Posted in: The Reel World by Gino Sassani on July 28th, 2018
"Your mission should you decide to accept it. Isn't that the thing?"
And that has been the thing. Since 1966 Mission Impossible has plotted out nine seasons of television and six movies, thrusting Tom Cruise into an action hero icon. Cruise and company have taken their time with these films. It's been over 20 years, and we're only on the sixth entry. For the first five films, each of the Missions have been directed by a different director, from John Woo, who directed the second and worst of the films, through J.J. Abrams, who turned the ship around with the third, which was also his first feature film, to Christopher McQuarrie, who becomes the first director to repeat in the series of films. In fact, McQuarrie has become quite the Tom Cruise collaborator these days, also directing his Jack Reacher film and writing his version of The Mummy. Mission Impossible: Rogue Nation and now Fallout offer a nice apology for the train wreck ... or was that a plane wreck ... that was The Mummy. The fact remains that this is the one rare franchise that appears to be getting better with each outing.
Posted in: The Reel World by Gino Sassani on July 27th, 2018
As the summer winds down from the season's requisite anchor film blockbusters, there will be increasing room for a few independent films that will make their way from the festival circuit to fill the newly vacated screens at your local multiplex. For some it will be to attain eligibility for the year-end award season. For others it will be a short window to turn a profit from what was conceived more as a work of art. For others it's a chance to become a sleeper hit. And for others yet, it's an opportunity to deliver a social message on the larger soapbox of the big screens. Blindspotting appears to be on the cusp of all of these things. But perhaps it comes a little early for any awards consideration and at a time where it is still competing with the mega-films of the summer. There's no doubt that the film attempts to hit us with a message, but it falls just short of that accomplishment. Blindspotting works best as a character study, and it's in that mode that the film almost approaches compelling.
As the film begins we meet Collin, played by Daveed Digs. He's been in prison for severely beating a man at a club, and now he's just days away from probation. His probation will last a year, where he'll stay at a halfway house, work a job, and attempt to follow some simple rules that he doesn't quite make. We jump forward, and he's on his last three days of probation. But his biggest problem getting through them will be his relationship with long-time friend Miles, played by Rafael Casal. Miles hasn't had the sobering experience of prison and is still too wild to keep Collin out of trouble. But Collin is torn between his loyalty to his close friend and wanting to turn his own life around. It doesn't help that in the short time he was in prison his neighborhood has begun to fall to gentrification, and he's starting to feel alienated from his own life. Of course, he spends too much time with Miles. They work as partners for a moving company and spend most of their off hours together. Collin is starting to realize the harm the relationship is doing, but he might not be able to pull himself away before it ruins his second chance.
Posted in: Disc Reviews by Gino Sassani on July 27th, 2018
"Wildlife and its habitat cannot speak, so we must, and we will" - Teddy Roosevelt.
Actually they do speak for themselves, and Shout Factory's UHD/4K release of National Parks Adventure gives that wildlife plenty of grand opportunities to speak to us through the grandeur of the American National Park system. Last year Shout Factory showed us what the UHD/4K format could really deliver by releasing a series of IMAX films in the new format. It was a bold move that has really paid off. IMAX cameras utilize 65 and 70mm film, which offers source material that is actually much higher resolution than 4K. Unlike many recent digitally shot films which tend to be done in the neighborhood of 2K, these films have a film element as high as 8K. There's been a gap in the Shout Factory IMAX releases, but I'm happy to report that they're back with two new films.
Posted in: The Reel World by Gino Sassani on July 14th, 2018
Dwayne Johnson appears to be a pretty busy guy. In addition to the HBO series Ballers about to enter its fourth season, Johnson puts out a couple or more films a year. We're not talking about small independent films, but rather huge high-budget and big f/x films. Next year will see Jungle Cruise and Jumanji 2, following with San Andreas 2, Suicide Squad 2, Black Adam and a remake of Big Trouble In Little China, all arriving in the next couple of years. This year saw Rampage, which comes to home video next week. It's a busy life for Dwayne Johnson, who appears to have dropped "The Rock" from his name. I sure hope it didn't hit anyone on the head. Now he's starring in Skyscraper, which shamelessly combines elements of Die Hard and The Towering Inferno. In Skyscraper, Johnson shows us that he's intent on hanging around for a while... this time from 220 stories high.
