The werewolf continues to be the one monster that just can’t seem to get the film that it deserves.  There has been The Howling and of course An American Werewolf in London, but in the past decade has there been a better werewolf film than Dog Soldiers?  It’s a monster than promises so much violence and can incite so much fear, but instead we are given terrible zombie and vampire films.  With one look at the cover I knew what I was getting into with Werewolf Rising, a low-budget attempt at the monster genre. Though it may not boast a large budget, I can’t help but appreciate this micro-budget attempt that avoids falling back on CGI effects.

"What I am about to tell you sounds crazy. But you have to listen to me. Your very lives depend on it. You see, this isn't the first time."

No, this isn't the first time. Tom Cruise seems to be making a habit of these science fiction action movies of late. There was Oblivion and War Of The Worlds, and quite frankly Edge Of Tomorrow looked to be pretty much more of the same. But there's a huge difference between this film and the previous two. Edge Of Tomorrow is actually good. What looks on the surface to be just Groundhog Day with futuristic toys turns out to be a redemption story that I actually never saw coming.

When I was a young boy I loved playing with my toys. We didn't have Transformers in those days, but we did have Major Matt Mason, plastic dinosaurs, Hot Wheels and Creepy Crawlers Thingmaker sets. Yeah, in those days a toy could cause third-degree burns and no one really worried about getting sued. Kind of takes the fun out of being a kid today. You know who else, I bet, loved to play with his toys? MichaelBay. I bet he had the coolest toys in his neighborhood. He probably wasn't the best guy to be friends with, however. He didn't invite the kids over to play with his toys. He likely charged you a nickel to watch him play with them.

31 Nights Of Terror means horror reviews and lots of free stuff for you guys. How about an unrated copy of Girls Gone Dead on DVD? When these gals do Spring Break it’s killer.

To win just follow these instructions.

Baseball is huge, and Bollywood is huge, so imagine if you put them together. In many ways, Million Dollar Arm is about Indian culture and what a separate world it is from ours. The film starts out in Los Angeles where J.B. Bernstein (Jon Hamm from Mad Men) is a sports agent who has broken off from a big agency to start his own firm. His partner, Aash (Aasif Mandvi of The Daily Show), is very nervous about where their next client is coming from, since they lost a big one right at the start of the film.

By the time the innovative opening credits for Sons of Liberty wrap up, the movie has outlined an expansive backstory that mixes historical fact (the real-life Sons of Liberty form in Boston in 1765) and fiction (Allister Salinger, the head of the mysterious Ordo Mundi, designs the first successful human clone in 1974). It’s surprisingly dense stuff, especially for a jumbled, straight-to-DVD action/thriller that mostly plays out like a particularly violent episode of NCIS.

There was a new cowboy in Dallas, and he wasn’t throwing touchdown passes. But Walker was almost gone before he could really get started. After just four episodes the show’s production company suffered financial collapse, and the show was rescued at the last minute by CBS Productions, who would continue to run the show for its nearly decade-long run. For nine years Chuck Norris brought us the ultimate Texas Ranger in a formula cops and robbers show. The show often became a parody of itself but maintained a solid viewer ship throughout.

So you want to make a zombie flick, but you realize everyone and their (undead) brother seems to have beat you to the bite punch. The question becomes, “how am I going to make my monster movie standout?” Even if you mess around with time, place, and genre, it’s hard to stake out new territory. The micro-budgeted/straight-to-DVD Dead and the Damned — also released as Cowboys & Zombies in 2011 — tried to play with all three. This new sequel takes a more typical approach to zombie horror; in fact, the biggest departures are a curiously-armored hero, a disabled heroine, and an amusing undercurrent of horniness.

My mom's worn-out VHS tape was simply labeled “Motown 25.” I can very vividly remember it sitting in the entertainment center of our living room in Puerto Rico when I was little. It even migrated over to St. Petersburg with the rest of our family almost 20 years ago. As time passed and we adopted DVDs, a lot of our VHS tapes got pushed to the background (or the scrap heap). But not “Motown 25.” I suppose I never realized the historic, star-studded concert celebrating Motown's 25th anniversary had never been available on DVD. Well thanks to StarVista Entertainment/Time Life Entertainment, that's no longer the case.

In 1996 it was a brave new world for  Quentin Tarantino and Robert Rodriguez. Tarantino was still riding the wave of Pulp Fiction’s fame, while Rodriguez was going strong with his follow up to El Mariachi, Desperado (which went on to be a bigger hit).  The two had crossed paths at various film festivals, and through the course of their meetings they discussed various projects they could possibly do together.  The project that brought these two together would be horror/ crime genre mixer, From Dusk Till Dawn.