Dolby Digital 5.1 (English)

A man dies during what appears to be a botched robbery, and his heart winds up in the needful chest of Josh Lucas, single father to a young daughter with a rare bone disorder. This is obviously a man with more than his share of troubles, but things appear to be turning around. He has a new heart, and his daughter's beautiful doctor (Lena Headey) really likes him. But then, when he crosses the path of a certain paramedic, his heart begins to beat furiously, deafening him. Before long, Lucas realizes that his donor was murdered, and the vengeful heart is leading him to the killers.

Produced by the Scott brothers, Ridley and Tony, this is, as one would expect, a handsome-looking piece, but has none of the editing frenzy that characterizes Tony's work, and for that matter is more of a moody tone poem than is typical of the work of either brother. So director Micheal Cuesta is forging his own identity here, and is aided by genuinely moving performances, especially from Lucas, an actor who seems to be able to move effortlessly between hero and villain roles. Also on hand is Brian Cox, as the detective who realizes what is going on, and for reasons of his own encourages the heart's vendetta. He's always fun to watch, though his hard-boiled character here isn't much of a stretch.

In the previous film, the Rapture (from the Bible) has occurred and two FBI agents were investigating. By the end, each was left in less than desirable situations and we start off with both of them getting into further trouble as the world has become a dystopia run by some sort of “Global Alliance.” One is busted from jail and finds a group of Christians in hiding, and the other is blackmailed into seeking out that same group and revealing their camping location to Alliance bad-guys.

“William Banks has saved 257 people from addiction to drugs, sex, and gambling. He’s not a cop. He’s not a superhero. He’s just a man with a calling. This is his story.”

What he is, is Benjamin Bratt, returning from the thespian dead as William Banks, better known to the show’s fans as The Cleaner. Bratt hasn’t been seen much since he left the gig at Law & Order. I almost didn’t recognize him here. But he’s returned in style. The Cleaner has all the characteristics of a police procedural series with a lot more excitement. His methods are often harsh. He’s your worst nightmare of an intervention. When Banks is called in, you haven’t hit rock bottom. Rock bottom has just hit you. The character is a recovering addict himself and does this as a way of making amends. Of course he doesn’t work alone. He’s assembled a kind of Impossible Mission Force-style team that helps with each case. Together they form a private company that a family member can call when they tire of a friend or family member’s addiction. The series was based on the real life story of Warren Boyd, who also acts as one of the show’s producers.

One of the most basic pleasures in my soul is received from a great stand-up comedian. I grew up with the likes of Richard Pryor, George Carlin and Robin Williams. As a result, I listen to many stand-up specialists whenever I can, some are funny, some are not so funny and some I don't know if I'm listening to comedy or amateur hour at 1 in the morning. Today's special is David Cross, experienced to the stand-up scene in a brand new special. Let's see how it goes.

A little bit of history on David Cross, he's 46 and even though you might struggle to remember what he has been in, most likely you have seen his face before. He's been in the Ben Stiller Show, Arrested Development, and Mr. Show. More recently, he has been a part of the Alvin and the Chipmunk movies and even did voices for a few video games. In his personal life, he's a proclaimed atheist and is dating Amber Tamblyn who is well smoking hot and about twenty years younger.

In this line of work, you have a tendency to see a lot of copycat television shows. These shows emulate a popular type or specific series and are usually content with mediocre ratings. However, out of the fire of the various copycat shows, we sometimes get a diamond in the rough. This is a diamond that people will shrug off and proclaim as anything but worthwhile television viewing. But once they actually sit down and watch a few episodes, they’ll be hooked for good.

When we left season one of Flashpoint, the Strategic Response Unit wasn’t one hundred percent. Jules (played by Amy Jo Johnson) had been shot and her secret boyfriend, Sam Braddock (played by David Paetkau) realizes that Jules might break up with him. The reason for this is that she thinks the relationship is putting a strain on the team which she has put first.

"Evil Is Among Us."

