Posted in: Disc Reviews by Gino Sassani on March 16th, 2012
"When this world was still young, long before man or beast roamed these lands, there was a war in the heavens. Immortals, once thought incapable of death, discovered they had the power to kill one another. Lost in the war was a weapon of unimaginable power: The Epirus Bow."
I know there are a lot of you out there who can’t wait for the huge 300 sequel: 300 The Battle Of Artemisia. You might even have your calendar circled for the Clash Of The Titans remake sequel Wrath Of The Titans, also on the horizon. In case you find that you just can’t wait, director Tarsem Singh has created a weigh-station, of sorts, with his action-packed Immortals. The film takes elements from both franchises and melds them together into something very much like those films, yet unique enough to warrant some of your attention. The result is a film that is absolutely uneven in places, but entertaining enough to be worth a look.
Posted in: Contests by Gino Sassani on March 5th, 2012
Our good buddies over at HBO have decided to rock your world with a chance to win The Game Of Thrones: The Complete First Season on high definition Blu-ray. This HBO series has gained great critical acclaim and a rare 5 rating from us here at Upcomingdiscs. The second season is on the way and what better chance to get caught up? You can add this brilliant prize to your collection.
To win this collection just follow these instructions.
Posted in: Disc Reviews by Gino Sassani on March 2nd, 2012
"Even today there are organizations that have America as their prime target. They would destroy the safety and happiness of every individual and thrust us into a condition of lawlessness and immorality that passes the imagination."
The phrase could very easily describe the world we face today. The above quote could very well have come from a post-9/11 narration, but it didn't. It was spoken nearly a century ago by the long-time director of the FBI, J. Edgar Hoover.
Posted in: The Reel World by Gino Sassani on March 2nd, 2012
Dr. Seuss and his cast of strange and wonderful characters have been around since before I was born. The first book I ever read by myself was Green Eggs And Ham, and I can remember the experience quite vividly still. Each Christmas I run the 1960's Boris Karloff version of The Grinch Who Stole Christmas. It's been a tradition at the Sassani household for decades. It started with television broadcast that led to videotaped copy which found its way to a laserdisc, followed by a DVD and now a beautiful Blu-ray from the folks at Warner. If these things don't qualify me as a bonafide fan of the good Doctor, I'm not sure what else will.
Mankind has lost touch with the Earth's environment and now lives in sterile cities where there is no longer any nature at all. Few can even remember what a tree looked like. The natural resources were completely consumed to make products so that now trees are inflatable fixtures in the neighborhood. In order to impress a girl who has fantasies about real trees, Ted (Efron) leaves the safety of the city to track down the Once-ler (Helms) who is rumored to know what happened to the trees. The Once-ler tells a cautionary tale of how he was responsible for the extinction of the trees in spite of the warnings of their protector, the Lorax (DeVito).
Posted in: Disc Reviews by Gino Sassani on March 2nd, 2012
"Your mission, should you decide to accept it..."
Those words have certainly been a part of the American pop culture for almost 50 years. It all started with the Desilu television series that hit the airwaves in 1966. That first year is probably unfamiliar to most of us. It was in black & white and starred Steven Hill as the leader of the Impossible Mission Force. A year later the show jumped to color and Peter Graves took over the team as the indomitable Jim Phelps. The show lasted a good seven seasons. The Impossible Mission Force was a black-ops team that worked under the "secretary" who would disavow their mission should any of the team be caught or killed. The show had a pretty good run before ending in 1973. Gone, but never forgotten.
Posted in: Disc Reviews by Gino Sassani on February 29th, 2012
To Catch A Thief is not typical Alfred Hitchcock territory, but then again, it really is. It’s not a terribly suspenseful film coming from the acclaimed “Master of Suspense”, nor is it at all a frightening film even though it was directed by one of horror’s genius minds. What really is scary, however, is how close to a different film this almost was. Cary Grant had exiled himself into retirement. If you can believe his statements at the time, he was concerned that the moviegoing public was pretty much sick of seeing him and preferred the younger actors just then coming of age. He turned Hitchcock down for the role at least twice, before Hitch made a personal visit and appeal to the Hollywood legend. Grace Kelly was also reluctant to do the part. She did it because she loved working for Hitch. Unfortunately, Paramount had other plans. They were troubled that Grant was nearly twice Kelly’s age, and worried that either the public or the standards censors would not accept the situation. They were half right. While the film was one of Hitch’s toughest battles with the Standards folks, the public flocked to see Grant and Kelly on the screen together. Grant would continue his return to acting for over a decade longer. Not so Grace Kelly. The Philadelphia native would have her fateful meeting with Prince Rainier of Monaco and would spend nearly 30 years portraying the larger-than-life, but real nonetheless, Princess Grace of Monaco, before a tragic automobile accident would end her life. All the same, To Catch A Thief would remain one of her last films. Hitch almost lured her out of retirement some years later, but she declined, saying that if she were to do a film, Hitchcock was about the only man she would have done it for.
