Posted in: Podcasts by Gino Sassani on May 21st, 2012
On Friday I had a chance to chat with Tom Caltabiano. If you're a fan of the hit series Everybody Loves Raymond or the stand-up of the show's star Ray Romano, you should already know who Tom is. He's been Ray's buddy, touring partner, show writer and opening act since 1991. His intimate documentary of one of those tours is the subject of the new recently released 95 Miles To Go on DVD. Tom talks about the release and his time with Ray on the road.
Bang it here to listen to my chat with Tom C. Podcast
Posted in: The Reel World by M. W. Phillips on May 18th, 2012
“My dad said they’d come, said it my whole life. He said one day we’ll find them or they’d find us. Know what else he said? He said, ‘Hope I’m not around when that day comes.’”
Director Peter Berg kneels at the altar of Michael Bay and lovingly creates a clone of his most bombastic, military-fetish, slo-mo obsessed, whiplash-cut-driven movies with Battleship, based on the Hasbro (the same company behind the Transformers movies and yes, it definitely shows) board game of the same name. In fact, it kind of feels like the Sea Monkey version of Transformers, just add water and watch the mech monsters grow before your eyes.
Posted in: No Huddle Reviews by Brent Lorentson on May 17th, 2012
What will a parent do to save the life of their dying son? This is the question that Scott Kane (Drew Fuller) is confronted with in the low-budget action film The Kane Files. In a desperate race against time, Kane needs to get together the money to pay for his son’s heart transplant, and along the way there are plenty of bullets and plot twists to keep the viewer entertained, but the film lacks any real substance to warrant ever mentioning again. Though not the most unique plot device for a film, the idea of parents doing whatever it takes to save their children is rich with potential that it frustrates me is never touched upon.
With a nonlinear story line the film makers have their fun playing with the viewer being careful to reveal who the real good guys and bad guys are. This choice on their part was a wise choice; it made a plot that seemed rehashed come alive and left me feeling that possibly the unexpected was around every corner. Our hero Kane has only one option in getting the money in time to save his son, and that means returning to a life of crime he promised his wife Anna (Whitney Able) that he gave up to have a life with her. Desperate for the cash and willing to do anything to save his son, Kane takes the job which is to kill a man that is pressuring crime boss Daniel Morgan (William Atherton) into giving him money owed from a race or he’ll go to the cops. When the hit goes bad Kane is on the run, and Morgan sends out all his men to find and kill Kane. The plot, as I said, is fun, just poorly executed, which can be blamed on many things, but what matters is the film is still a fun little ride. Along the way we meet an FBI Agent played by the great William Devane that simply chews up the dialog and makes it sound great (the man will always be a badass for me since watching Rolling Thunder). Ethan Embry also is around as a local officer out to catch Kane; he’s the guy flexing the most acting chops here, and I’d like to see him playing some darker roles down the road.
Posted in: Disc Reviews by Gino Sassani on May 17th, 2012
By 1978 the television detective model had been nearly complete and possibly already a cliché. Dan Tanna might have well been the complete model as far as the formula goes. It was almost as if you could go down a checklist and, like Dr. Frankenstein creating a monster, check off the necessary elements. The scripts could then almost write themselves, and you let the show fly on autopilot for three seasons or so until someone decides to look behind the curtain.
So let’s go down that checklist, shall we?
Posted in: Disc Reviews by Michael Durr on May 16th, 2012
As one progresses as a reviewer, we come into contact with a wide variety of television shows. Some shows we even come to appreciate season after season. So, after I reviewed season 1 and 2 of Flashpoint, I was a little disappointed that I missed season 3. Later on, I would catch up obviously, but I was more than delighted to take on Season 4 when it came to my door. Thankfully, I was able to pick right up and continue to watch one of my very favorite shows of the last 5 years.
Since this site did not review Season 3, it is only fair that I recap the last few episodes before we break into the most recent string of episodes. The Other Lane saw Ed Lane’s brother Roy get caught up on the wrong side of the law. Jumping at Shadows saw a family under witness protection be exposed by corrupt police officers. Meanwhile, team leader Greg (played by Enrico Colantoni) gets to see his son Dean. Finally, Acceptable Risk puts the team under a microscope for spending too long on a killing spree.
Posted in: Disc Reviews by Gino Sassani on May 16th, 2012
"In the beginning there was darkness. And then bang, giving birth to an endless expanding existence of time, space, and matter. Every day new discoveries are unlocking the mysterious, the mind-blowing, the deadly secrets of a place we call The Universe."
