Musical

If we act like we belong, they'll think we belong.”

You never know who could be watching when you post something online. Sophia Grace Brownlee is a perfect example of how to become a “star” in this decade. In 2011, the 8-year-old Brit starred in a video of herself singing Nicki Minaj's “Super Bass” alongside her silent, hype man cousin Rosie McClelland. The clip went viral and caught the eye of Ellen DeGeneres, who has repeatedly featured the diminutive duo on her daytime talk show over the last few years. I suppose it was only a matter of time before Sophia Grace and Rosie jumped to the big screen; well, the straight-to-DVD screen anyway.

Hollywood (rightfully) gets a lot of flack these days for being creatively bankrupt. But you can’t throw a rock down Broadway without hitting the marquee for a musical that’s based on an existing film. It’s not exactly a new phenomenon — and it doesn’t always work — but some of the most successful and beloved musicals feature stories you already know and fell in love with on the big screen. The trend seems to have really picked up at the turn of the century, and it doesn’t appear to be slowing down anytime soon. So adapting a massive hit like Shrek for the stage must’ve been a no-brainer.

During his mid-20th century prime, Danny Kaye was one of the greatest entertainers in the world. He was a terrific actor, singer, comedian and dancer. Not bad for a guy who couldn’t read a note of music and never took a single dance class. On the Riviera is not Kaye’s best (nor his best-known) movie; that title belongs to White Christmas, The Secret Life of Walter Mitty or Hans Christian Andersen. However, this soufflé-light musical comedy — now making its Blu-ray debut courtesy of Fox — is a nice showcase for Kaye’s considerable talents.

My best work is often done behind a computer or somewhere where my face is not on display. I am not the most handsome guy despite the fact I have been described by those of the female persuasion as otherwise. But I have talent, loads of it and I am always waiting for the next moment to show it off. Perhaps I can take a cue from our movie today, The Idolmaker and use my talent to make others around me stars. Maybe I should just go shave instead.

Elvis Presley was easily one of the most impactful pop culture icons of the 20th century during his life, and that status has barely waned in the decades after his death. (Or “alleged death”, given the number of Elvis sightings each year.) Presley obviously made his most lasting mark in the world of rock and roll music (and fashion), but he also had a surprisingly fruitful film career. Though none of his movies turned out to be cinematic masterpieces and no one was confusing him with Marlon Brando, The King brought his charismatic presence to more than 30 movies between 1956 and 1969. He was 21 when he made his film debut in Love Me Tender.

If you’re any sort of discerning cinephile — and if you’ve taken the time to visit our fine site, I’m going to assume you are — you’ve probably heard of The Jazz Singer. Of course, for the movie-going public in the late 1920s, The Jazz Singer was unlike anything they’d ever heard: the first feature-length motion picture with synchronized dialogue. Or, put more simply, the first “talkie.” Though you probably know it revolutionized the film industry, I’m betting it’s a lot less likely you’ve actually seen The Jazz Singer.

If the phrase “You got served” only conjures up images of wait staff or a notice to appear in court, then Battlefield America may not be for you. The film comes “from the writer, director and creator of You Got Served” — the hip hop-flavored dance drama that became a modest hit in 2004 — but offers up a child-centric twist. For fans of You Got Served, the best way to enjoy this inferior film may be to pretend the dancers in that movie were tragically shrunk down to kid size.

A tragic accident after an uncannily choreographed dance party in the country leaves a carload of teens dead, and their hometown vows to ban all public displays of dancing and loud music. Big City hunk Ren MacCormack arrives in town to challenge this outlawing of music and dance by...mostly dancing to music.

Charles Dickens’ A Christmas Carol is the pre-eminent holiday fare success story. Not only was it gigantically successful for Dickens himself, to the point that not only did he then follow it up with other Christmas books (The Chimes, The Cricket on the Hearth, The Haunted Man), but he also took charge of one of its early adaptations, trimming it down for oral performances. It has also, of course, been the subject of numerous film versions, with everyone from the Muppets to Bill Murray having a go. This one, from 1970, turns the story into a musical.

“When you're a Jet, you're a Jet all the way! From your first cigarette to your last dyin' days.”

West Side Story is a masterpiece in film making. Its DNA comes from the greatest entertainers in the business. The great Robert Wise (The Sound of Music, The Day the Earth Stood Still) shares directing credit with one of the world’s greatest choreographers, Jerome Robbins. The music was composed by Leonard Bernstein with lyrics by Stephen Sondheim. Daniel Fapp’s cinematography is epic and evocative. The movie was nominated for 11 Academy Awards and won 10, a record at the time, including Best Picture and Best Director.