Disc Type

This was a peculiar one, I tell you; if I had to compare it to other films, I would put it in league with Napoleon Dynamite or The Good Girl, in regard to the way the story was told. Neither films are ones that I hold in high esteem; however, despite the dreary way that the story dragged on, I still found myself mildly interested in the story progression. Towards the middle, that is, the beginning was a bit of a snore. The majority of the film plays out within a convenience store during the graveyard shift. The main character, Tania, is the only one usually on shift, and we get to see just how boring her shifts can be.

I feel obligated to say that I somewhat saw the ending for this one coming. Maybe not all the details, but there were some clear signs from the beginning that pointed me in the direction of how the film was going to conclude. However, as I’ve been told some many times in my not-so- long life, it is not about where you end up but how you get there. In the case of this film, the journey is quite the experience. The film opens with a bit of a flash-forward which comes off a bit disorienting at first, because we don’t really know the context for the type of incident which has occurred. Slowly I was able to sort of put the pieces together.

"It's a comedy...hopefully."

It's been six years since Hugh Grant teamed up with director Marc Lawrence. It's their fourth collaboration. It doesn't appear that Lawrence is willing to direct a film that doesn't feature Hugh Grant, because he hasn't. Let's just say the fourth time wasn't the charm. In fact, it wasn't even all that charming. And the problem is that Grant and Lawrence have attempted to build careers out of making Grant charming. By now they're just trying too hard, and the result is a poor showing that was in desperate need of a Rewrite.

They started as a local band in Philadelphia. By 1972 they had released their first album on the national stage called Whole Oates. The duo has been together for over 40 years and have remained playing through most of that time. Even with stops for solo projects, Daryl Hall and John Oates have remained a team throughout those years. It's rather rare for a rock team to remain together and friends for so long. Their endurance has paid off in so many ways, but 2014 would be a year they would see a lot of that hard work and partnership be recognized as they became the first Philly band inducted into the Rock And Roll Hall Of Fame.

For the first time in four years, I can say what I really think.”

It may have taken four years for fictional U.S. Vice President Selina Meyer to make her boldest political move yet, but Veep was finally able to achieve all-around greatness in just three. I know there are fans of HBO's caustic comedy series who would argue the show was already great, and I agree there have absolutely been many flashes of foul-mouthed brilliance throughout its run. But it wasn't until Veep had Selina Meyer try to outgrow the show's title in season 3 that the series itself ascended to another level.

Most movies are just not very good. Lots of money goes into turning out boring, repetitive garbage. You watch it and then dispose of it and make room for the next thing. There are some who do more, but the more you do, the greater the risk. Most filmmakers are not given the freedom to take really big risks, but someone who has been given the opportunity to take the big risk is Christopher Nolan. Interstellar is $165,000,000 gamble shooting for the moon.  Actually Nolan is shooting for something way past the moon. He wants to take us to another galaxy.

Grace takes a refreshing approach to unfolding the story; it gets right to the point. When Grace is introduced, she is right in the thick of things, waking up alone half-naked on a beach after a night of excess. She is shown some kindness by a stranger who wastes no time letting her know that she has been where Grace has been and offers her the opportunity to change. Now, naturally, this is too easy; any audience member would see through that. The one thing everyone knows about life is that though as human beings we have the capacity to change,

There's money flying all over Silicon Valley, but none of it ever seems to hit us.”

There's a lot to like about HBO's Silicon Valley, which debuted last year with a confident, clever freshman season that took merciless aim the tech capital of the U.S. My favorite thing about the show — besides hyper-specific jokes aimed at geeky targets like the many endings of “Mass Effect 3” — is that it portrays (and makes fun of) each aspect of the cutthroat tech industry, from the self-important, aggressively eccentric billionaires to the scrappy, proverbial guys in a garage.

There's a mile-long list of Hollywood movies that have been re-titled in foreign countries to hilarious effect. I've personally had much less experience with foreign productions being re-branded for American audiences, but Diamond Heist seems like one of the more egregious examples you're likely to find. The DVD cover has professional tough guys/straight-to-DVD MVPs Michael Madsen and Vinnie Jones brandishing weapons while accompanied by a vague explosion and the wonderfully generic tagline, “Payday is only a bullet away.” In other words, there's nothing here that suggests this Hungarian import is actually an action/comedy about male strippers.

"Antarctica, an inhospitable wasteland, but even here, on the Earth's frozen bottom, we find life. And not just any life: penguins. Joyous, frolicking, waddling, cute and cuddly life. Look at them, tumbling onto their chubby bum bums. Who could take these frisky snow-clowns... seriously?"

This one has been a long time coming. I like the Madagascar movies and have been fairly positive about them in these pages. Each time I pointed out that the highlight of these films were the antics of those military-minded penguins and their grand schemes.