Posts by Gino Sassani

Do you believe that a numbers wizard can predict the most random of human actions with mathematical equations so accurately as to know where and when such a person will be? If so, then I suggest you put down that letter you are writing to Santa, finish eating that egg a bunny left for you, go to your pillow and pull together all of the loot you got from the tooth fairy, and plunk it down on season three of Numb3rs. No, that’s not a typo; apparently they believe that letters aren’t good enough to stand on their own, so they inserted a 3 where the e should be. Aren’t they so clever? Not. In the fairy tale world of Numb3rs, all you need is an almost obsessive knowledge of math, and the crooks don’t stand a chance. It’s almost unfair, isn’t it? Those poor criminals go about their carefully plotted crimes, unaware that everything they do is controlled by math. They live their lives oblivious to the fact they are at the mercy of a diabolical equation which forces their every move. In fact, I suspect some clever attorney somewhere is already preparing the “math made me do it” defense at this very moment. Soon our justice system will be forced to account for this undeniable force on our very destinies. I would go on but I can’t… must… fight… numbers

Don Eppes (Morrow) is a decorated officer in charge of a unit of the local field office of the FBI. His brother Charlie (Krumholtz) is a math professor at CalSci. His brilliant mathematical mind is called upon to help the Feds track killers and rapists. No matter how complicated the trail gets, when the going gets rough, these guys call on Charlie. The FBI office is also manned, or womaned as the case may, be by Agent Megan Reeves (Farr), who is the profiler of the group, Agent David Sinclair (Ballard), the smart tough guy, and Agent Colby Granger (Bruno) the young upcoming agent. Charlie has Professor Larry Feinhardt (MacNicol) to guide him through his struggles. Both of the geeks are socially inept, and we are “treated” to their constant struggles to relate to others, particularly women. Why can’t they write an equation to fix that? Navi Rawat is Amita, a student of Charlie’s who remains to take a job at CalSci, possibly to remain near Charlie. Judd Hirsch is the father to the Eppes brothers. The show is produced by brothers Ridley and Tony Scott, who have had far better luck on the big screen.

"I always know who you are. It's just that sometimes I don't recognize you."

Logan is perhaps one of the most interesting, endearing, and popular characters in the Marvel universe. Wolverine has the distinction of having been created by someone other than Stan Lee and Jack Kirby. While they invented the X-Men team from which the adamantium-clawed warrior was born, he was actually created by the team of Len Wein and John Romita, Sr. in the mid 1970's. Since that time the character has taken on a life of his own, a life that is as much owed to actor Hugh Jackman as anyone else. The funny thing is that Jackman is really nothing at all like the comic book character, who was actually quite short. But it's Jackman who has come to personify the wirily Cannuck. He's appeared, if only briefly, in each of the X-Men films except for one and two less-than-stellar Wolverine films. It all comes to a rather fitting close with one of the best Marvel-character films to date. Logan is pure comic book film noir and an emotional ride from start to finish.

"Just give us those good old songs."

Last year Eagle Vision released four discs that were collectively known as The Frank Sinatra Collection. But when a man's been singing for nearly 70 years, you can't hold a career like that on just four discs. There was always going to have to be more. The more arrived in the shape of three more DVD's brimming with Sinatra vintage shows. But that still wasn't going to be enough. Now there are two more discs that bring us the classic Frank Sinatra Timex specials. This was a series of four specials that aired in 1959/1960. Each had a theme that carried through the broadcast hour.

Baseball season is underway across the country and it won't be long before we're into another World Series. It will have to be some series to compete with last year's Chicago win over the Indians in 7 games. What better way to get into the spirit than to revisit that famous 7th game of the 2016 World Series? Shout Factory has you covered and they're playing along with us at Upcomingdiscs to throw out the first prize of the baseball season. They've given us a copy of The 2016 World Series: The Complete Game 7 Ultimate Edition on high definition Blu-ray. You get the complete game along with highlights of the Cubs' play-off run to the final game.

To win a copy of this prize, follow these instructions.

"I got this..."

When Sly Stallone delivered his homage to the 1980's action film in The Expendables he hit a lot of the action film requisites. It was old-school fun with a new-school level of effects and production design. But with all of his efforts to bring back the 1980's action star hero, there was one beat he couldn't have connected with until a couple of years later. You see, action films are like potato chips. You can't have just one. Films like First Blood, Die Hard, Terminator, and all of the others always had one final thing in common...the sequels. In case you thought that The Expendables was a one-off, the sequel was inevitable. And this is one case where the second film might be a little better than the first. Sure, it's somewhat of a two-hour cliché, but who says there's anything wrong with that?

