Posted in: Disc Reviews by J C on October 23rd, 2013
Hollywood (rightfully) gets a lot of flack these days for being creatively bankrupt. But you can’t throw a rock down Broadway without hitting the marquee for a musical that’s based on an existing film. It’s not exactly a new phenomenon — and it doesn’t always work — but some of the most successful and beloved musicals feature stories you already know and fell in love with on the big screen. The trend seems to have really picked up at the turn of the century, and it doesn’t appear to be slowing down anytime soon. So adapting a massive hit like Shrek for the stage must’ve been a no-brainer.
Then again, Shrek wasn’t your typical cartoon musical. The most notable "musical number" involved Smashmouth’s cover of “I’m a Believer” — remember when “Smashmouth” was a thing? — and the film, based on William Steig’s book, actually took some not-so-thinly-veiled shots at the Disney machine. Although I’ve enjoyed the various Shrek films on their superficially lighthearted terms, I’ve always had an irrational grudge against the first one after it beat out the infinitely-superior-in-every-way Monsters Inc. for the Best Animated Feature Oscar more than a decade ago. However, I’m a semiprofessional, so I put aside my bias when I sat down to review Shrek: The Musical, now out on Blu-ray.
Posted in: Disc Reviews by Brent Lorentson on October 23rd, 2013
In the wake of Captain Phillips being released in theaters, another tale of a ship being held hostage by Somali pirates is released on Blu-Ray and DVD. This true story comes out of Denmark and has made a successful run through the festival circuit, but how does it fare up against the mighty Tom Hanks and his tense, nail-biting thriller? Well, to be fair, though the two films deal with the same subject matter, the execution is vastly different, but A Hijacking manages to deliver an equally stunning film filled with great performances and filmed in such a way we feel as though we are one of the hostages on the ship, or in the negotiation room where numbers are crunched to ensure survival of the crew but also preserve the company’s bottom line.
On board cargo ship,The Rozen, the ship and its crew is getting ready to head into Mumbai where the ship’s cook Mikkel (Pilou Asbaek) is excited about returning home to his wife and daughter. Unfortunately those plans are indefinitely delayed once the ship is taken over by a group of pirates. In Denmark, the CEO of the shipping company, Peter (Soren Malling) is notified about the ship’s capture, and the motions quickly roll into place to return the ship and the crew safely.
Posted in: Disc Reviews by Brent Lorentson on October 22nd, 2013
James Wan is simply a director who continues to impress me. Ever since Saw was released, I’ve been a fan of his visual style that he brings to every film. Let’s face it, Saw is pretty much the biggest horror franchise of the past decade, and it all started with a simple little indie film that took place mostly inside a dirty bathroom. When Death Sentence came out, I was floored by how well he managed to construct a Death Wish film for a new generation. The parking garage scene was just freaking awesome. Then along came Insidious, which was another massive smash for Wan. Sure, the movie had its creepy moments, but for me the final act just fell apart. Now Wan is set to release The Conjuring upon the masses; is it another smash hit like Saw and Insidious, or will this be destined to fall flat as Dead Silence did?
The Conjuring is based on a true story about famed paranormal investigators Ed and Lorraine Warren who are staples of the paranormal investigation history and made famous for their “findings” with the Amityville investigation in Long Island. With ghost-hunting shows saturating the cable channels, it was inevitable that we would finally get a tale about the investigators who somewhat started it all. But this isn’t so much just about the Warrens, but instead about the most terrifying case of their lives.
Posted in: Disc Reviews by Gino Sassani on October 18th, 2013
"46,000 people died here. Do you think it's haunted?"
It would have been so much better for me if I had seen the first season of American Horror Story. Of course, it isn't necessary. This has to be one of the most clever television ideas I've encountered. You don't have to have seen the first season because, while the actors are pretty much the same, they play completely different parts in a completely different story in the second season. This kind of television takes you back to the early days of sketch television and reparatory theater. The difference is that this stuff has an edge. It has an edge so sharp that you're very liable to hurt yourself if you're not very careful.
Posted in: Disc Reviews by Jeremy Butler on October 17th, 2013
My knowledge of Heavy Metal and Heavy Metal bands can be counted on one hand with a couple fingers to spare. So as you can probably imagine, when this discs found its way to me, my enthusiasm or my confidence in it was not high. So when I say that Black Label Society: Unblackened was not what I expected, it is not an indictment; quite the opposite, in fact. The concert started right as I hit play, I expected to see the band come out, pick up their instruments, and possibly do a little introduction (that came towards the end of the concert) but that was not the case. As soon the banner drops, the group launched into the first song of their set, Losing Your Mind; no muss, no fuss. The song had a catchy and enticing chorus, but other than that, it did not resonate with me, possibly due to the fact that I had trouble understanding what vocalist Zakk Wylde was saying. I don’t attribute this inability to him but rather my ears adjusting to this new experience.
Needless to say, I did not take an immediate liking to the group and their brand of music, but by the third song of the set, Sold My Soul, I had been brought into the fold. There was palpable passion behind the vocals of that song, making it one of the most relatable songs of the set in my opinion. From then on, I was a member of the crowd; if I knew the words I would have been singing along.
