Posted in: Disc Reviews by J C on November 28th, 2012
"In 1920 they passed the prohibition act making the sale of alcohol illegal. Well... at least it was supposed to be."
I know what you’re thinking, and I was also incredibly disappointed to learn this film was not a biopic of Xena: Warrior Princess actress Lucy Lawless. (This hypothetical film would obviously star the ageless Kiwi, because the actress still looks incredible.) Fortunately, Lawless makes up for its startling lack of Lawless by being one of the better films I’ve seen this year.
Posted in: Disc Reviews by William O'Donnell on November 26th, 2012
Mia is a successful architect who has recently become engaged to her boyfriend Tim. While attending her father's own engagement party she starts a flirtation with her soon-to-be sister in law. From there, a full on romance blossoms that looks to tear apart all she had established with her fiancée, and the rest of her family.
This is not really a typical romance story. Rather, it is a tale of how a woman acknowledges, then painfully accepts her true feelings and desires. Mia is a lesbian who has not accepted her identity as such until Frida, the aforementioned future sister-in-law, seduces it out of her. There is a ton at stake that goes well beyond flirtation. Mia has not come out to her family, and this revelation ruins her engagement and creates a strange link between hers and Frida's family since they are on the brink of becoming related by law.
Posted in: Disc Reviews by William O'Donnell on November 17th, 2012
A wealthy mother of three has a secret revealed about her past when her well-meaning son brings a homeless man over for dinner. This production is a play that has been filmed (not adapted) with a laugh-track spliced in, making it resemble a television show. It's meant to be inspirational but it's really just a big mess.
Every single scene in this “film” is flawed. The moral questions brought up are contrived and the solutions are ridiculous. The matriarch of the family has made millions in real estate and is planning to shut down a homeless shelter by buying the property (this is actually revealed at the climax of the film but it's so incredibly predictable that I may as well put it right here at the beginning of my review). One of her children wants to stop the deal and save the shelter after befriending one of its residents. I may as well spoil this part too: the homeless man turns out to be the father of the family. That's right. The characters in this film only exist in total extremes; either incredibly rich or utterly poor. The solutions to everyone's problems is when a millionaire faces a moral dilemma and uses their wealth to fix everything...just like it is for all families right? Totally plausible and relatable right?
Posted in: Disc Reviews by William O'Donnell on November 14th, 2012
There are two films that are on the main disc; an experimental film by Nicholas Ray and a documentary by Susan Ray about the making of said film. They are perfect companions on this release and I feel one is crucial for the other, therefore I'm going to treat neither as simply a “Bonus.”
We Can't Go Home Again
Posted in: Disc Reviews by Jeremy Butler on November 12th, 2012
“Every man’s got his dark side”
This is the most fitting quote to describe the exploration of Fire with Fire. My intrigue began with the film’s title, I just love that title. Nowadays most film titles have been reduced to using the name of one of the characters or including “the” in the title; it’s refreshing to have a title that encompasses the overall plot of the film. TV director and reputable stunt coordinator David Barrett takes the director seat for his first feature film (a quick IMDB search would tell you that this step was long overdue), and given the all-star cast he managed to put together, he couldn’t have picked a better film to start with.
Posted in: Disc Reviews by J C on November 4th, 2012
“Quirky, messy women whose problems only make them endearing are not real.”
On the surface, Ruby Sparks could be mistaken for the Manic Pixie Dream Girl biopic no one asked for. In case you’re not familiar with this particular cinematic archetype, MPDG derisively describes any unabashedly artsy, quirky young female character that inevitably brightens the life of a brooding, young male protagonist. However, the quote at the start of this review only hints at the fact that this whimsical romantic comedy isn’t afraid to stare down the ugly side of relationships.
Posted in: Disc Reviews by Gino Sassani on October 30th, 2012
"Somewhere in the valley, there is a woman living in a basement. She's actually amassing followers. These people believe that she will actually lead them to salvation, or whatever. And yes, she's dangerous - but we have to see this thing through. All the way."