It's hard to believe that it has been 45 years since The Godfather first graced theater screens. The Godfather films changed storytelling forever. Films before that time, mobster or otherwise, had some very simple but unshakable rules. There was always a fairly clear distinction between the good guys and the bad guys. The good guys always win in the end, and the bad guys always succumb to justice before the final credits. For perhaps the very first time, we were given characters that we knew in our souls were evil men. They killed. They broke laws. They manipulated everyone around them through fear and terrorism to bend to their wills. Somehow, now they are the film’s core heroes, if you will. When Vito is shot, we cheer for Michael, who discards his contempt for his family’s criminal image and comes to his father’s aid. Suddenly this wasn’t just about a gang of mobsters. This was a story about a family. Most of us can’t relate to the mafia ins and outs, but we all have fathers, and even when we dislike what our fathers represent, we will more often than not come to their aid if they’re being threatened. This unique morality paved the way for an entire genre of such characters today. There just couldn’t have been a Tony Soprano or Vic Mackey without The Godfather. While there were certainly protests from aspects of the Italian-American community decrying the violent way our ethnicity was portrayed, most of us from that community saw more than violence and Mafioso. If you’re from an Italian family, you simply can’t help recognizing aspects of your own family in the Corleones. I could see my own grandfather in Vito, sans the mob boss occupation. Many of us took away the strict codes of honor and respect that drive Italian-Americans to this day in very normal lives. We’re a very passionate people, even if most of us are not part of an organized criminal element.

I’m not going to waste any time here taking you through the Godfather saga. Even if you’ve never seen any of these films, and I can’t imagine anyone hasn’t, you know the story and characters almost as much as if you had. For those of us who have seen these films, it has likely been an experience you have never forgotten. They are like potato chips in that you can not have watched them just a single time. For us these films are more than merely films. They are memories that we share as a culture. They have surely become a part of American mythology, as much as Homer’s tales of conquering heroes and mighty gods were for the ancient Greeks. We know the names of the Corleones as well as any of Shakespeare’s characters. We’ve quoted these films as much as anything short of the Bible itself. It is entirely outside of the realm of possibility, for me at least, to imagine American culture without them. While the films are now 45 years old, they still shape our films and literature today. What television series hasn’t done a spoof of The Godfather. Phrases like: “An offer you can’t refuse”, “Leave the gun. Take the cannoli”, or “Just when I thought I was out, they pull me back in” appear everywhere around us.

If you weren’t around in the 1970’s you might be surprised to find out that film superstar Michael Douglas was once in a television cop show. It was this influential crime drama that allowed Douglas to show off the acting chops that would earn him a spot in the Hollywood elite for decades to come. It didn’t hurt any that he was able to team up with Karl Malden, an undervalued talent in his own right. The two of them literally bring the show to life.  The series was run by Quinn Martin, himself no stranger to groundbreaking television. Martin was the same talent who created the crime drama with The Untouchables. His uncanny ability to come up with a clever premise was responsible for such milestones in television history as The Invaders and The Fugitive. Later he would continue to shape the look of television with shows like Tales Of The Unexpected, The FBI, and Most Wanted. He was the Steven Bochco of his time. Long before NYPD Blue, Martin was able to make San Francisco, the city itself, an iatrical character for Malden and Douglas to interact with. The show had tremendous style, even if the cases were purely formula. Certainly you won’t find anything in these plots you haven’t seen a hundred times before. What you will find is a unique presentation that somehow makes even the most mundane story appear quite compelling. If you enjoy the Bochco and Wolf dramas or fall in with such classics as Starsky and Hutch or Miami Vice, you owe a tremendous debt to Martin for setting the table for all of those fantastic meals that would follow.

Detective “Iron” Mike Stone (Karl Malden) is a seasoned veteran of the San Francisco Police Department. He’s an old-fashioned no-nonsense detective whose life has taken some bitter turns of late. Much to his aggravation he gets partnered with Keller (Michael Douglas), a green detective who hasn’t lost his belief that he can make a difference. Together they just might be able to teach each other something. Before long the two develop a teacher/mentor relationship that works well enough to solve the cases and get the bad guys.

"Man, we'll die with you. Just don't ask us to do it twice."

Remember the old days of the action movie? Those films where someone like Stallone or Schwarzenegger would run around and take out armies of bad guys while barely breaking a sweat. You know the kind of movie I'm talking about. The ones where the hero goes up against a hail of bullets and explosions and manages to pick off the bad guys without catching a single slug himself. These were the days when a guy like Bruce Willis could fall thirty floors, get a spike impaled in his ribcage, have a ton of concrete wall fall on his head, and get run over by a truck, but still manage to take out the bad guy while muttering some witty little catchphrase that we would all be repeating, because if we could deliver the line just right that meant we were tough guys too, and we didn't even have to fall out of an airplane to prove it. Well, you won't have to remember. You just have to watch Sly Stallone's love letter to the action movie fans. It's called The Expendables, and it's out right now on UHD Blu-ray in 4K from Lionsgate.

By 1978 the television detective model had been nearly complete and possibly already a cliché. Dan Tanna might have well been the complete model as far as the formula goes. It was almost as if you could go down a checklist and, like Dr. Frankenstein creating a monster, you would check off the necessary elements. The scripts could then almost write themselves, and you let the show fly on autopilot for three seasons or so until someone decides to look behind the curtain.

So let’s go down that checklist, shall we?

This is an announcement. This is not a review. We will likely have one posted as the unit is made available to us soon.

MENLO PARK, California – April 24, 2017 – OPPO Digital announced that its UDP-205 4K Ultra HD Audiophile Blu-ray Disc player is available for purchase. A step-up version of the recently released UDP-203, the UDP-205 brings top-of-the-line audio performance to a universal player that supports 4K Ultra HD Blu-ray and many other digital audio and video formats.