Posted in: The Reel World by Brent Lorentson on March 6th, 2015
Despite the twinge of disappointment I felt as I exited the theater after seeing Elysium, I still believed writer/director Neill Blomkamp was more than a one-trick pony with District 9. Now two years after the release of Elysium, Blomkamp is set to release Chappie, a sentient-robot film that from the trailers evokes comparisons to Robocop and Short Circuit, which could mean either that could be a hit or another disappointment. A disappointment could be trouble for Blomkamp. After all, his concept images and storyline for an Alien sequel has relit excitement for a franchise that many had felt died after the third entry.
Posted in: No Huddle Reviews by Gino Sassani on March 6th, 2015
When Stephen King wrote The Running Man back in 1982, he might very well have been looking through a crystal ball at the television landscape of the 21st century. While we haven't started executing criminals in game-show fashion ...yet … reality television has had a huge impact on our pop culture. From Big Brother to Survivor, Americans continue to get their kicks watching attention-needy "contestants" engage in silly little dramas and the occasional shoving match. Maybe we should blame it all on Jerry Springer.
Posted in: No Huddle Reviews by J C on March 5th, 2015
“There’s no place on Earth with more magic and superstition mixed into its daily life than the Scottish Highlands.”
To build its slate of original programming, Starz has largely decided to look to the past. In recent years, the premium cable network has produced shows like Da Vinci’s Demons, The White Queen, and Black Sails, each of them (loosely) historical dramas with varying amounts of nudity sprinkled in. But it took a trip to the Scottish Highlands — and to the 18th century — for the channel to find its biggest hit to date.
Posted in: Disc Reviews by Gino Sassani on March 3rd, 2015
"Remember when our biggest problem was which Mayan to kill?"
All good things come to an end, and all rides eventually reach their destination. It's all come home for the gang at Sons of Anarchy, and you can believe that if anyone is left standing when it's over, there will be scars. Kurt Sutter has taken the culture of the motorcycle club, don't call them a gang, and made it accessible to a regular audience. He did that not by attempting to overwhelm us with the iconography of the genre.
Posted in: Disc Reviews by J C on March 3rd, 2015
“The cop here thinks he's The Bodyguard.”
At first glance, Beyond the Lights could easily be dismissed as an updated, less starry version of the Kevin Costner/Whitney Houston romantic blockbuster. Both feature a glamorous pop star falling in love with her strait-laced protector. But while The Bodyguard became a bona fide pop culture phenomenon, Beyond the Lights had a much less dazzling run in theaters, grossing just over $14 million. It’s a shame because the flawed newer film has some interesting ideas about celebrity, artistic integrity, and…black women’s hair.
Posted in: No Huddle Reviews by Gino Sassani on March 2nd, 2015
"The world has indeed gone topsy turvy".
It's as inevitable as death and taxes. When you review movies that come out on home video, you will see a lot of zombie films. Every wannabe filmmaker with a camcorder and 20 bucks thinks they can break into the business with a few staggering zombies, bare breasts and a screaming hero laying down profanities and head shots for 80 minutes.
Posted in: Tribute by Gino Sassani on February 28th, 2015
"We are assembled here today to pay final respects to our honored dead. And yet it should be noted that in the midst of our sorrow, this death takes place in the shadow of new life, the sunrise of a new world; a world that our beloved comrade gave his life to protect and nourish. He did not feel this sacrifice a vain or empty one, and we will not debate his profound wisdom at these proceedings. Of my friend, I can only say this: of all the souls I have encountered in my travels, his was the most... human."
Many of the headlines read: "Spock is dead". Of course, that's not really true. Spock is a fictional character that will live on likely longer than any of us. But fans of science fiction in general and Star Trek fans in particularly have lost a friend today who was very human. Leonard Nimoy was 83.
Posted in: The Reel World by J C on February 27th, 2015
“That’s what you get when you hire a con man.”
As much fun as it is to watch clever, cagey characters try to outsmart one another on screen, the real appeal of movies about con artists is watching filmmakers try to pull the wool over the audience’s eye. It’s an especially tricky proposition when you consider that — thanks to the Internet — moviegoers might be more sophisticated than ever in terms of knowing how movies are supposed to work. (Or at least *thinking* they know how movies are supposed to work.)
Posted in: Disc Reviews by Brent Lorentson on February 26th, 2015
Despite being a fan of just about everyone involved with Horrible Bosses, I was more than a little disappointed by the first film. It wasn’t awful or unwatchable by any stretch of the imagination, but I felt with a cast like Jason Bateman, Charlie Day, and Jason Sudeikis, it just should have been better. But the movie gods have spoken and decided that the first film performed well enough that it deserved a sequel. What worked for the first film was the idea behind finally having enough of your bosses and being pushed to the point where murder seems like a viable option.
Posted in: Disc Reviews by Gino Sassani on February 25th, 2015
"There's been some trouble with the women hereabouts...it's bad."
What exactly is a Western? That's the question that the cast and crew of The Homesman struggle with here. They appear to be divided on the subject, and the same sentiment will likely make this one a little harder to pigeonhole. That's not necessarily important except when it comes to marketing a film. An audience wants some kind of an idea what they're getting when they see it on the shelf of their local video store. Tommy Lee Jones wrote, directed and stared in this period piece, and he'd rather you not call it a Western. Others connected with the film are on board with the genre label.
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