The History series has lasted for six seasons to date. The show uses modern space photography, computer-generated images, and demonstrations along with respected scientists to explore the various aspects of our universe. While more time is spent in our own back yard exploring our solar system, the series does take us to the outer reaches of space, going back about 13 billion years. That's as far as we're able to see. The show is narrated by Erik Thompson. Of course, there is plenty of narration by the scientists.
Posted in: The Reel World by J C on May 16th, 2012
There's obviously nothing funny about the atrocities committed by some of history's most notorious tyrants. So why have these men proven to be such a surprisingly fertile source of comedy? Whether it's (Puppet) Kim Jong-il crooning forlornly about being lonely (actually "ronery") in Team America: World Police or Adolf Hitler being saluted by a chorus line of high-stepping stormtroopers in The Producers, there's certainly a precedent for mocking these reviled figures. With The Dictator, Sacha Baron Cohen appears to be taking his patented inappropriateness to a new level.
Cohen — the English actor, comedian and professional provocateur — stars as Admiral General Haffaz Aladeen, ruler of the oil-rich and fictitious Republic of Wadiya. (Muammar Gaddafi and Saddam Hussein are clearly major influences.) The trick to making this sort of (potentially-abhorrent) comedy seems to be focusing on the outrageous personalities of these tyrants, rather than all the horrible things they've done. As a result, Aladeen is racist, sexist and too many other negative "-ists" to list, but the movie portrays him as a bearded buffoon who isn't even remotely dangerous. (Though try telling that to the dozens of people Aladeen orders to be executed over trivial offenses.) When he is summoned by the United Nations to address concerns about his country's nuclear program, Aladeen travels to New York, where he embarks on a life-changing journey involving a boyish feminist (Anna Faris), a severed head and a few celebrity cameos.
Posted in: Disc Reviews by J C on May 15th, 2012
"...So when I walked into the hair cutting place, I was taking a leap. But I wasn't doing it for a guy — I was doing it for me."
Season 2 of Felicity features Keri Russell getting one of the most infamous haircuts in TV history. When people think of super-producer J.J. Abrams and his television projects, images from Alias, Fringe and a little show called Lost probably spring to mind. On the other hand, a significantly smaller portion of weirdos the TV-watching population may think of the relationship dramedies Abrams has produced, such as What About Brian, Six Degrees and Felicity, by far the best of this latter group. (Then again, Felicity — co-created by Abrams and Matt Reeves — resorted to time travel towards the end of its run, so it probably has more in common with the producer's genre shows than you think.)
Posted in: No Huddle Reviews by Brent Lorentson on May 14th, 2012
It’s never a good sign when you look up a title of a DVD in your hands and IMDB has no trace of it. With a little more searching and I found the film but under the title My Dog’s Christmas Miracle, which is only a title that serves the purpose at trying to make a cash grab at suckers with a soft spot for holiday films and talking mutts. This is one of those films that is somewhat of a rarity, it goes in the so-bad-it’s-good pile. You know that pile of films you know that are awful but you can’t help but enjoy the disaster that unfolds before your eyes. Like Ishtar, Troll 2, and numerous Ed Wood films, Cinnamon belongs on this list, but for kids.
Cinnamon is a spoiled Maltese that lives in Beverly Hills with her owner Madeline (Cynthia Gibb) who is a professor at the local college. Madeline is having terrible luck with dating, which is fine by Cinnamon because she doesn’t want to share her owner. All is going somewhat well till one day at the college; Cinnamon mistakes a rolled architecture plan for a bone and destroys the plans before Kevin’s (Greg Evigan) big meeting at the school. Once Madeline and Kevin lock eyes, they are just smitten for each other and can’t stop thinking about the other which is no good for Cinnamon, because this takes the attention from her. As the two grow closer, Cinnamon grows concerned if her master falls in love she’ll be replaced, so the only option is to do whatever it takes to keep these two lovebirds apart. The relationship aspect of the film really is the only part that works but will most likely bore kids no matter how much they may love dogs .
Posted in: The Reel World by Gino Sassani on May 11th, 2012
"They say blood is thicker than water...my name is Barnabas Collins."
In the late 1960's and early 1970's Dark Shadows dominated the mid-day television landscape. I remember wanting to rush home from school each day to catch the horror soap opera. The daytime series had a little bit of something for everyone. There were the typical soap opera conventions for the mellow-dramatic housewives and other serious themes for the adults. But there were some wonderfully exotic fantastic elements that appealed to the kids. The show broke soap opera convention in that it ran only a half hour, perfect for our short attention spans after a day at school. It's no wonder that the show has endured in our pop culture 40 years after it left the television airwaves.









