Posted in: Disc Reviews by Jeremy Butler on March 29th, 2019
"My father was a lighthouse keeper. My mother was a queen. They were never meant to meet. But their love saved the world. They made me what I am: a son of the land, a king of the seas. I am the protector of the deep. I am ... Aquaman."
It’s been a rough year for the DC Universe, losing both Henry Cavill and Ben Affleck as Superman and Batman respectively. In a time when Marvel is heading towards a big finale of sorts, this should be when DC goes full steam towards capitalizing on any residual momentum.
Posted in: The Reel World by John Delia on March 27th, 2019
A very creepy, violent, and disturbing film, Us, enters theaters, and it’s probably going to be there for some time. Not only is the plot haunting and filled with terror, the acting that makes it work is superb under the guidance of Jordan Peele who gave us the film Get Out. Adding more to the potentially Oscar-worthy film is the dank and fear-inducing cinematography with a soundtrack to match. If you like your horror nonstop, then Us is for you.
Posted in: The Reel World by John Delia on March 27th, 2019
It’s Julianne Moore at her best, showing the great performer she is in a romantic comedy with heartbreak. As Gloria Bell, she makes the lead role compelling and full of life giving her all and even more. It’s perfect for a date night, so grab your best guy or gal and check it out. And it has an explosion of a sound track that includes “Gloria” by Laura Branigan and “Total Eclipse of the Heart” by Bonnie Tyler. A steady visitor to the night club scene, Gloria (Julianne Moore) dances away the hours with men she meets at the bar after a long day working at an insurance office. Not a spring chicken and divorced, she has been an easy mark for any kind of romance as long as she can dance.
Posted in: No Huddle Reviews by Brent Lorentson on March 27th, 2019
This review is going to be a little different from what you may be used to seeing here at Upcomingdiscs. We’re about to venture off the path of mainstream films and delve into the dark and seedy areas of cinema where the naughty, the gory and the cult lurk. This comes with a warning: these films are not for everyone. Seriously, this is your chance to click away, because these films can leave an impression on the viewer and are difficult to unsee. Also these films do come with a not-rated label, so no one under 17 permitted, for those youngun’s still sticking around to read, go ahead and click onto the Mary Poppins Returns review. I read some nice things there; this here is no review for you. I don’t want to be held responsible for the nightmares these films may cause you down the road.
Posted in: Disc Reviews by Gino Sassani on March 22nd, 2019
“Everything is possible…even the impossible.”
To be clear, the fact that Disney has delivered a big-budget, star-studded follow-up to one of the most beloved family films in its staggering catalog is *exceedingly* possible. This is, after all, the age of reboots and live-action remakes of movies we already love. What seems impossible is that Mary Poppins Returns and its sensational leading lady both live up to and (re)capture the spirit of the Walt Disney-produced Julie Andrews classic from more than 50 years ago!
Posted in: Disc Reviews by Jeremy Butler on March 22nd, 2019
"60 minutes is all it took for the ancients to bring humanity to the brink of destruction."
It only took Peter Jackson's crew along with director Christian Rivers 128 minutes to bring their audience to the bring of falling asleep with their Star Wars rip-off of Mortal Engines based on a series of books by Philip Reeve. Universal was likely looking for a franchise hit here. Hugo Weaving couldn't save it. Impressive visual f/x couldn't save it. When I discovered the film had been in some kind of production phase since 2008, it all started to make a little sense. Sometimes the harder you work on something, the more you lose sight of the simple aspects of the film. Most importantly, you lose the connection to emotional characters, and you stop telling their story, but force them into telling yours.
Posted in: No Huddle Reviews by Gino Sassani on March 22nd, 2019
Foreigner was one of those bands that managed to bridge the sounds of the 1970's and 80's. They had that solid classic rock sound but managed to work in some legendary hooks that gave the band life beyond most of the members themselves. Eagle Rock Entertainment has unearthed quite a little unpolished gem from the archives here. The band hit pretty well with their first self-titled album moving around four million copies with an almost instant hit in Cold As Ice. That song established the band's best moments of synth pop and edgy vocals and lyrics. So with just one album under their belt the band set out on the road and managed a successful tour.
Posted in: Disc Reviews by Brent Lorentson on March 19th, 2019
This is one of those films where the cast had me equally excited and concerned with how the film would turn out. On one hand it has Harvey Keitel; the guy is a living legend between his roles in Reservoir Dogs, Bad Lieutenant, Taxi Driver, Mean Streets, and countless others. Keitel is one of those actors who elevates just about any film he’s in, and he’s in several films I’d even call classics. Then on the other end of the spectrum there is Hayden Christensen, one of the most lifeless performers to ever grace the screen in my opinion. I still have bouts of anger when I see him as Anakin Skywalker. But I’m always ready to have an actor surprise me, and I always go into a film with an open mind once I sit down and start watching it. Unfortunately The Last Man is a dud and was a film I struggled with so many of you won’t have to.
Posted in: No Huddle Reviews by Jeremy Butler on March 15th, 2019
A femme fatale who predicted her own demise -- now that is the stuff good noir films are made of. And what better person to play the role of said femme fatale than Amber Heard, fresh off her performance in the popular DC Comics film Aquaman? Granted this movie was filmed before the DC film, but delayed due to lawsuits, which only goes to add further intrigue to the movie. Originally screened at the 2015 Toronto Film Festival, London Fields features a cast of well-knowns including Jim Sturgess, Theo James, Billy Bob Thornton, and perhaps most notably Heard’s ex-husband, Johnny Depp. One can only imagine the effect this film would have had if it had not been for a few setbacks. As it stands, London Fields is laced with intrigue, and Amber is compelling, but the film amounts to very little substance.
Posted in: Disc Reviews by Gino Sassani on March 15th, 2019
Green Book represents an historical milestone for me as a critic. In my decades of reviewing and more decades following films, I have never selected a personal Oscar Best Picture two years in a row. I tend to be somewhat out of touch with the voting members of the Academy or even my fellow SEFCA (Southeastern Film Critics Association) members. But it finally happened. Last year my selection was The Shape Of Water, and it took the top prize. This year I went against the grain of the SEFCA members who chose Roma as the best film, and Green Book meandered to # 7 on their list. Fortunately, the Academy saw it my way for the second consecutive year, and Green Book took home the statue. Spike Lee threw a temper tantrum, and I'll talk about that in my conclusion.
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