Posted in: Disc Reviews by Jonathan Foster on January 3rd, 2013
In the financial world, the term “arbitrage” refers to the possibility of risk-free profit at zero cost. This seems to be the goal for Robert Miller (Richard Gere), a hedge fund manager desperate to sell his business and retire. The reason for his desperation is that his business is completely broke due to a bad investment. This goal has completely consumed Robert, and it affects everything he does. Robert treats his employees like slaves, is nervous around his family, and regards his mistress as little more than a plaything. One night after the sale suffers yet another setback, he convinces his mistress to come with him to his country cabin. While driving her car, he falls asleep at the wheel and has an accident. Now he has something else to cover up. From then on, there’s nothing he won’t do — no lie he won’t tell, no depth he won’t sink to — in order to keep his secrets and keep his family in the dark.
Arbitrage turned out to be a lot better than I thought it would be. Gere takes what could easily be a static evil character and really fleshes it out. We may not like the things he does when his world starts falling apart, but we understand and almost — ALMOST — sympathize with him.
Posted in: Disc Reviews by Jonathan Foster on January 3rd, 2013
The Hippocratic Oath all doctors take is simple: “First, do no harm.” Dr. Martin Blake (Orlando Bloom) throws that ideal out the window when a young woman named Diane Nixon (Riley Keough) comes under his care. After getting treated like a nobody by his fellow doctors and disrespected by nurses he feels are beneath him, Diane is the first person who appreciates what Martin does and makes him feel special. As he treats her, Martin becomes obsessed with Diane, going so far as to alter her medication to keep her sick. As Martin’s obsession grows, his actions become more and more drastic.
This is supposed to be a dark thriller, and I suppose it is from a script standpoint. The Good Doctor has a decent (if slightly over-used) plot of girl-meets-stalker, with the interesting twist of the stalker being her attending physician. It could have been a good suspense movie like Kiss the Girls with the whole “I’m going to keep the girl I’m obsessed with close to me” vibe had someone given the cast some espresso to wake them up before the cameras started rolling.
Posted in: Disc Reviews by Brent Lorentson on January 2nd, 2013
It’s hard to not appreciate a film that wastes no time jumping into the action, and with a title like Kill’em All you go in expecting the action to be piled on and non-stop. I have to say I’m a little surprised this little film lived up to the title; after all most straight-to-DVD titles seem to be lackluster if not simply awful. I’m also not saying this is a film that’ll be remembered too long either, but it is a B movie that delivers on the action and has Gordon Liu doing what he does best. After watching several of Bangkok’s elite assassins go about doing their dirty work and leaving a trail of bodies in their wake it is quickly followed by their capture. At first when watching this I had thought they were being killed until we get to see them all gathered together in a massive concrete cell. None of the professional killers seem to know one another; only a handful seem to know of one another which I found strange, after all how many elite assassins can one country have? Well, it doesn’t take long till they discover they are all trapped in “the Killing Chamber”, a place where assassins and other people are brought to die. What’s kind of cool is they are given a chance at freedom, but that chance only comes if they are the sole survivor of their captors’ game.
What follows are a series of duels to the death; as the survivors are whittled down, the desperation to survive becomes more intense. The key three assassins Gabriel (Johnny Messner), Som (Ammara Siripong), and The Kid (Tim Man) are the only memorable survivors as they escape beyond the chamber and into a hellish warehouse filled with ninjas and numerous other bloodthirsty killers. The fight choreography is fairly standard but is still fun, especially for those like me who pretty much get excited any time a ninja shows up.
Posted in: Disc Reviews by William O'Donnell on December 27th, 2012
An African American high school student fights against her school's longstanding decision to host racially segregated proms. This film is based on true events that occurred at a school in Butler, Georgia. Originally debuting on the Lifetime network in 2006, this is the film's first DVD release.
A couple of the actors seemed a little out of place in their roles. Jason Lewis' beauty is a bit of a curse as he is seems only suited to play male models. As a high school teacher, his hair is just a bit too gelled and his chin seems a bit too molded. This may seem like an unfair evaluation but sometimes I think the casting director needs to be more aware of whether or not an actor looks right for the part and Mr. Lewis just didn't have the mien of “small Southern town.” I don't even recall if he had the correct accent come to think of it...
Posted in: Disc Reviews by Gino Sassani on December 18th, 2012
I'm a Minnesota Vikings football fan. Yes, I accept the condolences. However, I didn't say that to get sympathy, and I'm not yet in need of the services of the suicide hotline. With two games to go, I will keep the number on speed dial, just in case. A thousand years ago we had a star player who made the by now infamous statement that he plays when he wants to play. For a young athlete with an already troubled past, it didn't go over too well. But over the last decade or so Clint Eastwood appears to be in that same mindset. He acts when he wants to. He's only appeared in three films in the last ten years. The difference is that Clint has earned the right to be picky about when he works. He isn't taking a paycheck when he isn't working, and when others depend on him to hit it out of the park, he rarely misses the ball. Trouble With The Curve won't ever rival Eastwood's other roles for action, intensity, or even one-liners, but it's a solid performance in every way. For all of those Eastwood critics in the glory days who said he couldn't pull off a performance without the trappings of Dirty Harry or The Man With No Name, I suspect you're having a hearty meal eating those words after seeing Trouble With The Curve. It's perhaps his simplest role yet. It also happens to be a home run.