John Robie (Grant) is a renowned jewel thief and cat burglar. While he’s been retired for fifteen years, he’s still the prime suspect when a rash of burglaries occurs on the French Riviera. The MO is the same as Robie’s, and before long the police are blaming him for the work of France’s newest celebrity thief, The Cat. Robie sees only one chance to get himself out from under the mess. He has to go to the area and catch the real thief. Once there he hooks up with insurance agent Hughson (Williams) who cooperates on the off chance his company can be spared these high payouts. Robie also meets young and attractive socialite Frances Stevens (Kelly), who sets her sights on catching this thief for her own. She constantly tries to seduce Robie, knowing who he is and suspecting him of being The Cat. When her own family jewels turn up missing, she begins to rethink the dangerous game she was playing. That only gives Robie even more incentive to catch the real crook. Will Robie catch The Cat? Will Frances catch Robie? Only Hitch knew for sure, and in 1955 audiences found out in the film classic, To Catch A Thief.
Posted in: Contests by Gino Sassani on February 24th, 2012
Our good friends over at 2K Games have given us a copy of Darkness II for the PS3 to give away to a lucky reader. This sequel has been a long anticipated game. We talked about it earlier with links to some trailers and Michael is working on a review. This is the special Limited Edition. Now you can win one for your own. Go to the dark place, if you dare.
Bang it here for those wonderful Darkness II trailers: Darkness II Trailers
Posted in: The Reel World by Gino Sassani on February 24th, 2012
"In valor there is hope"
It would be easy to dismiss Act Of Valor as either a recruiting tool piece of propaganda or yet another in an endless line of war films attempting to capture some form of authenticity. It would be easy, if you haven't seen the film. I can promise you that no matter what your views on war or the military in general, the one thing you simply won't be able to do is dismiss Act Of Valor.
Posted in: Disc Reviews by Gino Sassani on February 24th, 2012
"There's no need to fear. Underdog is here!"
Indeed, Underdog was the champion of many a child's fantasies in the 1960's when it first reached the airwaves. The show would become the most famous title from the team at Total Television Productions who also brought us the likes of Tennessee Tuxedo and his many friend.
Posted in: Disc Reviews by Gino Sassani on February 24th, 2012
The seventh season of Matlock brought more of the same. If you’re a fan, that’s very good news indeed. What is that, you ask? Imagine Sheriff Andy Taylor older and now an attorney, and you pretty much have the setup for Matlock. Forget for a second that both characters were played by Andy Griffith. That’s not all they have in common. Matlock is every bit the “southern gentleman” that Taylor was. He might be a little smarter, but he walks and talks like Andy Taylor. The series did, however, jump networks with this season. After spending six seasons on NBC, the show moved to ABC with a couple of changes. Michelle, played by Nancy Stafford left the show as the 6th season was originally considered the series finale. As the 7th opens Matlock's older daughter Leanne enters the partnership, played by Brynn Thayer. Law graduate Cliff Lewis, played by Daniel Roebuck, also joins the firm as a new lawyer.
Matlock began life as a television movie from Dean Hargrove, who brought us Columbo. Hargrove would later work the same magic with Dick Van Dyke in Diagnosis Murder. In fact, the two shows could easily have been companion pieces. Both featured sit-com stars from the 1950’s and 60’s who had become somewhat iconic characters. Both would don the role of professionals. Both shows would subscribe to the “formula” mode of storytelling. Diary Of A Perfect Murder would set up the Matlock formula. It’s simple, really. Matlock was a lawyer in Atlanta. Some wronged defendant, usually charged with murder, would show up asking for Matlock’s help. Matlock and his team would investigate the crime with an eye toward, as OJ Simpson is fond of saying, finding the real killer. His team consisted of his daughter Charlene, herself a competent lawyer, and Tyler Hudson (Holliday), his private investigator. In the pilot the Matlock character was less Andy Taylor and a little more slick at first. I’m sure that while it was intended to show Matlock’s prowess as a high-priced attorney, somewhere along the line it became obvious that the show’s finest asset was Griffith himself and that southern charm he was already famous for. Whatever the reason, you can see the character soften significantly during the early episodes of the season. And that decision was a smart one, as Matlock would continue for nearly a decade.