This time around Johnson plays Will Sawyer, who used to be a SWAT team member until his last mission turned on a bad call and left him badly burned and with a missing leg. 10 years later he's recovered from the burns and is married with two kids to the nurse who took care of him back when he was injured, played by Neve Campbell. He runs his own security company and is about to get the biggest break of his second life. Another injured member of his old team, Ben (Schreiber) works for a wealthy Hong Kong building designer and gets Will the coveted job of certifying the building’s security and safety protocols for the insurance underwriters. He's just about to finish the job when he discovers there might be some grudges from his bad call, and there are absolutely some grudges against billionaire builder Zhaoa Long Ji (Han), and some nasty players have used him to disable the fire supressant system and set fire to the 96th floor. It's not just his honor at stake now. He's been framed as the culprit, and his family is still in the building.
Posted in: Disc Reviews by Gino Sassani on July 12th, 2018
You might call me jaded, but I am pretty disappointed by the state of horror movies. It's not just the last few years. The truth is I haven't seen 10 really good horror movies in over a decade. Now that I've had a chance to see A Quiet Place, that number isn't going up. A Quiet Place is not a really good horror movie. It ends up making a lot of the same mistakes that filmmakers think define a horror film in the modern age. It relies too heavily on jump scares and characters who do some of the most idiotic things, thus placing them in a somewhat self-created dangerous situation. But I will make the argument that A Quiet Place is still a pretty good horror film because of a rather clever and unique concept and a filming process that allows us care for these characters more than the usual horror film red-shirt fodder that too often leaves me rooting for the monster in a Darwin-like weed-out-the-gene-pool kind of way.
The film takes place in a near-future that newspapers place at about 2020. It's now day 86. We are now in the familiar post-apocalyptic world of deserted streets and a family of characters scrounging through the derelict buildings for scraps on which to survive. The difference here is that this family, a husband and wife with three young kids, are going out of their way to remain as completely silent as possible. They communicate strictly through sign language and walk on bare feet to avoid the sounds of footsteps. Each move is carefully calculated to avoid even the careless sound of placing a pill container on a counter. Silence is golden, and before the title card is revealed, we discover the reason for all of this care. The Earth has been invaded by creatures that are blind but with heightened hearing ability. They hunt strictly by sound and move at lightning speed toward any sound and attack with razor-like appendages. These attacks are over in a second, and the viewer is left with graphic evidence that in this future world, silence isn't golden; it's survival.
Posted in: Disc Reviews by Gino Sassani on July 8th, 2018
"You can tell a lot about a person's character by how they treat people they don't have to treat well."
It had been a decade since Brian De Palma’s Mission: Impossible hit theatres to box office success, established a new blockbuster franchise, and added ‘action hero’ to Tom Cruise’s resume, and six years since John Woo’s highly stylized follow-up raised the franchise to new box office heights. In 2006 the long-awaited third installment arrived amidst controversy about Tom Cruise’s crazy off-screen antics. It was feared that the happenings of Cruise’s personal life would somehow bring down this movie; the previous two films did set the bar pretty high. Mission: Impossible 3's U.S. box office take did appear to suffer from the public backlash to its headliner’s wacky rants and questionable actions. J. J. Abrams’ top-notch action flick likely deserved better. But the third film could have put a halt to any future missions by posting the worst box office of the franchise to date. The $134 million box office was down considerably from the expected $200 million that was reached by all of the other films. As it was there would be another nearly six-year gap before the next outing.
Posted in: Disc Reviews by Gino Sassani on July 5th, 2018
"This is not Mission: Difficult, Mr. Hunt. It's Mission: Impossible. Difficult should be a walk in the park for you."
After four years and nearly $200 million at the box office, it was only a matter of time before Paramount and Tom Cruise would partner again for a new Mission Impossible film. This time the move would be completely toward the action and stunts and farther away from the television series. The hiring of John Woo to direct the second film put quite a punctuation mark on that move. This time there would be no mistake. Mission: Impossible 2 would be a no-holds-barred action adventure across the globe, and with Tom Cruise once again doing the majority of these hair-raising stunts himself, much to the concern of the new director and crew. The stakes had to be higher, and Woo was the perfect choice for that kind of film.
