Disc Type

“How many people? Husbands, wives, and children, will you kill for peace, Clark?” 

Needless to say, when Superman goes bad, it’s a bloodbath. And not just civilians, but heroes as well, as the Justice League is divided, and several are killed in what becomes a civil war between Superman and Batman. When the Joker tricks him into murdering the love of his life, Superman breaks his most solemn vow in pursuit of what he believes to be justice, and this act sends shockwaves throughout the world. Batman, Superman’s most trusted ally, finds himself in the impossible position of having to stand oppose the hero, as Superman proceeds to impose his will on mankind in order to keep them safe.

"My most vivid memories are of the days when my life changed. I remember coming to this Earth, feeling the sun on my face for the first time. Hearing the voices of my parents. My mother called me their greatest surprise. And boy, there sure were lots of them. I remember loving Smallville; the people, the community, how the small things were the big things. And I thought I'd live there forever. But my father's death set me on a different path. Eventually, I moved to Metropolis to become who I was meant to be. But my most vivid memory of all was the day I met her."

The her, of course is Lois Lane. Together they are Superman & Lois, and they've joined the ever-expanding Arrowverse for their first season now out on Blu-ray from Warner Home Entertainment.

No, this isn’t a remake of the 1994 Ice-T Surviving the Game. Unfortunately, this is yet another low-budget action film starring Bruce Willis that has this reviewer wondering if we’ll ever get a great film out of Willis ever again. For the past few years it seems Bruce Willis has given up doing A-list films and has instead gone the route of straight-to-disc releases, and the films have ranged from tolerable to garbage. This is frustrating, because I think we can all agree he’s better than this, but he seems to be fine cashing the paychecks and going onto set and looking miserable from one scene to the next. I miss seeing Bruce Willis being the average-Joe badass. The Last Boy Scout? Heck, at this point I’d rather see him in a Hudson Hawk revival, but alas, this seems to be what we’re stuck with.

"This is the way the world ends..."

The Stephen King cycle has turned hot once again. With the enormous success of the two-part It feature at the box office, Stephen King is hitting the kind of popularity he had back in the 1980's and 1990's, when it seemed anything he put his name to had to be made into a feature film or some other grand project. The trend led to mixed results. Many of the films couldn't live up to the visceral detail that has become King's trademark. To do this, his books have taken on a large page count that has been nearly impossible to fit into a 2-hour feature film window. So there were attempts to expand that reach and use his material for the mini-series format. That's the way It was handled in those days. But there are limitations in network television, particularly 30 years ago, that had no chance of capturing the imagination of a writer with such brutal imagery. The lesson has taken hold. It was released as two films. But back in the day, it appears that even seven hours couldn't quite deliver a quality version of The Stand. Even with a brilliant cast and a script written by the horror master himself, the mini-series fell short of both expectations and the test of time.

"Scared yet? You should be."

There have been a ton of changes in the Arrowverse that started in 2012 with the CW premier of Arrow. It told the story of Oliver Queen, The Green Arrow. Other shows and heroes were added along the way that included time-traveling heroes of The Legends Of Tomorrow, Supergirl, Black Lightning, Stargirl, and most recently Batwoman and Superman and Lois. But the best of these Arrowverse shows has always been and continues to be The Flash. But a lot has changed since then. The mothership, Arrow, has been gone for two years. Supergirl ended last season along with Black Lightning, and Legends Of Tomorrow appears to be fading fast in just plain silliness. Too bad DC doesn't own the rights to Howard The Duck. He'd fit right in. Of the new shows, Stargirl shows a lot of promise with a pretty solid ensemble. Batwoman, for so many reasons, is a complete mess, and Superman & Lois looks to be the most promising future of the Arrowverse.