When The Sound Of My Voice opens you really don't know what to expect. We watch a group of people acting almost as though they have been taken hostage. They are given drab clothes to wear and ordered to clean themselves very thoroughly. They are then bound and hooded and placed into a van for transport to where? Soon we discover that these people have not been abducted at all. They have done these things willingly so that they may be brought into the presence of Maggie (Marling) who claims to be from the year 2054. Her disciples gather around her in a circle as she delivers her enigmatic teachings. Then again, perhaps they are captives after all, but not in the manner you might expect. They are obviously captivated by Maggie's personality, and we soon discover that they fear banishment from her side more than anything else. They are there for enlightenment, of sorts. The earlier routine has been put in place because Maggie is apparently allergic to our time and is dying. She must maintain a germ-free environment at all costs. She's more than a religious leader. She's a martyr who just hasn't died yet. Yet her subjects would gladly die for her.
Posted in: Disc Reviews by J C on October 23rd, 2012
The best thing about Gone in 60 Seconds is that the film knows exactly what it is. Just take a look at the breathless blurbs on the Blu-ray case for the latest release. “Over 500 crashes!” “93 cars wrecked in the 40-minute car chase!” No one involved with this movie thought they were making an intimate character piece. I mean the top-billed star is “Eleanor.” Did I mention that Eleanor is a 1973 Ford Mustang?
The plot is little more than a necessary nuisance before the movie’s show-stopping climax, but here we go anyway. Maindrian Pace (what a name!) is an insurance investigator who moonlights as the leader of a car thieving ring. Since Pace is the hero of our story, he only steals cars from people who are insured and subsequently compensated for the trouble he’s caused them.
Posted in: Disc Reviews by Gino Sassani on October 23rd, 2012
Dr. Temperance Brennan, or Bones (Deschanel) is the world's leading bone specialist. She works in Washington, D.C. for the famous Jeffersonian (I assume it's intended to be the Smithsonian). Her talents have proven themselves very helpful in solving crimes where skeletal remains are all that there is to go on from the victim. Her FBI agent/liaison is Seeley Booth (Boreanaz). Together they have an uneasy relationship that grows into a kind of friendship. The problem is that Bones doesn't have a ton of social skills. She relies on Booth to guide their social interactions. More on that later. The lab is run by Dr. Camille Saroyan (Taylor) who has become a bit of a guiding mother to the team. Dr. Hodges (Thyne) is the trace-elements expert and tries very hard to be cool and hip. He's generally the opposite of Bones. He says pretty much what comes into his head and is a bit of a science-fiction geek. Angela (Conlin) is an artist who uses her skills to reconstruct facial details from the skulls. She also works on enhancing images and restructuring evidence. She's a bit of a romantic and has probably slept with every male in the lab. But Angela and Hodges are now married with a son. Dr. Sweets (Daley) is a young FBI agent and psychologist. He profiles victims and suspects as well as serves as a counselor to the team. He's a bit over-eager at times, looking up to Booth as a mentor of sorts. The lab also has a few interns who show up from week to week, likely depending on actor availability.
The problems I have with the show deal mostly with character development. None of these characters have grown much in six years. I jumped from season 1 to season 5, and with the exception of some changes in cast, it was like I never left. The characters spend way too much time talking about their sexual prowess, with more than one character making multiple references to how exceptional they are in bed. The relationships too often take as much time as the cases themselves. This shorts the plot development and often leads the show toward the obvious. And the worst problem is the Bones character herself. She's not likeable at all. She's arrogant to a fault. She always talks about being the best and how she's the natural hero role model for others. But her scientific brain is to the point of cruelty. She has to have non-emotional explanations for everything. She insults with impunity. They also stretch the idea that this highly educated woman doesn't know any slang or figures of speech. She's always misquoting a popular saying as if she were just learning English. It's too contrived, and the writers reach pretty far for each of those "jokes". Gone now is the sexual tension between Booth and Brennan. Now they are openly together and expecting a little one.
Posted in: Disc Reviews by J C on October 21st, 2012
“Patterns are hidden in plain sight. You just have to know where to look.”
You don’t have to be into numbers to enjoy Touch, but it certainly helps. Numerology deals with the mystical or divine meaning behind certain numbers. Detractors believe that people who place too much faith in such things will foolishly find significance in just about anything. Similarly, cynical TV viewers will scoff at some of the coincidences and connections in this Fox drama. Either way, it looks like your high school math teacher was right: you WILL be using some of this stuff as an adult.