Posted in: Disc Reviews by Gino Sassani on July 3rd, 2018
"Well, you think about it, Ethan, it was inevitable. No more cold war. No more secrets you keep from yourself. Answer to no one but yourself. Then, you wake up one morning and find out the President is running the country without your permission. The son of a bitch, how dare he. Then you realize, it's over. You are an obsolete piece of hardware, not worth upgrading, you got a lousy marriage, and 62 grand a year."
The more things change, the more they tend to remain the same. In 1996 Paramount was nearing the end of a run of feature films that started with a 1960's Desilu Studios television series called Star Trek. That same year the studio was beginning a run of feature films based on a 1960's Desilu Studios television series that at one time shared an actor with Star Trek, Leonard Nimoy. That series was Mission Impossible. The show starred Peter Graves as the leader of a cold war covert government group called the IMF or Impossible Mission Force. Each week he would select from a group of series regulars after getting his mission, should he decide to accept it, from a tape recorder that always self-destructed in five seconds. The tape's dissolving vapor would lead to the fuse being lit that started the opening credits and an iconic theme written by Lalo Schifin. It ran for seven seasons between 1966 and 1973. The series returned for a short while as another television series in the 1980's before it vanished into post cold war oblivion, until Paramount and Tom Cruise decided to join forces and create a new film franchise that has lasted over 20 years and is about to launch its 6th big-budget film.
Posted in: Disc Reviews by Gino Sassani on June 27th, 2018
Remember when Steven Soderbergh told us he was retiring from filmmaking? Since that time he has been behind two of Hollywood's most unique films in a long time. Lucky Logan was a refreshing kind of heist film that made it more of a comedy with wonderful character studies. Now comes Unsane, which employs a completely unique form of filmmaking itself. The entire film was shot basically on an iPhone. That's not entirely true, because he did use various lens configurations that aren't exactly standard on the typical cell phone. Still, he used the phone as the actual digital recording device. What makes this more unique is that he did this to produce a near-normal film and not the expected "found footage" kind of project that one would expect from a movie made on a cell phone. All of this made me extremely skeptical going in, and I'll admit to avoiding the film a bit. When it arrived on UHD in 4K/HDR, I was even less interested in seeing the results. I don't mind admitting here that I was rather surprised at the film I ended up seeing.
The plot of the film is actually quite compelling. Claire Foy does a tremendous job of playing Sawyer Valentini. Sawyer has just started a new job in a new town, and she's impressing her boss and coworkers. But when a date goes badly, we discover that Sawyer is a badly damaged woman who is here because she's running from a stalker. She's suffering a kind of PSTD that isn't always evident on the surface. She does the right thing. She goes to a facility to talk to a therapist about her issues. The next thing she knows she's given papers to sign, which she does without actually reading them. There's definitely a lesson to be learned here, and Sawyer learns it the hard way. She's discovered that she's voluntarily committed herself for a week at the facility. But before you can say One Flew Over The Cuckoo's Nest, things get intense and much worse for Sawyer. It appears she might be the victim of an insurance scam that could keep her here until her insurance coverage literally runs out. She's also confronted by the man who has been stalking her, who could now be working on the hospital staff.
Posted in: Disc Reviews by Gino Sassani on June 26th, 2018
"Who is Jack Reacher? Born Jack, not John. No middle name. He's a ghost. Served in the military police. A brilliant investigator, troublemaker, too. And two years ago he disappears. You don't find this guy unless he wants to be found."
We've found him. The character of Jack Reacher comes from a series of thriller novels written by Lee Child. From the very start you know that this is going to be a different kind of Jack Reacher than fans have come to know and love from the books. He’s described as being 6' 5’’ and about 250 pounds. Tom Cruise doesn't really fit any of those description elements. He does, however, fit two very important descriptive elements when it comes to Hollywood. He's still a big name and a pretty reliable box office draw. He also put up some of his own cash to produce the movie. Now that's how you get cast for a part very physically different from yourself.
