Posted in: Disc Reviews by J C on October 10th, 2013
During his mid-20th century prime, Danny Kaye was one of the greatest entertainers in the world. He was a terrific actor, singer, comedian and dancer. Not bad for a guy who couldn’t read a note of music and never took a single dance class. On the Riviera is not Kaye’s best (nor his best-known) movie; that title belongs to White Christmas, The Secret Life of Walter Mitty or Hans Christian Andersen. However, this soufflé-light musical comedy — now making its Blu-ray debut courtesy of Fox — is a nice showcase for Kaye’s considerable talents.
Kaye stars as Jack Martin, a small-time nightclub performer on the French Riviera. The actor also stars as Henri Duran, a celebrated playboy pilot who just completed a record-setting trip around the globe. Jack notices the uncanny resemblance he bears to Henri and begins impersonating him during his nightclub routine. (The result is a showstopper, and the movie’s best musical number: “Rhythm of a New Romance.”) When Henri is forced to be in two places at once to preserve an important financial deal, Jack is hired to impersonate the famous French pilot during a pivotal dinner party. Can Jack maintain the ruse alongside Henri’s cynical wife Lili (Gene Tierney) while keeping his own girlfriend Colette (Corinne Calvet) happy?
Posted in: Disc Reviews by Gino Sassani on October 9th, 2013
"Hi, I'm Chucky. You wanna play?"
When an unexpected package arrives at the home of Nica (Dourif) and her rather crazy mother Sarah (Quesnelle), they have no idea what it is or who might have sent it. We already know what's in the familiar-shaped package. That's right. After nearly a decade absence, Chucky's back.
Posted in: Disc Reviews by Brent Lorentson on October 9th, 2013
For years it seems DreamWorks Animation has been living in the shadow of Pixar. Sure, DreamWorks has had their success with Shrek and Ice Age, but when you stack the films next to Pixar’s library, you see Pixar just seems to be the best at what they do. That is until The Croods came along; with the new DreamWorks release it would appear the animation studio has stepped up their game and released their best-looking 3D film to date. My expectations were not too high with this release, but I was at least reliEepd I wouldn’t be watching Ice Age Ten: The Ice is Still Melting. With a theater screening filled with what appeared to be thousands of little screaming children (remember in Gremlins when they were watching Snow White?) before the film I had been face- palming myself, feeling this had been a bad idea, but once the lights dimmed and the film began, my worries faded away. The story may be a little weak, but there is something there that hooked me and kept me engaged throughout the Croods’ journey, and it turned out to be good eye candy that the entire family can enjoy.
From the start no time is wasted as Eep (Emma Stone) narrates the dangers of living in this dangerous world. As far as Eep knows, she and her family, the Croods, are the last of their kind. Fearing the night (and everything unfamiliar or unknown) the family takes shelter in a cave until the sun reappears and everything is thought to be “safe” by Grug (Nicolas Cage), the father and leader of the group. Grug is a neurotic, overprotective parent who simply expects at any point something could happen and kill them all, so with the exception of family hunts, they never stray too far from the cave. And as a teenager, living this cramped lifestyle surrounded by her family is becoming overwhelming for Eep, and her sense of adventure (and being a rebellious teen) is just too much. Besides, living in a cave with your overbearing father, mother, brother and grandmother from sunrise to sunset is enough to make anyone want to venture anywhere despite all forms of danger.
Posted in: Disc Reviews by J C on October 7th, 2013
“This story is based on a remarkable but true incident that took place in Africa in 1913 before the Great War, when the world was very different.”
The moviemaking business was also drastically different in 1976, the year this British, pre-WWI romp was released. Today, the risk-averse film industry has made large-scale adventures like Shout at the Devil — starring big personalities trekking across even bigger locations — all but extinct. I get that greenscreens and CGI are more cost-effective. But a movie’s ability to transport its audience gets an extra jolt when we know we’re looking at the real thing.
Posted in: Disc Reviews by Gino Sassani on October 4th, 2013
There's a saying that in the land of the blind the one-eyed man is king. No one would have expected that a one-eyed man could become the king of 3D. But that's exactly what happened with House Of Wax. The film has become one of the definitive films in the 3D format. To look at it on Blu-ray now, it holds up quite nicely in a day where 3D has become almost passé. Still, it's hard to believe that Warner Brothers would choose a man with only one eye to shoot their 3D film. That man was Andre' De Toth, and he was at the forefront of 3D filmmaking. He had written a 1946 article on the potential of the format, and it's likely what got him the job. The result is a horror cinematic masterpiece.
Vincent Price plays Henry Jarrod, co-owner and the genius behind a small wax museum. His figures are so lifelike that patrons almost expect them to reach out and touch them. Unfortunately, the public mind has drifted to the macabre, and the museum is losing money. Jarrod considers the figures to be real enough that he has developed a fatherly love for them, particularly that of his Marie Antoinette. Business partner Matthew Burke (Roberts) has a different feeling for the museum pieces. They are worth more to him burned in a fire for the insurance money. Unable to convince Jarrod, he burns the museum down along with Jarrod.
