Posted in: Disc Reviews by Archive Authors on February 1st, 2017
Forbes magazine called Jack Reacher and author Lee Childs the strongest brand in publishing as much for his over $100,000,000 in sales and billion-dollar imprint as for the strong loyalty of fans and favorable ratings of the readers. The 21st Jack Reacher novel, Night School, is coming out in a couple of weeks (which I’m sure Simon & Shuster would thank me for mentioning, but they don’t need my help), and Reacher fans will be buying in droves. The second Reacher movie will be out on November 21. One of the first things I want to address is that Lee Childs had been actively involved in the picking of Tom Cruise to be Jack Reacher. It was a controversial decision, but Childs rightly said there are no big movie stars who could accurately portray the physical characteristics of Reacher. I personally am 6 ft. 4in tall and 250 pounds, so I could be a close proximity except for the fact that I am not a movie star nor could I disable eight opponents simultaneously. The closest movie star I could name who approximates Reacher’s physical dimensions is Vince Vaughn, and I doubt anyone would say he is as big a movie star as Tom Cruise (box-office-wise, that is). Five Mission Impossible movies alone demonstrate that Cruise’s box office is as strong as ever based on their increasing popularity.
By next week, there will be 21 books to read, which contain a lot of developing characterization. The essential information about Jack Reacher is that he retired as a major at 36 and now roams the country with no luggage. It has been said the books can be read out of sequence.
Posted in: Disc Reviews by Gino Sassani on December 21st, 2016
Clint Eastwood is 86 years old. He is also one of the best film directors working today. His latest film shows no signs of a man winding down his life, let alone his career. I obviously hinted that most other actors (or directors) his age have long ago died or checked into a nursing home. Eastwood looks lean and mean and still directs that way. Eastwood is interesting, as well, because he tends to pick projects that are outside the Hollywood studio corporate thinking. In other words, Eastwood is his own man and does pretty much anything he wants. His films as an actor and director have courted controversy way back to the days of Dirty Harry and A Fistful of Dollars. His films as a director and his personal political views are always full of contradictions that suggest a vibrant, searching mind. Sully is Eastwood’s latest film, starring Tom Hanks, and it is deceptively complex as well. On one level, Sully is a textbook depiction of a famous true life event.
On January 15, 2009, Captain Chesley “Sully” Sullenberger (Tom Hanks) piloted a US Airbus A320 from LaGuardia airport. Three minutes into the flight, both engines are unprecedentedly hit by a flock of Canada geese (which is the subject of a pretty good joke later in the film) and create 208 seconds of hell for Sullenberger and the other 154 human beings on the US Airways flight. The film starts with a bang, with Sullenberger struggling to control the plane under the worst possible circumstances. This is part of the nightmares that hound the rigorously professional pilot. The fact is that the world is full of people who do difficult and dangerous jobs, and piloting a giant passenger airliner is certainly one of them. But the film also pays tribute to hundreds of other first responders who have to rush to life-and-death emergencies every day.
Posted in: Disc Reviews by Brent Lorentson on December 15th, 2016
In the days leading up to the release of Suicide Squad, over the internet there has been one of the most vicious attacks on a film before its release that I can remember. Sure, we had all the negative talk about Ghostbusters, but that was before anyone had ever seen the film, and as screenings came along, opinions seemed to sway. Now I was lucky enough to attend a screening Monday for Suicide Squad, and there were up to 150 people turned away at the door because the auditorium was filled to capacity. I mean, the buzz for this was high, and we DC fans were giddy, because this film was our hope that WB would be turning things around. I mention all this because now this has managed to become one of the worst-reviewed films of the year, and I’m just sitting here like WTF happened, did they see some other cut of the film? I’ve held off on writing this, because I’ve struggled with the direction I wished to take to write it. There’s the comic fan in me that has so much to say, then there is the more critical side, and usually I fall somewhere in between. Then I decided the hell with it, I’m just going to come at this full-film-geek. My reasoning: it seems 90% of critics out there have forgotten how to have fun at the movies, and it’s a shame, because I know at some point all of them were film lovers, but at some point they decided to turn their noses up at the trashy and the cool popcorn flicks. So strap yourself in, and let me give you the real rundown on the film.
After the events of Man of Steel and Dawn of Justice, a government official, Amanda Waller (Viola Davis) has a plan to get a team of the world’s most dangerous villains to fight the battles the government may find too dangerous to openly confront. Among these villains are “meta-humans” who have special gifts that can be used as weapons against the “Supermans” of the world. It’s a dangerous prospect, but as she is pitching this idea, you can’t help but agree with where she is coming from. This leads us to our roll call to our soon-to-be anti-heroes.
Posted in: Disc Reviews by Jeremy Butler on December 8th, 2016
It was rumored from the very beginning that George Miller was considering a black & white format for the film. There are box office risks associated with such a brave choice. We're hearing some of the same thoughts coming out of the Logan shoot. The nice thing about the sophistication of home video today is that there is now an outlet for those kinds of artistic choices, and this is a pretty solid example of it. It's hoped more of these kinds of alternate ideas can make it to home video giving filmmakers the chance to unleash things that might just be too risky at the box office. You still get the original film as part of of this combo so you're not giving anything up.
It is one of the most anticipated movies of the summer and another subject in the category of “can Tom Hardy do no wrong?” Mad Max: Fury Road is the reimagining of the iconic film that helped launch Mel Gibson’s career decades earlier. This is not new territory in Hollywood by any stretch of the imagination; remakes have happened so often in recent years that they have practically become their own genre. However, I would like to point out something that will hopefully set this film apart in the eyes of the audience: how often do you see a remake that is overseen by the creator of the original film that you know and love?
