Posted in: Disc Reviews by Gino Sassani on August 29th, 2017
"From the day we arrive on the planet and blinking, step into the sun, there's more to see than can ever be seen. More to do than can ever be done. There's far too much to take in here. More to find than can ever be found..."
There's a period in the 1990's that has often been referred to as the second golden age of Disney animation. The studio had fallen from its once mighty perch, and most film historians tend to agree there was a creative dark ages through the 1980's.
Posted in: Podcasts by Gino Sassani on August 17th, 2017
There is a dying breed of musicians in the deep south that are the last remnants of the roots of the Blues. Many of them are gone and those that do remain are in their 80's and 90's. Someone needed to get down there and capture this treasure before it's gone forever. That somebody turns out to be Daniel Cross, who put together the visceral and emotional documentary I Am The Blues. He spent time with these musicians. He listened to their stories and their songs. I had the opportunity to talk with Daniel and he shared those experiences. You really have to hear what he discovered. Bang it here to listen in on my chat with Daniel Cross
You can also find out more about the film and see extra footage by banging it here: I Am The Blues
Posted in: Podcasts by Gino Sassani on August 15th, 2017
It was 50 years ago this year that Rowan & Martin's Laugh-In first appeared on NBC. It quickly took the country by storm. The show added such pop culture staples as Sock It To Me, You Bet Your Bippy and Here Comes The Judge. The show managed to attract the biggest names in entertainment of the era. The cast have gone on to become household names. It's where stars like Goldie Hawn, Arti Johnson and Lily Tomlin got their starts. And it all started with the mind of George Schlatter. After all of those years George still has quite a bit of spunk left. I had the honor to spend nearly a half hour talking to him. Now you get to hear what he had to say. Bang it here to listen to my chat with George Schlatter.
You can also find out more about the complete series of Laugh-In by going Here.
Posted in: No Huddle Reviews by Gino Sassani on August 15th, 2017
In one corner you have U.S Attorney Chuck "The Scholar" Rhodes, played by Paul Giamatti. He's the reigning world champion with a record of 80+ to 0. In the other corner is Bobby "Axe" Axelrod, played by Damian Lewis; he could also be considered undefeated. He runs a sexy brokerage firm. Both of these guys walk and talk like champs. There's a lot of trash-talk between them, but both have very lurid and potentially devastating skeletons in their perspective closets. This season finds them each willing to risk anything just to get to the other.
Posted in: No Huddle Reviews by Gino Sassani on August 15th, 2017
"Welcome back to New Orleans."
The most recent member of the NCIS family enters its third season. There are some changes, but not just in the show's cast. I have noticed a concerted effort to use the term NOLA by both the characters and various signs and symbols displayed throughout the new season. It's a bit odd, because at one point a character chastises an outsider that the locals prefer New Orleans. Minutes later that same character uses the term NOLA. The crew now even wear lanyards that say NCIS:NOLA on them. I have not been to New Orleans post-Katrina, so I'm not up on whatever local thing might be going on with the name.
Posted in: Disc Reviews by Gino Sassani on August 15th, 2017
"It is, I think, going to be a very harsh and unpleasant kind of business and will, I think, require an extremely harsh and unpleasant kind of man to see to it."
That man, of course, is John Wayne. They called him The Duke, and he was indeed western cinema royalty for six decades. He represented the American ideal of the tough guy who stood up for the weak and didn't shy away from a fight. His characters usually worked hard, and they played just as hard. He had a unique way of turning a phrase and has been one of the most widely impersonated Hollywood voices. By the time the 1970's rolled around, Wayne was coming to the end of a long career.
Posted in: Disc Reviews by Gino Sassani on August 10th, 2017
When we begin the second season of Blindspot, three months have passed since the first season's explosive finale. We are placed back in the action with the same time having passed on the show. Jane (Alexander) has been kept at a covert CIA black ops location where she is being tortured for information. It is a fortuitous time to rejoin the action, because we arrive just in time to see her engineer a clever escape. Meanwhile Kurt Weller (Stapleton) and his team have been back to more mundane FBI cases, and it's obvious they miss the excitement of working the tattoos. They're about to get their wish, and things are about to get pretty intense as we join the sophomore season of Martin Gero's Blindspot.
Posted in: Disc Reviews by Gino Sassani on August 7th, 2017
"Survival of the fittest. It's the law of the jungle. There's always someone trying to take what's yours. How do I know? It almost happened to me."
Where the heck has Alec Baldwin been lately? I seem to recall he was a pretty hot A-list movie star actor at one time. There was The Hunt For Red October, and then there was... OK, forget the A-list movie star bit. He was really an A-list television star. He killed it in 30 Rock and then of course there was... OK. Re-set. Now I remember. There was that hugely popular radio talk show he had going on for, what was it, five minutes?
Posted in: Disc Reviews by Gino Sassani on August 7th, 2017
"In the future, the line between human and machine is disappearing. Advancements in the technology allow humans to enhance themselves with cybernetic parts. Hanka robotics, funded by the government, is developing a military operative that will blur the line even further. By transplanting a human brain into a fully synthetic body, they will combine the strongest attributes of human and robot."
...and resistance is futile. OK. Wrong franchise.
Posted in: No Huddle Reviews by Gino Sassani on August 7th, 2017
In times of war it is very easy to think of your enemy as the embodiment of evil. Sometimes it is necessary to do so. However, more often than not, the person on the other side of the line is just like you, a patriot doing their duty for their country, with mild to moderate understanding of the overall big picture. 1944 helps to illuminate this point, as the audience gets to experience the war from both sides of the battle. In this case it was Estonians fighting on both sides, further complicating the morality of the situation.
