Disc Type

What if monsters were not just a thing of our imagination, that all the movies we’ve seen and books we’ve read were not just creatures that entertained and horrified us, but actually existed beyond the woods and in the darkness?  That is the jumping off point for director Adam Green’s new project Digging Up the Marrow.  Only this time his film takes a very Meta approach and is done as a documentary. What instantly came to mind was Blair Witch Project in the execution of the film.  Sure, there have been many copycat films since the release, and it has spawned an entire genre of filmmaking with found footage, but how does Digging Up the Marrow measure up?  Does it hold its own in a genre that seems to be played out?

First I’d like to say if you already plan on checking out the film, do yourself a favor and just watch it. Avoid the trailers or any talkbacks; this is a film that should be experienced with as little exposure to the plot as possible.  Even with writing this review I’m trying to censor myself more than usual simply because this isn’t so much a film you watch over and over because of how great it is, it’s a film you instead go into for the experience of what the hell will happen next.  Once the twists have been revealed, though, it’s still a fun viewing experience; it’s still just not the same thing.  So here is your last chance to click away from the screen.

“Do you want to be a banker or a gangster? Why can’t I be both?” 

I really kind of dug the concept of the film, definitely. Two guys try to bring down a crooked CEO from within the company. I like that it was done as a comedy instead of a drama; that distinction allows for a more enjoyable experience as a whole. Though the idea could have worked as a drama as well, I think most people would agree that it is always better to laugh. Unfortunately, the way the film was done left some things to be desired. As a whole the movie becomes more of a cheesy experience with cliché characters, stereotypical situations, and a weak, uncharismatic cast.

"Space...The Final Frontier. These are the voyages of the Starship Enterprise. Its 5-year mission: to explore strange new worlds, to seek out new life and new civilizations, to boldly go where no man has gone before!"

I wish I could say that this new 2-DVD set of Star Trek episodes had gone where none had gone before. Instead it's merely a release of eight original series episodes on two DVDs. The only extras are a couple of very short Shatner interview clips on leadership, the captain's logs and his death scene in Generations. There's nothing new about any of this. Fortunately, the selection of episodes is a pretty solid one.

Most films start with a screenplay. Certainly the true genesis is usually an idea or concept, but the film starts to take shape around a screenplay. Never has that been more true then with 3 Holes And A Smoking Gun. In fact, you could say it has a killer script. I'm not actually talking about the one written by Scott Fivelson for the movie. And, when I say killer, I'm not being at all figurative. This is a script that people will literally kill for, hence the smoking gun in the title. That's not to say that Fivelson's work isn't pretty good here. It's quite clever, but it's not the dominating aspect of this particular movie. That comes later.

Bobby Blue Day (Wilder) is pretty much a washed-up Hollywood screenwriter who now teaches a class on film writing. It wouldn't exactly be fair to say he is a has-been, because that would imply that he had anything like a successful career at all. He's obviously more than a little bitter, and that hits home hard when one of his students hands in the best script he's ever read or heard of. It's perfect, and he conspires to get himself a piece of the action by taking advantage of inexperienced writer Jack (Khan). But Jack isn't falling for the act. He knows how good the script is, and he's been through more than a little hell to get it this far. The problem is that Bobby appears to know a big-time director who will see the script's genius and want to make the film. But is that contact worth half the money and a co-writing credit? As it turns out, it's all a negotiation, and the two engage in a rather dangerous dance for position. Along the way we discover that everything isn't always what it appears to be, and Bobby's not the only one who will do anything to get himself attached to the work.

Here it is, Brittany Murphy’s swan song performance before her untimely death.  Though I may not have been her biggest fan, I could still appreciate growing up and watching her from films like Clueless and Girl, Interrupted, but for many she will always be the girl who said “I’ll never tell” in Don’t Say A Word.  The DVD promo art on the cover is banking on those loyal fans, and it does seem like an insensitive cash grab by the studio, especially since Murphy isn’t even the star. Instead she does nothing more than fill in a co-starring role in an unfortunate, forgettable performance.  So if you were looking for something more, I want to warn you from the start this is not her movie.

The film instead is focused on Christine (Shantel VanSanten), a young woman who narrowly survives a car accident that takes the lives of both her mom and dad.  Her boyfriend, James (John Robinson) was the driver in the unfortunate accident, and together the two try to make a life together while trying to cope with the tragedy that quite literally haunts them.  Taking Christine in while she works on finishing her degree is her older brother Bill (James Patrick Stuart), a local cop, as well as his wife Susan (Brittany Murphy) who happens to be a psychologist.