Posted in: The Reel World by Gino Sassani on November 18th, 2018
Steve McQueen has established himself as a rather talented director. 12 Years A Slave was one of the better films of 2013 and one of the few times I happened to agree with the Oscars’ choice for Best Picture. When he tackled the heist format I expected something unique, and I wasn't at all disappointed. McQueen managed to put a clever spin on a tired genre and provide us with a superior and inspired cast. It wasn't all completely his idea, of course. The film is based on a Canadian miniseries that goes back to the 1980's. That doesn't mean he hasn't found a way to imprint the material with his own style and bold choices. There's a lot to love about Widows, but I have pretty low expectations for this film at the box office. More on that later. Let's get down to it, shall we?
Harry Rawlings (Neeson) is a career criminal. His wife Veronica (Davis) knows where the money comes from, but she's willing to feign a great deal of ignorance to the fact because she has become used to the comfortable style in which they live. But it all comes crumbling down when Harry's latest heist appears to go horribly wrong and Harry perishes in an explosive encounter with the police along with his entire crew. Now Veronica is feeling the grief that comes with the death of a spouse, but there's more to deal with than that. The man Harry and his crew took down was a gangster by the name of Jamal Manning (Henry), who has taken a dip into politics. He's going up against the corrupt Jack Mulligan (Farrell), who is running to take his father's alderman seat. Manning's $2 million war chest was Harry's target, and the money appears to have been destroyed in the explosion that took down the crew. Now Manning has gone to Veronica and has given her one month to refund his money.
Posted in: No Huddle Reviews by Gino Sassani on November 14th, 2018
"This could get worse before it gets better."
That's the perfect story line for the sixth and almost final season of CBS's modern Sherlock Holmes take, Elementary. After the fifth season ended, CBS was one of the first networks to renew a great number of their dramas. They kept more returning shows than any other network last year. And for good reason. The NCIS franchise ranks among the most watched shows in the world. That's not quite the case for Elementary. The fifth season showed declining viewership even though the series contains a very loyal core audience. It was most certainly on the bubble. Finally, the show was brought back for a limited 13-episode run but not at its traditional spot in the fall with all of the other returning major shows. It was held back until April and planned for a quick slot going into the summer. But the show proved to have a little more life than initially thought, and an additional eight episodes were added to bring the total to a pretty routine network show run of 21 episodes. Elementary fans got a lot to get excited about. Not only did they score eight episodes, but the show also earned its way to a seventh season, which will not begin until some time in 2019. For now you get the complete sixth and NOT final season. That's 21 episodes on six discs.
Posted in: Tribute by Gino Sassani on November 13th, 2018
We stopped doing these memorials a couple of years ago. It's hard to take the time away from our lives and other work here at Upcomingdiscs. But sometimes we'll lose one of the great ones. This isn't a tribute to Stan Lee. He'll get plenty of those. These are just my own private thoughts. I want to say things many of you would like to say. I have a forum, so I'm going to use it. If immortality can be measured by the impact you leave behind or how many people continue to remember you and for how long after your gone. Then there's only one thing we can say about Stan Lee: "Face it, Tiger. You just hit the jackpot."
It's safe to say that if it hadn't been for Stan Lee, you would not be reading Upcomingdiscs today. There would be no review. No contests. That's because I would be a very different person, who likely would not have this deep passion for the fantastic miracles once projected on silver screens from dancing/flickering light. There are three men that I credit with my first exploration and appreciation for such nonsense. The first was my father who allowed me to stay up late with him to watch the Universal Monster films on late-night shows and Friday Night Shock Theatres.
Posted in: Disc Reviews by Gino Sassani on November 12th, 2018
MacGyver (v) to act in an extremely resourceful manner. To utilize everyday items in unconventional ways to achieve a difficult task. I predict it will not be long before you can open your trusty copy of Webster’s and find this character has officially entered our lexicon. There is little doubt but that it is an unofficial part of it now. Crossing over from the realm of pop culture and into our language is a phenomenal achievement for a television show.
Richard Dean Anderson really is MacGyver. OK, maybe he’s not quite so handy with a paperclip and matchbook, but his own acting ability and charm make MacGyver more enjoyable than the formula that has become so renowned. They share the love of hockey. Anderson was slated to be a hockey star before injuring both legs. Both men hail from the wilds of Minnesota. The two also share an environmental crusade. These traits also coincidentally apply to Jack O’Neil.
Posted in: Disc Reviews by Gino Sassani on November 12th, 2018
"We are the protectors of the innocent. We are The Charmed Ones."
It's no coincidence that both the original shows of Charmed and MacGyver are starting to be released on the Blu-ray format. Both shows have been rebooted for television, and that means they're counting on fans of the original to become the foundation for a new base of fans. The best way to do that is to remind you why it is that you loved the shows in the first place. The best way to remind you is to dangle a little bait. That bait is the release of both shows on Blu-ray starting with their first seasons. Will it last? I don't know. It will depend on a combination of sales of the releases and how long the new shows manage to stick around themselves. Neither of these reboots are setting the ratings on fire, but there appear to be enough viewers to keep them on the air for second seasons. Sure, it's a bit of a marketing stunt, but that doesn't make it a bad deal at all. Fans of the original Charmed have been asking me about Blu-ray releases for years. So it's a win-win here.