Posted in: Disc Reviews by Gino Sassani on October 3rd, 2013
All good things must come to an end, and so it was at Walt Disney Studios. The Golden Age of feature film animation had started with Snow White And The Seven Dwarves in 1937. By the end of the 1970's it was all but gone. As the studio entered the 1980's the things had gone from bad to worse. Walt was gone, and so it seemed was the magic. Most of The 9 Old Men had either retired or passed away. The studio leadership was considering closing the animated studio and moving on to live-action films only. It was a dark time for the artists and creative folks at the Mouse House. A shadow had fallen. Sounds pretty much like the beginning of a Tolkien tale, doesn't it?
Enter a new regime. Michael Eisner became the new head of the company, and Jeffrey Katzenberg teamed up with Walt's brother Roy Disney to head the new studio. The first thing they did was banish the animation studios from the Disney lot and set them up in warehouse-like trailers in the middle of industry nowhere. It looked like the axe had finally fallen. But the exile turned out to be the best thing that ever happened to this new generation of Disney talent. Under the new leadership the creative forces banded together and began to do something they hadn't in a long time. They began to dream once again.
Posted in: Disc Reviews by Gino Sassani on October 2nd, 2013
We all remember Ed O'Neill as Al Bundy from Married With Children. It's an iconic role that he'll never be able to shake no matter what he does for the rest of his life. After that series ended its 11-year run, he even attempted to get out of comedy and take more dramatic roles. I'm sure there was a deliberate intent to try to distance himself from Al. It's not that he likely didn't love playing the role. He just wanted to avoid getting forever typecast in the mold. Those efforts weren't all that successful. But now he's back where he belongs again in a pretty solid sit-com. He's not playing Al Bundy any more, although you won't have to look very hard to find some of Bundy in Jay from Modern Family.
I have become somewhat frustrated over the television comedy genre for a lot of years. It seems that they all take the same path no matter what the show's actual concept might be. It's usually the same jokes, just in a different environment. I don't have children, but I expect that it must be near impossible to sit down and watch a comedy with your family any more. If I were a stranger visiting this planet for the first time, I would quickly come to the conclusion that sex is about the only thing that's funny here. Thank God that once in a while something fresh comes along and swims against the current tide of innuendo and toilet humor. Modern Family is the kind of show you can enjoy with the entire family. And guess what? It's pretty darn funny on top of it all.
Posted in: Disc Reviews by Gino Sassani on October 1st, 2013
"I met him fifteen years ago; I was told there was nothing left; no reason, no conscience, no understanding; and even the most rudimentary sense of life or death, of good or evil, right or wrong. I met this six-year-old child, with this blank, pale, emotionless face, and the blackest eyes... the devil's eyes. I spent eight years trying to reach him, and then another seven trying to keep him locked up because I realized that what was living behind that boy's eyes was purely and simply... evil."
In 1968 Marvin Gaye / Tammi Terrell hit the American pop charts with the song Ain't Nothing Like The Real Thing. They didn't know it at the time, of course, but they were talking about John Carpenter's original 1978 Halloween. The sad fact is that this original classic sometimes gets lost, or worse, considered along with the various sequels and remakes. It's a crime, to be sure. The first film is nothing like anything that followed and should be considered more as a standalone film than it is now. That was always Carpenter's intention, and that's how I'd like you to consider the 35th Anniversary Blu-ray of Halloween.
Posted in: Disc Reviews by Gino Sassani on October 1st, 2013
"Toilet time is the last bastion of American freedom."
In this case it's toilet humor. I often have trouble believing that South Park has been around for as long as it has. It’s not just the passing of 16 years, but the sheer brilliance in the face of an increasingly politically correct society. It’s like watching old episodes of All In The Family. Who believes that Archie Bunker would have any chance of survival in the 21st century? It’s no wonder that Norman Lear has become involved in the series. It’s the last remaining vestige of a once great freedom to be ridiculous and offend. Eric Cartman’s a lot worse than Archie ever was. We always knew that, in his heart, Archie had a soul. Cartman’s a psychopath without a conscience, and in a civilized society we would be terrified of the existence of such a demon spawn…except he’s just so dang funny. Trey Parker and Matt Stone have been walking a tightrope for over 16 years now, and it just doesn’t get old. One of the reasons the show doesn’t grow stale is their ability to make such a quick turnaround on current events. Because the show takes literally days to write and produce, they are quite often always the first to address an issue. They had an election-night episode on literally the next day in last season. That means the ideas stay as fresh as the headlines.
Posted in: Disc Reviews by Gino Sassani on September 26th, 2013
"My name is Oliver Queen. For five years I was stranded on an island with only one goal: survive. Now, I will fulfill my father's dying wish to use the list of names he left me and bring down those who are poisoning my city. To do this I must become someone else. I must become something else."
That someone...that something else is the DC Comics character Green Arrow. Not to be confused by the same-colored Hornet or Lantern.
