Posted in: Disc Reviews by Brent Lorentson on June 7th, 2018
“I have a feeling we’re not in Kansas anymore.”
The infamous line from the classic The Wizard of Oz is what kicks off this film, and this is simply as close as it gets to ever achieving the greatness of the original film. Over the years we have had several remakes and sequels to the story we love that takes us on a journey through the magical world of Oz, so when a steam-punk version of the material came along, it was something I got a little excited for. Unfortunately the version of the film we get this time around seems to be full of fun ideas but nothing that actually delivers to the screen.
Posted in: Disc Reviews by Michael Durr on June 7th, 2018
Up until roughly 3 to 4 weeks ago, I had only heard of RWBY. I watched a lot of Red vs Blue, even owned their ten year blu-ray box set and their season 11-13 steelbook. I was fully aware that RWBY was a product of Rooster Teeth, I just had largely ignored it because what 42 year old guy watches an anime show with four teenage girls as the leads? Then the head honcho of this site told me we had this blu-ray set available for review. I thought about it a couple of minutes, and went for it. Then in the next 2-3 weeks leading up to the review, I proceeded to binge watch the entire run of RWBY from Amazon Prime, VUDU (Free Movies on Us) and even YouTube, the primary vehicle to watch the show on. In a word, I was hooked.
Posted in: Disc Reviews by Gino Sassani on June 6th, 2018
"Look at 'em. Every day people are buying more and more of them Amazon and Google thingies while we just sit here and lose our jobs. It ain't right. Automated personal assistants and self-driving trucks. Whatever happened to people jobs?"
Not sure machines will ever take over writing good television. With the release of season 21, the one-year experiment South Park had with the year-long story arc has come to an end. I think it's more than fair to say that the vehicle just doesn't work on a show that has always flipped off the idea of continuity.
Posted in: Disc Reviews by J C on June 6th, 2018
“We can’t take any credit for our talents. It’s how we use them that counts.”
Much has been made about the fact that Ava DuVernay’s A Wrinkle in Time is the most expensive movie ever directed by a woman of color, carrying a reported $103-million price tag. The good news is the filmmaker has absolutely infused her own personality and perspective into this live-action Disney spectacle (no small feat, by the way). The bad news is that DuVernay has taken those considerable resources and made a wildly uneven movie that, at various points, somehow manages to look both way more expensive and way cheaper than its budget would suggest.
Posted in: Disc Reviews by J C on June 6th, 2018
“The nail that sticks out gets hammered down.”
Freak Show centers on a flamboyant, fish-out-of-water teen who doesn’t fit in among his fellow high schoolers. The movie — a promising directorial debut from Trudie Styler, aka the wife of legendary musician Sting — works best when it finally lands on the notion that practically every teenager feels like a “freak” at one point or another. It’s a good, worthwhile message; the problem is other aspects of this film are about as subtle as Billy’s wardrobe and makeup choices.
Posted in: Disc Reviews by Gino Sassani on June 3rd, 2018
"All this has happened before and will all happen again. But this time it happened in London. It happened on a quiet street in Bloomsbury. That corner house is the house of the Darling family, and Peter Pan chose this particular house because these were people who believed in him..."
In 1953, with a little help from some Walt Disney magic, generations of children, and adults, of course, would learn to believe in the boy who never grew up. Peter Pan began in the imagination of writer J. M. Barrie.
Posted in: Disc Reviews by Michael Durr on June 2nd, 2018
Much to the dismay of probably most of my family and friends, I like to watch lots of weird films. Films directed by David Lynch, Planet of the Apes movies, and Johnny Mnemonic (I freaking love that movie) among many others I have watched over and over again. This is even more true with animation as I love to find clever styles that goes beyond convention and still produce a wonderful and thrilling story. So today, I review Satellite Girl and Milk Cow, a Korean animation film that is sure to test the boundaries of my fondness for weirdness. Is it too much for this critic or is it right in my sweet spot? Let's find out.
Posted in: Disc Reviews by Michael Durr on June 2nd, 2018
Much to the dismay of probably most of my family and friends, I like to watch lots of weird films. Films directed by David Lynch, Planet of the Apes movies, and Johnny Mnemonic (I freaking love that movie) among many others I have watched over and over again. This is even more true with animation as I love to find clever styles that goes beyond convention and still produce a wonderful and thrilling story. So today, I review Satellite Girl and Milk Cow, a Korean animation film that is sure to test the boundaries of my fondness for weirdness. Is it too much for this critic or is it right in my sweet spot? Let's find out.
Posted in: Disc Reviews by Gino Sassani on May 30th, 2018
“Welcome to Jurassic Park.”
With those words begin an adventure that started with the legacy of Willis O’Brien’s The Lost World. You see, dinosaur films are nothing new; they have held our childlike fascination since the industry was born. Jurassic Park was, however, something very new when it thundered into our cineplexes and forever into our imaginations 20 years ago. The marriage of brand new CGI technology with Stan Winston’s superbly detailed animatronics models transports you back 65 million years in time.
Posted in: Disc Reviews by Brent Lorentson on May 29th, 2018
The film is based on a series of books that I had never read, and from what I understand the film takes many liberties with the storyline and characters. As his sophomore effort behind the camera, there were high expectations for what Garland would do, and the result I believe is one of the most divisive films I’ve seen in a while. This is the kind of film that gets me excited for the future of cinema, not just because I loved the film, but I love the conversation it can provoke with other filmgoers.