Posted in: Disc Reviews by Gino Sassani on October 16th, 2013
"We always thought that alien life would come from the stars, but it came from deep beneath the Pacific."
The only thing we seem to love more than giant monster movies are movies about giant dudes going a few rounds with said giant monsters. It was huge television fare in the 1960's and 1970's. We had Ultraman, Space Giants, and Johnny Socko. All of them were Japanese imports that gave us daily or weekly monsters doing the old "Tokyo Stomp", and just when things appeared at their darkest, the giant hero would arrive and give us a show more akin to the weekend wrestling shows than anything else. We'd get choke-holds and body slams that would make the rubber suits jiggle as they fell. It was all in good fun and appears to have pretty much disappeared from the television and film landscape. That is, until Guillermo del Toro brings us one of the summer's eagerly awaited tentpole films: Pacific Rim.
Posted in: Disc Reviews by Gino Sassani on October 16th, 2013
Direct-to-video sequels of successful animated films are tricky at best. The video release is usually a sign that either the studio is trying to cash in quickly on the franchise or they are just not confident enough in the sequel to put it up on the big screen, usually with good reason. Smaller budgets mean less impressive animation and a lack of A-list voice actors. Every studio has been guilty of one or the other and more often both. But what's the story when the original film made a disappointing $25 million at the domestic box office? That usually signifies that a sequel of any kind is not likely in high demand. Such is the quandary of Alpha & Omega 2: A Howl-iday Adventure.
The original film wasn't near as bad as the box office figures would have you believe. It was pretty much an average computer-animated feature film. It had a very solid voice cast that included such talent as Justin Long, Danny Glover, Dennis Hopper and Christina Ricci. It just didn't have a lot of punch to it, and it fizzled. I'm not sure how anyone thought that this one would have any more heart or punch after you take away the great talent and substitute relatively unknown names. That doesn't mean untalented, by any means. They do pretty much what's expected of them here. I just wish I could say it was entertaining.
Posted in: Disc Reviews by J C on October 15th, 2013
Embrace of the Vampire is a remake of the 1995 erotic bloodsucker thriller of the same name. The original’s only greatest claim to fame is that it starred Who’s the Boss? cutie Alyssa Milano in her first, ahem, “grown up” role. In other words, the bar wasn’t exactly sky high for the remake. (This is not Gus Van Sant doing a shot-for-shot remake of Psycho.) The well-made newer film certainly “embraces” the erotic thriller DNA of the original. Unfortunately, it doesn’t seem overly concerned with the "vampire."
Charlotte Hawthorn (Sharon Hinnendael) is a shy college student who arrives at a co-ed campus after previously attending an all-girls Catholic school. We are quickly introduced to her friendly roommate Nicole (Tiio Horn) and Eliza (C.C. Sheffield), Charlotte’s snarky rival on the fencing team. We also learn Charlotte suffers from violent, vivid dreams — involving sex and buckets of blood — that lead to her waking up in unexpected places.
Posted in: Disc Reviews by J C on October 12th, 2013
“When people are desperate, they’ll do horrible things to survive.”
Sci-fi and horror have been exploring the dark side of human nature for as long as those genres have been around. Throw a group of people together in a high-stress situation — whether they’re running from The Walking Dead or hiding from whatever is in The Mist — and the base instinct to survive will eventually lead them to commit unspeakable atrocities. The Colony starts off as the sort of movie that explores the monstrous things people do to each other…and then the actual monsters show up.
Posted in: Disc Reviews by Gino Sassani on October 11th, 2013
What a great time it was to be a teen in the late 1970’s. No, I’m not referring to disco music. It was a great time to go to the movies. It was the culmination of the perfect date, and Hollywood was riding the beginning of a trend that remains alive and healthy today. I’m talking, of course, about the slasher film. You could argue that Hitchcock started the ball rolling in 1961 with Psycho, but it would be decades before that film would find its true audience and plethora of imitators. Although The Texas Chainsaw Massacre and Halloween came before Friday The 13th, can it be argued that any horror film franchise is as widely known? The truth is that even the man behind the film, Sean Cunningham, never really knew what it was that he had. It was never his intent to follow the film with a barrage of sequels. He also scoffed at the idea that Jason could become the centerpiece for future films. By now Jason has become such an iconic character that there is an entire generation out there that doesn’t know that Jason wasn’t the culprit in the first film. Jason’s stature has reached the heights of the classic monsters of the Universal days. While some of us hesitate to put his name and hockey mask up there with the likes of Frankenstein, The Wolf Man, Dracula, and The Mummy, the recognition and sheer dollars generated make it difficult not to. By the beginning of the 1980’s names like Jason, Freddy, and Michael Myers would be scaring audiences around the world, rendering the classics somewhat silly in the eyes of a more visceral generation of teens.
Here we are almost 25 years removed from that first Friday The 13th film and the franchise has racked up nine sequels, one remake, a television series and a team-up film with Freddy Krueger...oh my. Of course, not all Friday The 13th projects are created equal, and the debate rages on as to what constitutes official canon for the franchise. Certainly, the television series can be discounted, because it had really nothing to do with the films at all. The title was merely used to cash in on the fans. Still, it managed to last three years and has developed a somewhat cult following of its own. But whatever you consider part of the "true" franchise, it's all found in one place.