Posted in: Disc Reviews by Jeremy Butler on December 1st, 2016
"In penance for their uprising each district shall offer up a male and female between the ages of 12 and 18 at a public reaping. These tributes shall be delivered to the custody of the Capitol and then transferred to a public arena where they will fight to the death, until a lone victor remains. Henceforth and forevermore this pageant shall be known as the Hunger Games."
Now that all four films are out on UHD Blu-ray in glorious 4K, we have the opportunity to view them all again from the very beginning. It's easier to catch the subtle nuances that were planted in the earlier films that would pay off over the four-film run. It took us four years to do that originally. Now you can do it in a day. Jeremy Butler takes us on the final part of that journey with The Hunger Games: The Mockingjay Part 2 (2015).
Posted in: Disc Reviews by Gino Sassani on December 1st, 2016
"In penance for their uprising each district shall offer up a male and female between the ages of 12 and 18 at a public reaping. These tributes shall be delivered to the custody of the Capitol and then transferred to a public arena where they will fight to the death, until a lone victor remains. Henceforth and forevermore this pageant shall be known as The Hunger Games."
Now that all four films are out on UHD Blu-ray in glorious 4K, we have the opportunity to view them all again from the very beginning. It's easier to catch the subtle nuances that were planted in the earlier films that would pay off over the four-film run. It took us four years to do that originally. Now you can do it in a day. Gino Sassani takes us on the next part of that journey with The Hunger Games The Mockingjay Part 1 (2014).
Posted in: Disc Reviews by J C on November 30th, 2016
"In penance for their uprising each district shall offer up a male and female between the ages of 12 and 18 at a public reaping. These tributes shall be delivered to the custody of the Capitol and then transferred to a public arena where they will fight to the death, until a lone victor remains. Henceforth and forevermore this pageant shall be known as The Hunger Games."
Now that all four films are out on UHD Blu-ray in glorious 4K, we have the opportunity to view them all again from the very beginning. It's easier to catch the subtle nuances that were planted in the earlier films that would pay off over the four-film run. It took us four years to do that originally. Now you can do it in a day. John Ceballos takes us on the next part of that journey with The Hunger Games: Catching Fire (2013).
Posted in: Disc Reviews by J C on November 29th, 2016
"In penance for their uprising each district shall offer up a male and female between the ages of 12 and 18 at a public reaping. These tributes shall be delivered to the custody of the Capitol and then transferred to a public arena where they will fight to the death, until a lone victor remains. Henceforth and forevermore this pageant shall be known as The Hunger Games."
Now that all four films are out on UHD Blu-ray in glorious 4K, we have the opportunity to view them all again from the very beginning. It's easier to catch the subtle nuances that were planted in the earlier films that would pay off over the four-film run. It took us four years to do that originally. Now you can do it in a day. John Ceballos takes us on the first part of that journey with The Hunger Games (2012).
Posted in: Disc Reviews by Gino Sassani on November 29th, 2016
1n 1972 Charles Bronson played The Mechanic, Arthur Bishop. He was a hitman with a high level of skill. When he tries to pass on that skill, he's betrayed, and he has to get himself a heaping helping of revenge. In 2011 Bronson did indeed pass the character to Jason Statham when the film was remade. Unfortunately, Bronson had passed in 2003 and couldn't actually pass the torch on the screen. Statham turned the character into more of an action anti-hero, and the film really didn't perform at the box office. It never made back its budget in the domestic market and barely made money when the worldwide take was finally counted. It certainly didn't appear as if the world was clamoring for a sequel. Instead of going for a direct-to-video release, the film tanked at the American box office but was saved by a reasonable take worldwide. Not enough, I suspect, to see the character return, at least not to the box office. The Mechanic: Resurrection couldn't raise the franchise from box office death, but it might just be a solid direct-to-video franchise if the star and filmmakers have the desire to keep playing in this particular sandbox.
Arthur Bishop (Statham) is a professional killer who is believed dead himself. He's no longer in the assassin business. He's been keeping a low profile until he's approached by a woman who represents a Mr. Crain (Hazeldine). Crane wants Bishop to kill three targets that are almost impossible to get to. If he doesn't do the job, Crain will reveal to the world that Bishop is still alive. Of course, Bishop refuses, but it sends him on the run hoping to find Crain before Crain can find him. That's when he meets Gina (Alba) who is also being blackmailed by Crain and has been placed in Bishop's path as a damsel in distress to force him to do the jobs. When that doesn't work, Gina is kidnapped, and now Bishop sets out to do the jobs while trying to rescue Gina.
Posted in: Disc Reviews by Gino Sassani on November 24th, 2016
"Stop me if you've heard this one before."
The first thing you need to know about The Secret Lives Of Pets is that it's not terribly original. Fans of the Pixar Toy Story Franchise will find pretty much every element of this script has been lifted from one of the three Toy Story films. Of course, if you're going to lift an idea, you might as well steal from the best. Of course, there are always formulaic ideas in films, particularly animated films geared mostly toward children. And while I really did enjoy almost everything about this film, I just can't escape the fact that I've seen it all before. Sometimes that feeling got a little uncomfortably obvious. And by sometimes, I mean the entire length of the movie. Look beyond the plagiarism, and you will find the film a delightful collection of characters and circumstances that just so happened to have been ripped off from Toy Story.