Gus (Eastwood) has been a scout for baseball's Atlanta Braves for 40 years. He's responsible for the team's greatest talents going back to Dusty Baker. Now he's in his 80's. New, younger blood has invaded the world of scouting, and they've brought along all of their latest computer toys to do the job. Gus won't adapt to that new technological world. He can tell a hitter's talent by the sound of the ball leaving the bat or the sound of the batter's hands as he gets ready to swing. That's a good thing, because Gus is losing his eyesight. He trips over tables and chairs (enter your own RNC joke here) and isn't the safest person behind the wheel of his car. His old friend and head of scouting for the team is Pete (Goodman). He's still behind Gus, but the pressure is on. There are only three months left on Gus's contract, and the draft is approaching. Gus has one scouting trip to prove he's still got it, or he's going to be put out to pasture by owner Vince (Patrick).
Posted in: Disc Reviews by J C on December 13th, 2012
At the turn of the millennium, we seemed to collectively decide that we wanted our heroes to be dark and gritty. The X-Men traded in their yellow spandex for black leather in their first big-screen adventure. Batman went from exchanging quips and painful puns with Mr. Freeze to brooding magnificently for director Christopher Nolan. And Hollywood almost completely stopped making candy-colored spectacles like Dick Tracy.
It’s not difficult to understand why this happened. Though I have a soft spot for pulpy ‘90s period pieces like The Rocketeer, The Shadow and even The Phantom, they didn’t exactly set the box office on fire. The star-studded Dick Tracy was actually the most successful film from this group, grossing over $100 million, earning seven(!) Oscar nominations and winning three of those trophies. However, the fact that Dick Tracy’s closest doppelganger is probably the ultra-violent Sin City — another tale with tough-talking cops and crooks that looks like it was ripped directly from the pages of its source material for the big screen — tells you where moviemaking has gone from then to now.
Posted in: No Huddle Reviews by J C on December 4th, 2012
Help me out here. I know the traditional gift for a couple’s 25th wedding anniversary is silver and that gold is supposed to mark 50 years. But what do you get a spouse to commemorate your considerably less ceremonial 31-year wedding anniversary? I’m not sure what the answer is, but I don’t think one week of intensive marriage counseling is the conventional way to go.
Kay (Meryl Streep) is desperate to reconnect with her husband, Arnold (Tommy Lee Jones). Kay and Arnold are unquestionably devoted to each other, but their love life is mired in a years-long rut. (They sleep in separate bedrooms and we eventually learn they haven’t had sex in nearly five years.) To help reignite the spark in their marriage, Kay signs the couple up for a weeklong series of sessions with renowned couples’ specialist Dr. Bernard Feld (Steve Carell) in the quaint town of Great Hope Springs, Maine.
Posted in: Disc Reviews by William O'Donnell on November 29th, 2012
This is the eighth and final season of this slightly offbeat crime drama. Nothing has brought me more joy than seeing that instantly recognizable CBS packaging that is used for older programs being revived onto DVD releases such as Perry Mason or Barnaby Jones. Now Mannix has the opportunity to wow me as I have been before. Will this be a pleasant experience or surprisingly disappointing?
This show is pleasant enough to behold and was certainly surprised by the strange, almost comedic attributes that are injected. To draw this comparison again, I'm not talking about the endearing way that Barnaby Jones always drinks milk in his own series. I'm talking about Mannix getting hired by a politician to while riding a carousal, or surprising a musician at home who is walking on his hands for absolutely no reason whatsoever. Such things do not explain the plot any better nor suit the intensely serious tone these stories always end up taking. There were times where this series was reminding me of Police Squad! (a complete lampooning of shows like Mannix) when it should be demonstrating the seeds being planted for serious crime shows to follow. When a character refers to another as “baby” or says they “dig it” I can understand that as symptoms of taking place in 1974, but this show goes further than that into oddities. Heck, even the opening credits contains a mixture of images that includes gun fights, fights, skiing and Mannix burning his hands on some toast...I just don't understand what tone this show is trying to set.
Posted in: Disc Reviews by J C on November 29th, 2012
Some movie titles are almost comically blunt. Recent examples that didn’t leave much to moviegoers’ imaginations include Cowboys & Aliens, The 40-Year-Old Virgin and, of course, Snakes on a Plane. So when I saw the title of Disney’s latest live-action, family-friendly offering, I wondered just how odd this movie could really be. (At the end of the day, we’re still talking about a Disney film here.) Turns out, The Odd Life of Timothy Green is a strange little flick for a variety of reasons.
Jennifer Garner and Joel Edgerton star as Cindy and Jim Green, a childless couple living in fictional Stanleyville, “the Pencil Capital of the World.” The movie very quickly and subtly — no need to bum out or bore the younger members of the target audience — establishes Cindy and Jim are not able to have children of their own. The couple is understandably dejected. To cheer his wife up, Jim suggests they write down the qualities their ideal child would possess — including having a big heart and being honest to a fault — and place the pieces of paper in a box, which they bury in their garden.
Posted in: Disc Reviews by William O'Donnell on November 29th, 2012
Before his 19th birthday, Frank Abagnale Jr. posed as a pilot, doctor, lawyer and secret service agent in an uncanny crime spree that saw him forging millions of dollars worth of fraudulent checks. This film chronicles the fantastic yet true adventure with large doses of fun injected into the 2 and a half hour long chase.
Abagnale committed these crimes in a time that was far more trusting than it is now (in fact, Abagnale would go on to use his skills to boost the security of the currency and checks he took advantage of before). Whenever Abagnale's crimes are described, his statistics are read like highlights from a sportstar rather than someone malevolent. We do not see any actual victims. Even his nemesis, Agent Carl Hanratty (portrayed by Tom Hanks), eventually gains a lifelong friendship after multiple years of pursuing (and frequently being humiliated by) Abagnale.