"My name is Lt. Aldo Raine, and I'm putting together a special team, and I need me eight soldiers. Eight Jewish-American soldiers. Now, y'all might've heard rumors about the armada happening soon. Well, we'll be leaving a little earlier. We're gonna be dropped into France, dressed as civilians. And once we're in enemy territory, as a bushwhackin' guerrilla army, we're gonna be doin' one thing and one thing only ... killin' Nazis. We will be cruel to the German, and through our cruelty they will know who we are. And they will find the evidence of our cruelty in the disemboweled, dismembered, and disfigured bodies of their brothers we leave behind us. And the German won't be able to help themselves but to imagine the cruelty their brothers endured at our hands, and our boot heels, and the edge of our knives. And the Germans will be sickened by us, and the German will talk about us, and the German will fear us. And when the German closes their eyes at night and they're tortured by their subconscious for the evil they have done, it will be with thoughts of us they are tortured with. Sound good?"

All right, so I’m a bit late to the party on this one, but I wanted to toss in my two bits anyway.

Fried Barry is definitely one of those fun quirky movies that needs to be seen to be believed.  One thing I should definitely say from the start is this movie is definitely not for everyone but if you are willing to go into this with an open mind well you just might appreciate this little gem ad for those late night drinkers and tokers, this is one that is fun to put on for those late night movie nights.  If you are looking for a high brow art film you’ve come to the wrong place and despite how the covert art suggests “A Hard R version of ET” well that’s a bit of a stretch in the ET department but this is definitely a film not for the kiddies but perfect for those high school film geeks looking for an outlet from woke society.  I feel like this is the kind of movie we need as the rest of the world is so scared about offending one another Fried Barry instead asks it viewers to kick back and prepare to get uncomfortable and enjoy the ride.

"It's alive!"

After nearly 90 years the Universal horror cycle stands as one of the most enduring collection of horror movies today. Their influence on modern horror is unmistakable. There have been literally thousands of incarnations of Dracula, The Wolf Man and Frankenstein's Monster, but the first image that comes to your mind will always be the nightmare creations of those Universal films. Studio head Carl Laemmle, Jr. was trying to break away from his father's control and create a studio culture of his own. The results would start in 1931 when an unknown Hungarian actor named Bela Lugosi jumped from the stage to the screen in Dracula, directed by Tod Browning. Laemmle's niece, Carla Laemmle, is the girl in the coach headed for Borgo Pass as the film opens to the musical strains from Swan Lake. She is reading a travel brochure about vampires and thus speaks the very first lines ever spoken in a horror film in the era of sound. Lugosi was mesmerizing, and the film was a hit. There was a depression on, but that didn't stop crowds from lining up around theater blocks to be hypnotized by Lugosi's Dracula.

"He's dangerous, amoral, he pathologically flaunts authority. He's reckless to the point of suicidal. But all of this ... everything we've done. None of it would have been possible if it weren't for him." 

Him, of course is James Spader as the enigmatic Raymond "Red" Reddington. The show is NBC's breakout hit The Blacklist, created by first-time show-runner Jon Bokenkamp. Bokenkamp is truly a newcomer to the business. He has literally only a couple of very minor writing credits to his name. Perhaps that's why The Blacklist is able to contain quite a few of the cliché elements running through television today and still feel like one of the freshest shows in a long while. Or maybe it's really Spader

“They are coming to get you, Barbara.” 

Step aside, Gus Van Sant’s 1998 remake of Psycho; there’s a new most useless remake (of all time) in town. Seriously, to whoever is responsible for getting this film green-lit, I seriously hate you and all that you’ve done to George A. Romero’s classic and not to mention groundbreaking film. The fact that his name isn’t even in the credits on the Blu-ray is equally a blessing and a low blow. George A. Romero’s Night of the Living Dead is pretty well known for being the first film to depict zombies as undead, flesh-eating beings and literally kick-started its own subgenre in horror. It’s also perhaps known for one of the biggest blunders involving copyright protection, which resulted in Romero losing out on millions and the distributors pocketing most of the financial gains the film had. In 1990, Tom Savini would go on to remake the film, but this time shoot the film in color and also update it with new and improved special effects.