Dolby Digital 5.1 (Spanish)

In my comic travels, I usually do not read the really popular heroes. Sure I have read Spider-Man, SuperMan or Batman but if you had to ask me my favorites, it would not be among these three. My favorites include the likes of Daredevil, Robin (any of them pretty much) along with Conan and others. It just so happens that this three pack before me today includes another couple of favorites of mine. The Incredible Hulk and Dr. Strange. That and it also includes yet another origin story on Iron Man. Let us see how it looks.

(*Note: some of this material is re-used from not only my Planet Hulk on Blu-Ray review but also the Avengers 3-pack I reviewed earlier this week. These are the same discs previously provided by Lionsgate just in an amazing value 3-disc package. Yes, Planet Hulk did lose its digital copy, you will live*)

The fourth Mission: Impossible entry exchanges digits for a subtitle, and brings in Brad Bird to direct his first live-action feature. So the man whose The Incredibles made fun of the sort of thing that is the bread-and-butter of the M:I franchise is brought in to revitalize said franchise. Result? Job done.

Gotcha. You thought I was going to say, “Mission accomplished,” didn’t you?

War Horse began life as a novel by Michael Morpurgo and went on to become a relatively successful Broadway play. I haven't read the book, and it's hard for me to imagine the material on the stage. But in the hands of Steven Spielberg there is little left to the imagination. This is definitely one of his most inspired films and contains some of the more beautiful and compelling images. That's saying a lot when you think about the many iconic images Spielberg has brought us from ET to the dinosaurs in Jurassic Park and the great white shark in Jaws. Yes, the images rank right up there. Unfortunately, the film itself doesn't come close.

The story begins with the birth of Joey, a thoroughbred horse. But this is not really the beginning of the story, is it? Joey is sent to auction where drunkard farmer Ted Narracott (Mullan) falls in love with the impractical animal. Helped by the taunts of his landlord Lyons (Thewlis) he bids too much for the animal and wins him. The problem is that he needed a working horse to plow his fields, and Joey isn't going to make wife Rose (Watson) very happy at all. But his son Albert (Irvine) instantly sees what his father saw and falls in love with Joey. He promises to train him. If he can't the family will lose their farm. But even this isn't really where the story begins.

Much like a relief pitcher, sometimes a substitute has to fill in for a movie review. The person is usually a specialist, one who can write up a review in a snap, the blink of the eye. Well, sometimes the relief pitcher runs into a tough power hitter or a wiry runner. I find myself in a similar situation with the dreaded foreign film. It sounds clichéd and uncultured perhaps, but I did not even want to read today! Okay, anyway on to the show of Sidewalls.

The sun rises upon Buenos Aires. We get some depressing narration about the city and how overpopulation has basically made the city a shell of the splendor it once held. The narrator compares this to the humans within the city and how their lives have no direction, the same as an ill-built skyscraper. This narration concludes with a discussion of how letters and numbers in apartments represent class status.

"It's going to be like old times..."

Well... not exactly. The Lion King began with The Circle Of Life and a newborn prince to the royalty of Pride Rock. That prince was Simba, and we all know by now how that ended up. The circle of life continues in The Lion King 2: Simba's Pride. Of course, it's not really the second Lion King film since the first sequel was cleverly called The Lion King 1 1/2 and pretty much covered the events of the first film from a different perspective. Now we get down to the real ongoing events, and once again a child to the Pride Rock royal couple is being presented to the kingdom. This time it's a princess, and her name is Kiara, voiced by Neve Campbell.

"We're going way back to before the beginning..."

In 1994 Disney's second golden age climaxed with, perhaps, their greatest animated film of all time. The Lion King broke every animation record, and those records still stand today. The film appealed to old and young alike and told a compelling story that included some rather memorable songs from Tim Rice and Elton John. It was never a question of if there would be a sequel, but merely a question of when and in what form that follow-up would take. There was simply too much money at stake for there to be any other outcome.

In the 1930’s, the orphaned Hugo Cabret (Asa Butterfield) lives in the access tunnels of the Gare Montparnasse in Paris, winding the clocks, making sure that no one knows his guardian uncle has long-since gone AWOL, and filching bits and pieces of mechanisms that will allow him, he hopes, to repair the automaton he keeps in his living quarters. This is his last connection to his deceased father, and his dream is that the repaired machine will grant him a message from the beyond.

But there are obstacles to his quest. Foremost is the tyrannical station inspector (Sacha Baron Cohen), who likes nothing better than rounding up street urchins and packing them off to the orphanage. Hugo also runs afoul of the bitter, disappointed old man (Ben Kingsley) whose toy store has been the source of much of his material. This encounter proves fateful for them both. The old man is none other than Georges Méliès, whose films are the ground zero of all fantasy in cinema, but who has since been forgotten by the industry he helped create. Hugo and Méliès’ granddaughter Isabelle (Chloe Moretz) become allies, determined to give Méliès back the sense of joy and wonder he once gave to so many.

Sometimes you just know. As a movie reviewer, I always strive for an open mind. I work for the idea that even if the cover screams snorefest or if the movie has a star I can absolutely not stand, perhaps just perhaps there is a nugget of cinema goodness underneath. Then I received Tooth Fairy 2 on Blu-Ray. After I screamed at the heaven’s above and drank myself into a deep coma, I decided that an open mind was a terrible thing to waste.

We open up to the Boardwalk Bowl and apparently they run a weekly contest where some lucky guy or gal could bowl for the chance to win a new Camaro. Here at a bowling alley, I was expecting a Ford F150, but I digress. Larry Guthrie (played by Larry the Cable Guy) ogles the car but his girlfriend Brooke (played by Erin Beute) reminds him of her niece’s birthday party. BTW, for those scoring at home, Larry has played Larry quite a few times in his acting life.

A tragic accident after an uncannily choreographed dance party in the country leaves a carload of teens dead, and their hometown vows to ban all public displays of dancing and loud music. Big City hunk Ren MacCormack arrives in town to challenge this outlawing of music and dance by...mostly dancing to music.

This is a modern update of the 1984 hit film of the same name that starred Kevin Bacon in the role of Ren. Young actor Kenny Wormald steps into these dancing shoes and does a decent job being a youth who charms us through his rebellion. His look is much more James Dean-ish than Bacon's version, but still an acceptable doppelganger of the original Ren.

One of the more popular characters from the Shrek franchise steps into the starring spotlight here, in an adventure whose locale is rather different from the familiar swamp-forest-castle fairy-tale settings of the parent films. Seeking to steel magic beans from the husband-and-wife thugs Jack and Jill, Puss (Antonio Banderas) and rival Kitty Softpaws (Salma Hayek) become caught up in a wild scheme masterminded by the duplicitous Humpty Dumpty (Zach Galifianakis).

The plot is really more of a premise, serving as the means to set up a grab bag of set pieces (an extended flashback showing Puss and Humpty’s past, and how the latter betrayed the former; the spectacular sprouting of the beanstalk; the dance-off between Puss and Kitty and the Glitter Box). There is a lot going on here, and the jokes come a fast clip. Younger viewers will likely get the most out of this, but there are plenty of bones thrown to the adults in the crowd, including such touches as the in-joke casting of Banderas and Hayek bringing in a whiff of Desperado to the antics. The animation is stunning, and while I can’t speak to the 3D theatrical incarnation of the film, it looks simply stunning in 2D.