changes come down. That would ultimately ruin this 3-hour ride you are about to embark upon. But when it ends, you will completely understand that it was all leading to this point, and it will be a sad but satisfying conclusion. But before we talk about endings, let's enjoy that final ride into the end.
Posted in: Disc Reviews by Brent Lorentson on April 26th, 2019
Just imagine for a moment that a 12-year-old version of yourself was taking a little stroll and you came across a sword that was protruding from a slab of concrete. We’ve seen plenty of versions of the King Arthur story. Some have been good (Excalibur and First Knight) but many have been not so good. In the case of The Kid Who Would Be King, it’s not a story about King Arthur but more an adventure that asks what would happen if a boy were to find the sword in today’s world. The film didn’t do so well at the box office, which isn’t a big surprise considering the film was made in the UK and not the States, but is the film one to be overlooked and forgotten, or is this a gem worth checking out? Simply put, this is perhaps the best “kids’” film I’ve seen in years, and this is a film that I’m willing to bet will garner a cult status in the years to come.
Posted in: No Huddle Reviews by Gino Sassani on April 19th, 2019
I don't scare. As a lucid dreamer, I am incapable of having nightmares. That might be one of the reasons I have always been attracted to horror, both in film and television. In my entire life I've only been frightened by one film, and that was the final segment of Trilogy Of Terror. There was something about that manic little doll that actually scared me. Of course, I was 10 when I saw it, and hiding behind a chair in our living room because I was supposed to be in bed. For whatever reason, that vivid memory remains. Around the same time I saw the first Night Stalker films, and I wanted to a writer just like Carl Kolchak, and yet another vivid memory remains. Yet a third memory was having our sitter pick me up from school. Often she'd volunteer to buy us ice cream or candy on the way home. I always declined. What would make a little kid refuse free sweets? It was a half-hour soap opera, of all things. Of course, I'm talking about Dark Shadows, and the thing that Dark Shadows, The Night Stalker and Trilogy Of Terror all have in common beyond the vivid memories is that they each came from Dan Curtis. For this once pre-teen kid, Dan Curtis pulled a hat-trick in the late 60's and early 70's, and I'll never forget it.
Posted in: No Huddle Reviews by Jeremy Butler on April 19th, 2019
It is uncanny; I swear any time anyone mentions Kim Possible, I instantly start to hear the theme song in my hand. It’s like as soon as her name is mention, all I hear is, “Call me, Beep me, if you wanna reach me.” It’s been well over a decade since I’ve seen an episode, but that theme song is just as catchy now as it was back then. Kim Possible was from an era on the Disney Channel that produced some of the best original television content and movies in my humble opinion. An animated cartoon about a high school student who is also a secret agent, who didn’t want to be that back then. So I was extremely excited to be able to share the live-action movie version with my daughter, but the sad reality is that the live action version is a cheesy and generic shadow of the series that I was so fond of during my childhood.
Posted in: Disc Reviews by Brent Lorentson on April 19th, 2019
One of 2019’s most anticipated releases is M. Night Shyamalan’s conclusion to his superhero trilogy with Glass. This has been a trilogy 19 years in the making, following the release of Unbreakable and then 2016’s Split. When I first saw Unbreakable, I was a projectionist, and I had to screen it the night before it was released to make sure everything was spliced together and the film played properly, and I just remember not really liking the movie at first. I ended up giving the film another try, and I found I liked it a little more. Now over the years I’ve seen it several times, and the film has grown on me. I’ve grown to appreciate the film to the point that when that final scene in Split plays and we got the reveal of David Dunn (Bruce Willis) I was extremely excited at the prospect of seeing this character revisited. Before I get much further, if you haven’t seen Unbreakable or Split, if you plan on seeing Glass, do yourself a favor and watch the previous films first, and even if you have seen them, it wouldn’t hurt re-watching them just so the films are fresh in your mind while experiencing the conclusion of this trilogy. With all that out of the way, how was the film? It’s time to suit up and find out.
Posted in: Disc Reviews by Brent Lorentson on April 16th, 2019
Back in 2015 when the prison escape took place in upstate New York, this was one of those news stories that kept me glued to my television, as I’m sure it did for countless others. As the story unfolded in front of news cameras, the story just got more scandalous, and as the days ticked by with the prisoners on the run, a part of me was sort of rooting for them. I know they’re felons, but seeing them manage to outmaneuver authorities and evade capture, it was sort of like rooting for the underdog, because most of the time these incidents don’t end well. It’s no surprise that Hollywood would latch onto this story, but what is surprising how well this Showtime mini-series turned out. With funny-man Ben Stiller at the helm, I was surprised to see that he was attached to direct this. He’s been successful behind the camera, and my favorite films of his have been Reality Bites and The Cable Guy. So how did the nearly 7 ½ hour series turn out?
Posted in: No Huddle Reviews by Gino Sassani on April 16th, 2019
The Donovan family has been a prominent part of the Showtime lineup for six years now. What started as a series about a fixer didn't quite remain that way for long. The stories very quickly focused on this rather dysfunctional family, and we appear to love our dysfunctional families in movies and television. Most are awkwardly dysfunctional without a lot of heart, and Ray Donovan was certainly heading in that direction before the fifth season took us on one of the best emotional rollercoaster rides in the business. For me that season and the death of the family matriarch changed the stakes and the center for each of the characters. Abby was the thing that held this family together no matter how twisted things got. So we ended up with what I consider the best season of the show to date. So where did we go from there, you might ask. You don't have to. Showtime has released the complete 6th season of Ray Donovan on DVD, and now you can find out for yourself. Here's my take.
Posted in: Disc Reviews by Brent Lorentson on April 16th, 2019
When it comes to Robert Zemeckis films, you never know what you’re going to get. Like most, I’m a fan of his Back to the Future trilogy, and then there is Who Framed Roger Rabbit that to this day I feel is his best work. While he’s churned out many good films, there are films of his that I’m simply not a fan of. Forrest Gump happens to be one of those films. For the most part he makes audience-friendly films, but what I’ve always admired about the guy is how he’s always attempting to integrate new technology into his films. Zemeckis has become one of the pioneers of motion-capture technology. Ever since The Polar Express (2004), he’s been making improvements with the technology, and now with Welcome to Marwen, it is stunning to see just how far he has come.
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