You've got to love a horror film directed and written by a guy named Kevorkian. Johnny Kevorkian is a young director still finding his chops with only a handful of credits to his name thus far. The young talent does have vision, and doesn't go for the obvious. While the film does tend to be a bit heavy on the British sensibilities, you can expect such a thing from an independent low-budget horror film from England. The Disappeared is absolutely derivative of at least 20 films I've seen recently and appears to be substantially influenced by the Asian ghost invasion. Still, there is a style here that might not be terribly original, but it is pretty dang effective, at least on this movie.

"Pray for dawn."

Mark Young is a bit of a one-man band in the short list of films that he's done in his decade-long career. Southern Gothic is no exception. Mark Young is credited as: producer, director, writer, editor, chief cook and bottle-washer on the film. I have to say that I'm more often scared when I see that sort of thing than anything that ends up coming at me from the screen. Too many cooks may, indeed, spoil the broth, but only one cook tends to mean someone's going to end up eatin' out tonight. This was the first of these multi-tasking films I've seen from Young, and I have to say none of it was as bad as all that. I even caught myself enjoying the movie after a short while. The trick here is not to look at Southern Gothic so much as a horror film. It's pretty evident that Young absolutely did not. This is camp. It's the kind of dish you might expect served by Bruce Campbell and Sam Raimi. That's how you'll need to approach the movie. If you're looking for something a little more serious or straight-out horror, move along, because there's nothing to see here. If you're a fan of camp horror, you just might be able to scrape a little entertainment out of this one.

"In the West there lives an animal that runs wild and free. Its strength and courage symbolize our pioneering spirit. That magnificent animal is the wild mustang."

In 1943 a very young Roddy McDowall played a young boy in the perennial classic My Friend Flicka. The film was about a rebellious boy who is given a colt to teach him responsibility. He eventually bonds with the horse and learns the necessary lessons. The film was followed by a 1956 television series that followed the adventures of Gus and Flicka and lasted but one year. In 2006, the story was revived in a remake filmed under the same name but shortened to Flicka before it was released. While the character’s last name was retained, the film went the route of a young girl instead of a boy. It was probably a natural choice. My wife stands as a perfect example of how much every little girl appears to like horses. When I was that age I was more interested in the tough-as-nails cowboys who rode them. The film didn't manage to excite a very large audience and pulled in the small sum of $21 million. You might have expected the story to end there. It hasn't. 20th Century Fox has brought back the friendly spirited mustang in a direct to video release, Flicka 2.

Many of you probably read my review for Iron Man 1994 Animated Adventures on DVD earlier this week. In that review, I told a story of two very different seasons of Iron Man. Well, Iron Man Armored Adventures is even more different because it deals with Tony Stark as a teenager. There is no telling whether this teenage Tony will be like a younger version of the suave and sophisticated playboy or play out like a mechanized version of Peter Parker from the most recent Spectacular Spider-Man show.

Tony Stark isn’t a typical teenage boy. He spends his days coming up with cutting edge technology that is going to help and change the world. His best friend, Rhodey goes to the local school and helps Tony as needed. Howard Stark is Tony’s father and is the head of Stark Industries. However, there are others within Stark Industries that wish to use the inventions for war rather than peace.

"Step 1: Reconnaissance. First you need to identify your target."

If you are a regular reader here, you likely know that I have a fondness for Andy Griffith. I recently watched and reviewed in these pages one of his earlier comedy films, and rather enjoyed the old simple rural comedy. That's what makes this one so painful to write about. I think that Andy Griffith missed the boat when he was targeting the audience for his latest comedy, the sexually charged Play The Game. I'm going to just admit up front that this movie made me feel very uncomfortable. I think that many of Griffith’s fans might have the same problem. There are just some actors, particularly ones in their 80's, that I don't want to hear talking about their sexual function, let alone watch having sex. Andy Griffith would be at the top of that list, and I suspect I'm not alone there. But, that's exactly what you're getting into if you decide to pop this one into your DVD player. This will not be like anything else you've ever seen this particular actor do before, and hopefully I never will again. This is strictly for the adults. I'd say the over 95 crowd.