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“Every time a black woman gets mad, she's a stereotype.”

Taraji P. Henson has been a very good and versatile actress for a long time, but she didn’t become a star until she started getting very angry on screen. Her breakout role came in 2015 courtesy of Fox’s Empire, in which Henson’s Cookie Lyon has been known to get into some scraps. So it made sense for Henson to bring her talent for tantrums to the big screen with the help of a filmmaker who once directed a movie called Diary of a Mad Black Woman. Writer/director/producer Tyler Perry seems to be going for “trashy fun”…unfortunately, he only gets halfway there.

"Well, you think about it, Ethan, it was inevitable. No more cold war. No more secrets you keep from yourself. Answer to no one but yourself. Then, you wake up one morning and find out the President is running the country without your permission. The son of a bitch, how dare he. Then you realize, it's over. You are an obsolete piece of hardware, not worth upgrading, you got a lousy marriage, and 62 grand a year."

The more things change, the more they tend to remain the same. In 1996 Paramount was nearing the end of a run of feature films that started with a 1960's Desilu Studios television series called Star Trek. That same year the studio was beginning a run of feature films based on a 1960's Desilu Studios television series that at one time shared an actor with Star Trek, Leonard Nimoy.

Sometimes a movie comes along that has everything going for it: a great cast, a great cinematographer, and a decent plot, but when you watch it, you just scratch your head wondering why it ended up so bad.  That in a nutshell is Terminal.  It stars Margot Robbie, Simon Pegg, and Mike Myers, and for each of them I believe this is a film they quickly want to move past. The tagline for the film is Revenge Never Looked So Good, which is a big part of the problem with the film. I absolutely love the look of the film. It’s beautiful and to a point creates its own style I’d call neon-noir, but unfortunately no matter how good something may look, it doesn’t always mean it will be good.

“Please don't do the whole absent-minded professor thing.”

Even though he’s not anywhere close to the biggest name in Hollywood, Guy Pearce is low-key my favorite actor. The Aussie is probably best known for his starring role in Christopher Nolan’s Memento, the memory loss masterpiece in which Pearce played a man who tattooed helpful(?) clues and reminders all over his body. So when I realized he’d be playing another forgetful lead character in Spinning Man, I was hopeful. But despite some solid performances and interesting philosophical ideas, the film is too downbeat and dull to be an effective thriller.

When we first meet the Pierce family it is at the Freeland jail, where Jefferson Pierce (Cress Williams) is there to bail out his oldest daughter, Anissa (Nafessa Williams).  The show doesn’t waste time in tackling social issues as we see them have an encounter with the Freeland police force as they are pulled over for a traffic stop.  The reason for the stop turns out to be they are looking for a suspect who just robbed a liquor store, and because Jefferson is black, he of course is a potential suspect.  Having this scene early on, not just in the season but in the pilot episode, is a bold and important move by the writers.  This shows us that despite being a superhero show, Black Lightning is going to show us a superhero tale unlike anything we’ve seen before on the CW.

“Run, Forrest, run!”

Forrest Gump is one of the most beloved films to be released in the past 25 years. The movie received critical love (to the tune of 6 Oscars, including the Academy Award for Best Picture) and commercial love (this was the highest-grossing film of 1994) upon its release. For better and worse, Gump can be seen as a reflection of its good-natured, dim-witted hero: it's a classic example of heart triumphing over head. Time — and, specifically, the internet — hasn't been nearly as kind to Gump as it has to several other films released the same year, but the movie endures thanks to some unforgettable sights, sounds, and a miraculous lead performance.

Remember when Steven Soderbergh told us he was retiring from filmmaking? Since that time he has been behind two of Hollywood's most unique films in a long time. Lucky Logan was a refreshing kind of heist film that made it more of a comedy with wonderful character studies. Now comes Unsane, which employs a completely unique form of filmmaking itself. The entire film was shot basically on an iPhone. That's not entirely true, because he did use various lens configurations that aren't exactly standard on the typical cell phone. Still, he used the phone as the actual digital recording device.

"Who is Jack Reacher? Born Jack, not John. No middle name. He's a ghost. Served in the military police. A brilliant investigator, troublemaker, too. And two years ago he disappears. You don't find this guy unless he wants to be found." 

We've found him. The character of Jack Reacher comes from a series of thriller novels written by Lee Child. From the very start you know that this is going to be a different kind of Jack Reacher than fans have come to know and love from the books.

“If you believe in a goal or dream before it happens, is that real?”

There aren’t a lot of inspirational tales out there for young women who aspire to be athletes. At least not that I have seen. That is why I am sure that Alex and Me is bound to make an impact. This is tale for every girl who aspires for greatness. As a father to an amazing little girl, this really hit home for me. Unfortunately, not so much with my daughter, who is a bit too young to grasp the importance of the message this film is conveying, but I fully intend to keep this movie on hand for when she is old enough to understand.

Cinematically speaking, the name Eli Roth has been synonymous with murder and mayhem. The director is best known for his work in the horror genre, bursting on the scene with 2002’s Cabin Fever and upping the ante with Hostel and Hostel: Part II a few years later. So it was a bit surprising to hear he’d be taking on a remake of Death Wish — the iconic 1974 Charles Bronson revenge flick — until I started thinking about the bloody possibilities. If the Hostel films gained notoriety as prime examples of “torture porn,” then it seems like Roth has graduated to “revenge porn” with this slick and (intentionally) silly re-imagining.