Posted in: Disc Reviews by Gino Sassani on November 11th, 2018
Bigger is not always better, and more is not always better. If the holiday season release of Dr. Seuss's The Grinch is a testament to anything, it is that those two ideas are absolutely true. The Grinch has everything that the 1966 How The Grinch Stole Christmas could never hoped to have had. The film delivers on some of the best computer-generated animation that Hollywood studio money can buy. It had a $75 million budget. It will get a wide release with millions of more dollars put into a global marketing campaign. And it will make a ton of money. After all, the Grinch is the modern age Scrooge from Dickens' classic story. These are the kind of stories that are timeless and popular. Still, the one thing this film doesn't have over the 1966 television short is that it's heart is two sizes too small.
We all know the story. The Grinch (Cumberbatch) lives high atop Mount Crumpet. He's a rather grouchy old soul, and he lives in isolation from the Whos, who live, appropriately enough, down in Whoville. He lives alone with his dog Max, who is the model of man's... Grinch's best friend. He manages to tolerate the bright and happy Whos from a distance except when Christmas rolls around every year. It is then that the singing and celebration get entirely out of control. So imagine his surprise when he discovers that the mayor has issued a decree to make Christmas three times bigger. For the Grinch, that can only mean three times louder. So he devises a plan to steal Christmas from the happy citizens and assure himself a nice and peaceful December 25th.
Posted in: Disc Reviews by Gino Sassani on November 8th, 2018
"If anyone wants to clap, now is the time to do it."
If he were alive today, A.A. Milne would likely find a reason to smile these days. Perhaps he is. Winnie the Pooh has made quite a bit of a comeback in recent years. Last year we saw the impact the creation had on his son, the real Christopher Robin, in the sentimental Goodbye, Christopher Robin. This year Disney continues its recent trend of bringing many of its classical animated features back for live-action remakes using the wonderful world of computer-generated f/x and motion capture performances. The recent Jungle Book release was a wonder to behold and one of the best films of that year. This year it's the world of Winnie the Pooh, and to help celebrate the 50th anniversary of Winnie the Pooh and the Blustery Day, Disney releases Christopher Robin, and you're not going to want to miss it. All of your favorite characters from both the classic books and the Disney cartoons are back, and it couldn't have been a moment too soon.
Posted in: The Reel World by Gino Sassani on November 1st, 2018
"Is this the real life or is this just fantasy?"
I think even Queen's biggest fans might have trouble distinguishing between the two in the Freddie Mercury/Queen biopic Bohemian Rhapsody. And that's absolutely okay. If you look at the film's trailers, the movie looks less like a bio-film and more like a celebration, and that's exactly the kind of experience you're going to have from beginning to end. I'm sure that a lot of film and Queen fans shared more than a little skepticism over the project. I know that I certainly did. But all of that magically disappeared when the first trailer hit the internet and we all watched in amazement as actor Rami Malek appears to be channeling the manic spirit of Queen front man Freddie Mercury down to the smallest of detail. Suddenly I believed that everything was going to be okay. But just as our hopes and expectations were about to hit the ceiling, the film started gathering controversy after controversy like a snowball rolling down a steep hill in the winter. Everyone already had an opinion before the film was even finished. For months the web has been filled with issue after issue, and it all seemed to threaten the buzz we all got from the trailers. We're going to talk about those issues, to be sure. If you let any of that filtercrap keep you from checking out Bohemian Rhapsody, you're going to be missing the next best thing to actually seeing Freddie and the boys live in concert. Since that's not going to happen, this is where you want to be.
Posted in: No Huddle Reviews by Gino Sassani on October 31st, 2018
"It's alive!"
After nearly 90 years the Universal Horror cycle stands as one of the most enduring collection of horror movies today. Their influence on modern horror is unmistakable. There have been literally thousands of incarnations of Dracula, The Wolf Man and Frankenstein's Monster, but the first image that comes to your mind will always be the nightmare creations of those Universal films. Studio head Carl Laemmle, Jr. was trying to break away from his father's control and create a studio culture of his own. The results would start in 1931 when an unknown Hungarian actor named Bela Lugosi jumped from the stage to the screen in Dracula directed by Tod Browning. Laemmle's niece, Carla Laemmle, is the girl in the coach headed for Borgo Pass as the film opens to the musical strains from Swan Lake. She is reading a travel brochure about vampires and thus speaks the very first lines ever spoken in a horror film in the era of sound. Lugosi was mesmerizing, and the film was a hit. There was a depression on, but that didn't stop crowds from lining up around theater blocks to be hypnotized by Lugosi's Dracula.
Posted in: Disc Reviews by Gino Sassani on October 31st, 2018
The Matrix (1999) was a landmark film in the Sci-Fi genre. While its box office intake was dwarfed by Episode 1, it was The Matrix that had people talking. Andy and Larry Wachowski’s story of a post-apocalyptic world where humans serve as biological generators of energy for the machines that rule the planet challenged people’s perceptions of what reality was. Computer hacker extraordinaire Neo (Reeves) has this gut feeling that life isn’t all that it seems to be. Turns out he’s right in a big way. A group of revolutionaries led by the thought-to-be-mythical Morpheus (Fishburne) open his eyes to the Matrix.
The Matrix, it turns out, is nothing more than an elaborate computer-generated reality intended to mollify humanity who are in reality nothing more than sheep, or in this case a renewable energy source, to feed the machines that have inherited the Earth. Morpheus believes Neo is “The One”, a prophesized savior who can bend the Matrix to his own will, who will eventually lead humanity out of slavery. What follows is enough eye candy to give an army of Swiss chocolate factory workers diabetes.
